Annotation:Walk along John (1): Difference between revisions
No edit summary |
Alan Snyder (talk | contribs) (Fix HTML, citation) |
||
Line 3: | Line 3: | ||
<p><font face="garamond, serif" size="4"> | <p><font face="garamond, serif" size="4"> | ||
'''WALK ALONG JOHN [1].''' AKA and see “[[Come Along John]],” "[[Johnny Walk Along With Your Paper Collar On]]." Old Time, Breakdown. USA;Missouri, Arkansas, Oklahoma. G Major. Standard tuning (fiddle). AAB (Thede): AABB (Christeson, Phillips): AA’BB’ (Beisswenger & McCann). The regionally very popular "Walk Along John" appears to some to be a Mid West variant of "[[Stony Point (1)]]," although the resemblance seems strained at best to others. It was recorded for the Library of Congress by musicologist/folklorist Vance Randolph from the playing of Ozarks Mountains fiddlers in the early 1940's, and it was recorded in the 78 RPM era by Luke Highnight and His Ozark Strutters (1928) and Bob Miller and his Hinky Dinkers (1929). “Walk Along John” is one of the ‘100 essential Missouri fiddle tunes’ according to Missouri fiddler Charlie Walden, although each fiddler seems to have his own variant. A minstrel song called “Walk Along John” or “Come Along, John,” was published in 1844 (music and words attributed to J.P. Carter of the Virginia Serenaders in their published songbook, although it also states it is “an Old Sourthern Refrain”), perhaps based on an African-American ‘corn (shucking) song’ called “Shock Along John.” It begins: | '''WALK ALONG JOHN [1].''' AKA and see “[[Come Along John]],” "[[Johnny Walk Along With Your Paper Collar On]]." Old Time, Breakdown. USA;Missouri, Arkansas, Oklahoma. G Major. Standard tuning (fiddle). AAB (Thede): AABB (Christeson, Phillips): AA’BB’ (Beisswenger & McCann). The regionally very popular "Walk Along John" appears to some to be a Mid West variant of "[[Stony Point (1)]]," although the resemblance seems strained at best to others. It was recorded for the Library of Congress by musicologist/folklorist Vance Randolph from the playing of Ozarks Mountains fiddlers in the early 1940's, and it was recorded in the 78 RPM era by Luke Highnight and His Ozark Strutters (1928) and Bob Miller and his Hinky Dinkers (1929). “Walk Along John” is one of the ‘100 essential Missouri fiddle tunes’ according to Missouri fiddler Charlie Walden, although each fiddler seems to have his own variant. A minstrel song called “Walk Along John” or “Come Along, John,” was published in 1844 (music and words attributed to J.P. Carter of the Virginia Serenaders in their published songbook, although it also states it is “an Old Sourthern Refrain”), perhaps based on an African-American ‘corn (shucking) song’ called “Shock Along John.” It begins: | ||
<blockquote> | </font></p> | ||
<blockquote><font face="garamond, serif" size="4"> | |||
''All de way from ole Car-li-na,''<br> | ''All de way from ole Car-li-na,''<br> | ||
''For to see my old Aunt Di-nah;''<br> | ''For to see my old Aunt Di-nah;''<br> | ||
Line 12: | Line 13: | ||
''Walk Along John, the fifer’s son,''<br> | ''Walk Along John, the fifer’s son,''<br> | ||
''Ain’t you glad your day’s work’s done.''<br> | ''Ain’t you glad your day’s work’s done.''<br> | ||
</blockquote> | </font></blockquote> | ||
<p><font face="garamond, serif" size="4"> | |||
It was popular enough to be employed in the 1844 Presidential race between Henry Clay (Kentucky) and James K. Polk (Tennessee), with each side sculpting the lyric: | It was popular enough to be employed in the 1844 Presidential race between Henry Clay (Kentucky) and James K. Polk (Tennessee), with each side sculpting the lyric: | ||
<blockquote> | </font></p> | ||
<blockquote><font face="garamond, serif" size="4"> | |||
''Walk along John, you can't stay,''<br> | ''Walk along John, you can't stay,''<br> | ||
''The people's choice is Harry Clay'' ... [Whig] <br> | ''The people's choice is Harry Clay'' ... [Whig] <br> | ||
</blockquote> | </font></blockquote> | ||
<p><font face="garamond, serif" size="4"> | |||
or,<br> | or,<br> | ||
<blockquote> | </font></p> | ||
<blockquote><font face="garamond, serif" size="4"> | |||
''Walk along John, you can't stay,''<br> | ''Walk along John, you can't stay,''<br> | ||
''The people's choice is Jimmy K.'' ... [Democrat]<br> | ''The people's choice is Jimmy K.'' ... [Democrat]<br> | ||
</blockquote> | </font></blockquote> | ||
<p><font face="garamond, serif" size="4"> | |||
The music is reproduced in abc format below. According to Beisswenger & McCann (2008) this song was absorbed into play-party tradition (collected in Indiana [Wolford, 1919]), and in the Ozarks in 1942 (where it had been learned in the 1880’s), although it was not musically related to the old-time breakdown called “Walk Along John.” However, a second song that developed in tradition, called “[[Walk Along John with your paper collar on]],” which does have a melody that is similar to the breakdown “Walk Along John (1).” It has the lyric: | The music is reproduced in abc format below. According to Beisswenger & McCann (2008) this song was absorbed into play-party tradition (collected in Indiana [Wolford, 1919]), and in the Ozarks in 1942 (where it had been learned in the 1880’s), although it was not musically related to the old-time breakdown called “Walk Along John.” However, a second song that developed in tradition, called “[[Walk Along John with your paper collar on]],” which does have a melody that is similar to the breakdown “Walk Along John (1).” It has the lyric: | ||
<blockquote> | </font></p> | ||
<blockquote><font face="garamond, serif" size="4"> | |||
''Johnny walk along with your paper collar on,''<br> | ''Johnny walk along with your paper collar on,''<br> | ||
''Ain’t you mighty glad your day’s work’s done.''<br> | ''Ain’t you mighty glad your day’s work’s done.''<br> | ||
</font></blockquote> | |||
</font></ | |||
<p><font face="garamond, serif" size="4"> | <p><font face="garamond, serif" size="4"> | ||
''Sources for notated versions'': African American fiddler Bill Driver (Miller County, Missouri) [Christeson]; W.S. Collins (Pottawatomie County,Oklahoma) [Thede]; Tony Thomas and Bruce Molsky with Bob Carlin [Phillips]; Lee Stoneking ( | <br> | ||
''Sources for notated versions'': African American fiddler Bill Driver (Miller County, Missouri) [Christeson]; W.S. Collins (Pottawatomie County,Oklahoma) [Thede]; Tony Thomas and Bruce Molsky with Bob Carlin [Phillips]; Lee Stoneking (1907–1992, originally from Henry County, Missouri) [Beisswenger & McCann]. | |||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face="garamond, serif" size="4"> | <p><font face="garamond, serif" size="4"> | ||
''Printed sources'': Beisswenger & McCann ('''Ozarks Fiddle | ''Printed sources'': | ||
Beisswenger & McCann ('''Ozarks Fiddle Music'''), 2008; p. 145. | |||
R.P. Christeson ('''Old Time Fiddler's Repertory, vol. 1'''), 1973; p. 91. | |||
Phillips ('''Traditional American Fiddle Tunes, vol. 1'''), 1994; p. 251 (two versions). | |||
Thede ('''The Fiddle Book'''), 1967; p. 135. | |||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face="garamond, serif" size="4"> | <p><font face="garamond, serif" size="4"> | ||
''Recorded sources'': <font color=teal>Graphic Recording, Lee Stoneking – “Missouri Old Time Fiddlin’” (c. 1970’s). Heritage 060, Bud Hunt | ''Recorded sources'': | ||
<font color=teal> | |||
Graphic Recording, Lee Stoneking – “Missouri Old Time Fiddlin’” (c. 1970’s). | |||
Heritage 060, Bud Hunt – "Music of the Ozarks" (Brandywine, 1984). | |||
Rounder 0157, Art Galbraith (Springfield, Mo.) – "Simple Pleasures." | |||
Rounder 0197, Bob Carlin – "Banging and Sawing" (1985. Learned from Tom Fuller {Okla.} via Brad Leftwich). | |||
</font> | |||
<br> | <br> | ||
<br> | <br> |
Revision as of 14:44, 14 March 2017
Back to Walk along John (1)
WALK ALONG JOHN [1]. AKA and see “Come Along John,” "Johnny Walk Along With Your Paper Collar On." Old Time, Breakdown. USA;Missouri, Arkansas, Oklahoma. G Major. Standard tuning (fiddle). AAB (Thede): AABB (Christeson, Phillips): AA’BB’ (Beisswenger & McCann). The regionally very popular "Walk Along John" appears to some to be a Mid West variant of "Stony Point (1)," although the resemblance seems strained at best to others. It was recorded for the Library of Congress by musicologist/folklorist Vance Randolph from the playing of Ozarks Mountains fiddlers in the early 1940's, and it was recorded in the 78 RPM era by Luke Highnight and His Ozark Strutters (1928) and Bob Miller and his Hinky Dinkers (1929). “Walk Along John” is one of the ‘100 essential Missouri fiddle tunes’ according to Missouri fiddler Charlie Walden, although each fiddler seems to have his own variant. A minstrel song called “Walk Along John” or “Come Along, John,” was published in 1844 (music and words attributed to J.P. Carter of the Virginia Serenaders in their published songbook, although it also states it is “an Old Sourthern Refrain”), perhaps based on an African-American ‘corn (shucking) song’ called “Shock Along John.” It begins:
All de way from ole Car-li-na,
For to see my old Aunt Di-nah;
Says I ole lady how’s de goose,
De Jay bird jump on the Martin’s roost.
Refrain:
Walk Along John, the fifer’s son,
Ain’t you glad your day’s work’s done.
It was popular enough to be employed in the 1844 Presidential race between Henry Clay (Kentucky) and James K. Polk (Tennessee), with each side sculpting the lyric:
Walk along John, you can't stay,
The people's choice is Harry Clay ... [Whig]
or,
Walk along John, you can't stay,
The people's choice is Jimmy K. ... [Democrat]
The music is reproduced in abc format below. According to Beisswenger & McCann (2008) this song was absorbed into play-party tradition (collected in Indiana [Wolford, 1919]), and in the Ozarks in 1942 (where it had been learned in the 1880’s), although it was not musically related to the old-time breakdown called “Walk Along John.” However, a second song that developed in tradition, called “Walk Along John with your paper collar on,” which does have a melody that is similar to the breakdown “Walk Along John (1).” It has the lyric:
Johnny walk along with your paper collar on,
Ain’t you mighty glad your day’s work’s done.
Sources for notated versions: African American fiddler Bill Driver (Miller County, Missouri) [Christeson]; W.S. Collins (Pottawatomie County,Oklahoma) [Thede]; Tony Thomas and Bruce Molsky with Bob Carlin [Phillips]; Lee Stoneking (1907–1992, originally from Henry County, Missouri) [Beisswenger & McCann].
Printed sources:
Beisswenger & McCann (Ozarks Fiddle Music), 2008; p. 145.
R.P. Christeson (Old Time Fiddler's Repertory, vol. 1), 1973; p. 91.
Phillips (Traditional American Fiddle Tunes, vol. 1), 1994; p. 251 (two versions).
Thede (The Fiddle Book), 1967; p. 135.
Recorded sources:
Graphic Recording, Lee Stoneking – “Missouri Old Time Fiddlin’” (c. 1970’s).
Heritage 060, Bud Hunt – "Music of the Ozarks" (Brandywine, 1984).
Rounder 0157, Art Galbraith (Springfield, Mo.) – "Simple Pleasures."
Rounder 0197, Bob Carlin – "Banging and Sawing" (1985. Learned from Tom Fuller {Okla.} via Brad Leftwich).
See also listing at:
Jane Keefer’s Folk Music Index: An Index to Recorded Sources [1]
See/hear the minstrel version played by the Camptown Shakers on youtube.com [2]