Annotation:Kitty Sharpe's Champion: Difference between revisions
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'''KITTY SHARPE'S CHAMPION (JIG)'''. American, 'Sand' Dance (cut time). G Major ('A' & 'B' parts), C Major ('C' part) & E Minor or G Major ('D' part). Standard tuning (fiddle). AABBCCDDEE (Cole): AA'BB'CC'DE. The first part is similar to the "[[Inimitable Reel]]" in '''Ryan's'''. In the book, it is labeled a 'jig,' referring to a type of syncopated old time banjo and fiddle tune in 2/4 or 2/2 time rather than the more familiar Irish 6/8, 9/8 or 12/8 jigs. Kitty Sharpe (1855-1945) was a singer and dancer from Saratoga Springs, NY | '''KITTY SHARPE'S CHAMPION (JIG)'''. American, 'Sand' Dance (cut time). G Major ('A' & 'B' parts), C Major ('C' part) & E Minor or G Major ('D' part). Standard tuning (fiddle). AABBCCDDEE (Cole): AA'BB'CC'DE. The first part is similar to the "[[Inimitable Reel]]" in '''Ryan's'''. In the book, it is labeled a 'jig,' referring to a type of syncopated old time banjo and fiddle tune in 2/4 or 2/2 time rather than the more familiar Irish 6/8, 9/8 or 12/8 jigs. Kitty Sharpe, aka Sharp (1855-1945) was a singer and dancer from Saratoga Springs, NY. She began her career in the 1860's in a clog-dancing double act with her sister Dolly and was active in the circus and on the variety stage until 1893. She performed for years with her husband, the English-born circus clown and gymnast Edwin "Eddie" Fritz (whose real name was Smith), and his partner James Cassim until the latter's death in a railway yard accident in 1879. Sharpe and Fritz continued their career with Barnum & Bailey, for whom Fritz was principal clown. In 1883 they established a residence in Saratoga Springs, where Kitty raised a daughter and three sons, one of whom, Eddie Smith, became a prominent music hall performer in his own right. Sharpe appeared in her youth in the hit musical show ''The Black Crook'' and was later noted for her variety hall performances of the "sand jig," danced as a series of slides and shuffles on a sand-strewn stage. The tune named for her bears a distinct stylistic resemblance to "[[Kitty O'Neil's Champion]]," which was named for a more famous sand jigger, and which also first appeared in Ryan's collection. Both tunes may well have been composed by the same anonymous hand. | ||
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Revision as of 13:31, 1 September 2014
Back to Kitty Sharpe's Champion
KITTY SHARPE'S CHAMPION (JIG). American, 'Sand' Dance (cut time). G Major ('A' & 'B' parts), C Major ('C' part) & E Minor or G Major ('D' part). Standard tuning (fiddle). AABBCCDDEE (Cole): AA'BB'CC'DE. The first part is similar to the "Inimitable Reel" in Ryan's. In the book, it is labeled a 'jig,' referring to a type of syncopated old time banjo and fiddle tune in 2/4 or 2/2 time rather than the more familiar Irish 6/8, 9/8 or 12/8 jigs. Kitty Sharpe, aka Sharp (1855-1945) was a singer and dancer from Saratoga Springs, NY. She began her career in the 1860's in a clog-dancing double act with her sister Dolly and was active in the circus and on the variety stage until 1893. She performed for years with her husband, the English-born circus clown and gymnast Edwin "Eddie" Fritz (whose real name was Smith), and his partner James Cassim until the latter's death in a railway yard accident in 1879. Sharpe and Fritz continued their career with Barnum & Bailey, for whom Fritz was principal clown. In 1883 they established a residence in Saratoga Springs, where Kitty raised a daughter and three sons, one of whom, Eddie Smith, became a prominent music hall performer in his own right. Sharpe appeared in her youth in the hit musical show The Black Crook and was later noted for her variety hall performances of the "sand jig," danced as a series of slides and shuffles on a sand-strewn stage. The tune named for her bears a distinct stylistic resemblance to "Kitty O'Neil's Champion," which was named for a more famous sand jigger, and which also first appeared in Ryan's collection. Both tunes may well have been composed by the same anonymous hand.
Source for notated version:
Printed sources: Cole (1000 Fiddle Tunes), 1940; p. 84. Kerr (Merry Melodies, vol. 2), c. 1880's; no. 426, p. 48. Ryan's Mammoth Collection, 1883; p. 84.
Recorded sources: