Maltman (1) (The): Difference between revisions

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L:1/8
L:1/8
S:David Young - The MacFarland Manuscript (c. 1740, pp. 76-82)
S:David Young - The MacFarland Manuscript (c. 1740, pp. 76-82)
N:There are 32 parts to Young's version.
K:D
K:D
A,|B/C/DD FAd TAT(G/F/E/D/)|TC2D E/F/G/F/E/D/ TC2A,|B,/C/DD FAd Tc>Bc/A/|
A,|B/C/DD FAd TAT(G/F/E/D/)|TC2D E/F/G/F/E/D/ TC2A,|B,/C/DD FAd Tc>Bc/A/|

Revision as of 22:34, 8 September 2015


Maltman (1) (The)  Click on the tune title to see or modify Maltman (1) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Maltman (1) (The)
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 Theme code Index    6L15 7L27L
 Also known as    Maltman Comes a Monday, Maltman Comes on Monday, Sir Roger de Coverley, Old Roger a Coverdill, Old Sir Roger a Coverdill
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    English, Northumbrian/Borders, Scottish
 Meter/Rhythm    Slip/Hop Jig, Triple Hornpipe
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    9/8
 History    ENGLAND(North East), ENGLAND(North West)
 Structure    AABBCC, AABBCCDDEEFFGGHH, AABBCCDDEEFFGGHHIIJJKKLL--- MMNNOOPPQQRRSSTTUU
 Editor/Compiler    David Young
 Book/Manuscript title    Book:The MacFarlane Manuscript
 Tune and/or Page number    pp. 76-82
 Year of publication/Date of MS    c. 1740
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


Tune annotations


X:1
%
T:Maltman, The
M:9/8
L:1/8
S:David Young - The MacFarland Manuscript (c. 1740, pp. 76-82)
N:There are 32 parts to Young's version.
K:D
A,|B/C/DD FAd TAT(G/F/E/D/)|TC2D E/F/G/F/E/D/ TC2A,|B,/C/DD FAd Tc>Bc/A/|
d2D DB,E TC2::A,|dAF GAB TA(G/F/E/D/)||TC2D E/F/G/F/E/D/ TC2A,|
dAF GAB Aec|B/A/B/c/d DB,E TC2:|A,|A/G/F/E/D B/A/B/c/d TAG/F/E/D/|
TC2(E E)B,E TC2A,|A/G/F/E/D B/A/B/c/d c/B/c/d/e|B/A/B/c/d DB,E TC2:|]    
X:1
%
T:Maltman, The
M:9/8
L:1/8
S:Gow - 2nd Repository  (1802)
Z:AK/Fiddler's Companion
K:G
D|E/F/GG G2g dBG|F2(A A)EA F2D|
E/F/GG G2g def|g2(G G>)AG G2:|
|:c|Bcd efg dBG|F2(A A)EA F2D|
dBd ece def|g2G GAG G2:|
|:(d2/e/2f/)|g3 f2e dBG| F2(A A)EA F2D|
gag f2e def|g2(G G)AG G2:|]
X: 2
%
T: THE MALTMAN
B: Oliver Ditson "The Boston Collection of Instrumental Music" 1910 p.86 #1
F: http://conquest.imslp.info/files/imglnks/usimg/8/8f/IMSLP175643-PMLP309456-bostoncollection00bost_bw.pdf
%: 2012 John Chambers <jc:trillian.mit.edu>
M: 9/8
L: 1/8
K: G
   D | E/F/GG G2g dBG | F2A AFA TF2D | E/F/GG G2g def | g2G G>AG G2 :|
|: c | Bcd efg dBG | TF2A AFA TF2D | dBd ece def | g2G GAG G2 :|
|: d//e//f/ | g3 Tf2e dBG | TF2A AEA TF2D | gag Tf2e def | g2G GAG G2 :|

Tune annotations