Revision as of 22:30, 6 November 2014

Dear Black Maid (The) Click on the tune title to see or modify Dear Black Maid (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Dear Black Maid (The) Query the Archive
Theme code Index	355 551
Also known as	How oft has the benshee cried
Composer/Core Source
Region	Ireland
Genre/Style	Irish
Meter/Rhythm	Air/Lament/Listening Piece
Key/Tonic of	B
Accidental	2 flats
Mode	Ionian (Major)
Time signature	3/4
History
Structure	One part
Editor/Compiler	Biography:Edward Bunting
Book/Manuscript title	Book:Ancient Irish Music
Tune and/or Page number
Year of publication/Date of MS	1796
Artist
Title of recording
Record label/Catalogue nr.
Year recorded
Media
Score ()

Tune annotations

X:1
T:How oft has the benshee cried
M:3/4
L:1/8
R:Air
N:”Larghetto”
B:Thomas Moore - Irish Melodies (1807)
N:From the 1897 edition, edited by Charles Villiers Stanford
Z:AK/Fiddler’s Companion
K:F
z2z2zF|A2c2 dd|cc A/G/F zF|A2c2 c/d/_e|d>c A2 (c/d/=e)|
(f3g)f2|_e>e d2-(dc)|(A3 G) F2|G2 (G/F/D/C/) !fermata!C>!fermata!D|
F2 (FG) (AF)|G>F GA BG|(F>E) (FG)(AF)|BG AF GD|
F2 (FG) (AF)|A2c2 !fermata!(f>e)|(dc)(BA) (GF)|G3F F2:|]

X:1
T:Dear Black Maid, The
M:3/4
L:1/8
R:Air
N:”Slow & with solemnity”
B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 71, p. 36)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Z:AK/Fiddler’s Companion
K:Bb
.B|(d2f2) (f{a}g)|(f3d) .B2|(d2f2) (f/g/_a)|(g3f d2)|
(b2c'2b2)|(a3g) (gf)|(d3c).B2|(c3A).F2|
.B2 (B>c) (dB)|(c>B c).c(ec)|(B>A) (Bc).d.B|(ec)(dB)(cG)|
.B2 (BcdB)|d2f2 {gf=ef} !fermata!(b>a)|(gf)(ed)(cB)|(d3c) !fermata!B||

Tune annotations

@@ Line 10: / Line 10: @@
 |f_mode=Ionian (Major)
 |f_structure=One part
-|f_book_title=Gems of Ireland: 200 Airs
+|f_book_title=Ancient Irish Music
-|f_collector=John Clinton
+|f_collector=Edward Bunting
-|f_year=1841
+|f_year=1796
-|f_page=No. 71, p. 36
 |f_theme_code_index=355 551
 }}