Ninety-First at Modder River (The): Difference between revisions

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X:0
X:1
T: No Score
T:91st at Modder River, The
C: The Traditional Tune Archive
C:Pipe Major William Robb
M:
M:2/4
K:
L:1/8
x
K:Bmin
f|BB/>c/ Bc/<e/|fa/>e/ fe/>c/|AA/>B/ Ac/<e/|fa/>A/ cB/<A/|
BB/>c/ Bc/<e/|fa/>e/ fe/>c/|B/<A/B/>c/ B/<f/e/>c/|cB B:|
|:c/<e/|fa f-f/>e/|f/>d/f/<a/ fe/>c/|AA/>B/ Ac/>e/|fa/>A/ cB/>A/|
|1 fa f-f/>e/|f/>e/f/<a/ fe/>c/|B/>A/B/>c/ B/<f/e/>c/|cB B:|
|2 BB/>c/ Bc/>e/|fa/>e/ fe/>c/|B/<A/B/>c/ B/<fe/>c/|cB B||
|:f|BB/>c/ f/>B/c/<e/|f/>B/B fe/>c/|AA/>c/ e/>A/c/<e/|f/<a/g/<a/ fe/<c/|
BB/>c/ f/>B/c/<e/|f/>B/B fe/>c/|B/<A/B/>c/ B/<f/e/>c/|cB B:|
|:c/<e/|f/>ef/<a/ f/>ec/<e/|f/<a/g/<a/ fe/>c/|AA/>c/ e/>A/c/<e/|f/<a/g/<a/ fe/>c/|
|1 f/>e/f/<a/ f/>e/c/<e/|f/<a/g/<a/ fe/>c/|B/<A/B/>c/ B/<f/e/>c/|cB B:|
|2 BB/>c/ f/>B/c/<e/|f/>B/B fe/>c/|B/<A/B/>c/ B/<f/e/>c/|cB B||
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Revision as of 21:02, 21 June 2014


Ninety-First at Modder River (The)  Click on the tune title to see or modify Ninety-First at Modder River (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Ninety-First at Modder River (The)
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 Theme code Index    1112 57b54
 Also known as    Argyll & Sutherland Highlanders at Modder River (The), March of the 93rd at Modder River, 93rd Argylls at Modder River (The), 91st at Modder River (The)
 Composer/Core Source    Biography:William Robb
 Region    Scotland, Canada
 Genre/Style    Cape Breton/PEI, Pipe, Scottish
 Meter/Rhythm    March/Marche
 Key/Tonic of    B
 Accidental    2 sharps
 Mode    Aeolian (minor)
 Time signature    2/4
 History    CANADA(Maritimes/English)
 Structure    AABB'CCDD'
 Editor/Compiler    
 Book/Manuscript title    
 Tune and/or Page number    
 Year of publication/Date of MS    
 Artist    Biography:Dan Joe MacInnis
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


Tune annotations

X:1
T:91st at Modder River, The
C:Pipe Major William Robb
M:2/4
L:1/8
K:Bmin
f|BB/>c/ Bc/<e/|fa/>e/ fe/>c/|AA/>B/ Ac/<e/|fa/>A/ cB/<A/|
BB/>c/ Bc/<e/|fa/>e/ fe/>c/|B/<A/B/>c/ B/<f/e/>c/|cB B:|
|:c/<e/|fa f-f/>e/|f/>d/f/<a/ fe/>c/|AA/>B/ Ac/>e/|fa/>A/ cB/>A/|
|1 fa f-f/>e/|f/>e/f/<a/ fe/>c/|B/>A/B/>c/ B/<f/e/>c/|cB B:|
|2 BB/>c/ Bc/>e/|fa/>e/ fe/>c/|B/<A/B/>c/ B/<fe/>c/|cB B||
|:f|BB/>c/ f/>B/c/<e/|f/>B/B fe/>c/|AA/>c/ e/>A/c/<e/|f/<a/g/<a/ fe/<c/|
BB/>c/ f/>B/c/<e/|f/>B/B fe/>c/|B/<A/B/>c/ B/<f/e/>c/|cB B:|
|:c/<e/|f/>ef/<a/ f/>ec/<e/|f/<a/g/<a/ fe/>c/|AA/>c/ e/>A/c/<e/|f/<a/g/<a/ fe/>c/|
|1 f/>e/f/<a/ f/>e/c/<e/|f/<a/g/<a/ fe/>c/|B/<A/B/>c/ B/<f/e/>c/|cB B:|
|2 BB/>c/ f/>B/c/<e/|f/>B/B fe/>c/|B/<A/B/>c/ B/<f/e/>c/|cB B||

Tune annotations

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