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'''NOONDAY FEAST, THE.''' AKA - "Noon Day Feast." AKA and see "[[Kitty Come Over]]," "[[Scatter the Mud (2)]]" (Scaip an Puiteach). Irish, Jig. E Dorian. Standard tuning (fiddle). AABB. See also the first strain of Roche's "[[Maids of Tramore]]."  Melodeon player P.J. Conlon recorded the tune in 1920 on 78 RPM under the title "The Black Thornstick." Five years later the jig was recorded in New York by James "The Professor" Morrison, originally from County Sligo, as "Noon Day Feast," paired with "Rambles with Rory" (better known as "[[Fasten the Leg in Her]]."  
'''NOONDAY FEAST, THE.''' AKA - "Noon Day Feast." AKA and see "[[Kitty Come Over]]," "[[Scatter the Mud (2)]]" (Scaip an Puiteach). Irish, Jig. E Dorian. Standard tuning (fiddle). AABB. See also the first strain of Roche's "[[Maids of Tramore]]."  Melodeon player P.J. Conlon recorded the tune in 1920 on 78 RPM under the title "The Black Thornstick." Five years later the jig was recorded in New York by James "The Professor" Morrison, originally from County Sligo, as "Noon Day Feast," paired with "Rambles with Rory" (better known as "[[Fasten the Leg in Her]])."  
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Revision as of 15:33, 27 July 2014

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NOONDAY FEAST, THE. AKA - "Noon Day Feast." AKA and see "Kitty Come Over," "Scatter the Mud (2)" (Scaip an Puiteach). Irish, Jig. E Dorian. Standard tuning (fiddle). AABB. See also the first strain of Roche's "Maids of Tramore." Melodeon player P.J. Conlon recorded the tune in 1920 on 78 RPM under the title "The Black Thornstick." Five years later the jig was recorded in New York by James "The Professor" Morrison, originally from County Sligo, as "Noon Day Feast," paired with "Rambles with Rory" (better known as "Fasten the Leg in Her)."

Source for notated version: accordion player Johnny O'Leary (Sliabh Luachra region of the Cork-Kerry border) [Moylan].

Printed sources: Moylan (Johnny O'Leary of Sliabh Luachra), 1994; No. 263, p. 150.

Recorded sources: Columbia 33277-F (78 RPM), James Morrison (1925).

See also listing at:
Alan Ng's Irishtune.info [1]
Hear James Morrison's 1925 recording at the Internet Archive [2]




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