Annotation:Doctor O'Neill (2): Difference between revisions
No edit summary |
No edit summary |
||
Line 2: | Line 2: | ||
---- | ---- | ||
<p><font face="garamond, serif" size="4"> | <p><font face="garamond, serif" size="4"> | ||
'''DOCTOR O'NEILL [2]'''. AKA and see "[[Barney O'Neill]]." Irish, Jig. D Mixolydian. Standard tuning (fiddle). AABB. The melody appears in the music manuscript collection of Church of Ireland cleric James Goodman (1828-1896). Goodman, who spoke Irish and played the uilleann pipes, collected from tradition in Cork and elsewhere in Munster, as well as obtained tunes from manuscripts and printed sources. Francis O'Neill prints a version of the tune as "[[Barney O'Neill]]. | '''DOCTOR O'NEILL [2]'''. AKA and see "[[Barney O'Neill]]." Irish, Jig. D Mixolydian. Standard tuning (fiddle). AABB. The melody appears in the music manuscript collection of Church of Ireland cleric James Goodman (1828-1896). Goodman, who spoke Irish and played the uilleann pipes, collected from tradition in Cork and elsewhere in Munster, as well as obtained tunes from manuscripts and printed sources. Francis O'Neill prints a version of the tune as "[[Barney O'Neill]]" but both are members of the "[[Kitty Lie Over]]" "[[Young Tim Murphy]]" tune family. | ||
<br> | <br> | ||
<br> | <br> |
Revision as of 03:48, 17 January 2015
Back to Doctor O'Neill (2)
DOCTOR O'NEILL [2]. AKA and see "Barney O'Neill." Irish, Jig. D Mixolydian. Standard tuning (fiddle). AABB. The melody appears in the music manuscript collection of Church of Ireland cleric James Goodman (1828-1896). Goodman, who spoke Irish and played the uilleann pipes, collected from tradition in Cork and elsewhere in Munster, as well as obtained tunes from manuscripts and printed sources. Francis O'Neill prints a version of the tune as "Barney O'Neill" but both are members of the "Kitty Lie Over" "Young Tim Murphy" tune family.
Source for notated version: Rev. James Goodman manuscripts (Cork, mid-19th century) [Shields]
Printed sources: Shields/Goodman (Tunes of the Munster Pipers), 1998; No. 63, p. 29.
Recorded sources: