Annotation:New Bumpkin (The): Difference between revisions

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'''NEW BUMPKIN.''' AKA and see "[[Honorable Colonel Hamilton's Delight (The)]]." Scottish, Jig (6/8 time). G Major. Standard tuning (fiddle). AABBCC'. The melody was originally Joseph Reinagle's "Honorable Colonel Hamilton's Delight," retitled by the Gows as "New Bumpkin." The 'New' in the title presumably is to differentiate it from the "[Old] [[Country Bumpkin (The)]]."  
'''NEW BUMPKIN.''' AKA and see "[[Honorable Colonel Hamilton's Delight (The)]]." Scottish, Jig (6/8 time). G Major. Standard tuning (fiddle). AABBCC'. The melody was originally Joseph Reinagle's "[[Honorable Colonel Hamilton's Delight (The)]]," retitled by the Nathaniel Gow as "New Bumpkin" in '''The beauties of Niel Gow, being a selection of the most favorite tunes from his first, second, and third collections of strathspeys, reels & jigs, chiefly comprising the compositions of Niel Gow and sons, (the dances arranged as medleys), all of which are adapted for the harp, piano-forte, violin & violoncello. Part 1''' (Edinburgh, 1819). The 'New' in the title possibly to to differentiate it from the jig "[[Country Bumpkin]]."  
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Revision as of 03:11, 9 May 2014

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NEW BUMPKIN. AKA and see "Honorable Colonel Hamilton's Delight (The)." Scottish, Jig (6/8 time). G Major. Standard tuning (fiddle). AABBCC'. The melody was originally Joseph Reinagle's "Honorable Colonel Hamilton's Delight (The)," retitled by the Nathaniel Gow as "New Bumpkin" in The beauties of Niel Gow, being a selection of the most favorite tunes from his first, second, and third collections of strathspeys, reels & jigs, chiefly comprising the compositions of Niel Gow and sons, (the dances arranged as medleys), all of which are adapted for the harp, piano-forte, violin & violoncello. Part 1 (Edinburgh, 1819). The 'New' in the title possibly to to differentiate it from the jig "Country Bumpkin."

Source for notated version:

Printed sources: Anonymous (A Companion to the reticule), 1833; p. 30. Gow (Beauties of Niel Gow, Part I).

Recorded sources:




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