Perthshire Hunt (The): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Perthshire Hunt (The) | |f_tune_title=Perthshire Hunt (The) | ||
|f_aka=Perth Hunt (The), Highland Skip (2), Molly Maguire (2), Niel Gow's Reel (1), Popcorn (The), Richmond Hill (2), Sailor’s Trip to Liverpool (The), Boyne Hunt (1), | |f_aka=Perth Hunt (The), Highland Skip (2), Molly Maguire (2), Niel Gow's Reel (1), Popcorn (The), Richmond Hill (2), Sailor’s Trip to Liverpool (The), Boyne Hunt (1), Persian Hunt (The), | ||
|f_composer=Miss Stirling of Ardoch, | |f_composer=Miss Stirling of Ardoch, | ||
|f_country=Scotland, Canada | |f_country=Scotland, Canada | ||
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T:Perth Hunt | T:Perth Hunt | ||
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T:Perthshire Hunt, The | T:Perthshire Hunt, The | ||
M:C| | M:C| | ||
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T:Perthshire Hunt | T:Perthshire Hunt | ||
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(c/B/A)eA fAeA|(c/B/A)ec fBBd|(c/B/A)eA fAeA|E>FAB TcAAe| | (c/B/A)eA fAeA|(c/B/A)ec fBBd|(c/B/A)eA fAeA|E>FAB TcAAe| | ||
(c/B/A)eA fAeA|(c/B/A)ec fBBd|ceAc dfBc|E>FGA cAA|| | (c/B/A)eA fAeA|(c/B/A)ec fBBd|ceAc dfBc|E>FGA cAA|| | ||
</pre> | |||
<pre> | |||
X: 1 | |||
% | |||
T:Persian Hunt,aka. ST.05 | |||
T:Boyne Hunt,aka. ST.05 | |||
M:2/4 | |||
L:1/8 | |||
Q:1/2=90 | |||
S:Anonymous Staffordshire MS, Early 19thC. | |||
R:.Reel | |||
O:England | |||
A:Staffordshire | |||
N:The way this has been strangely written down with what would normally | |||
N:be considered to be inappropriate bar lines, lead in notes, and | |||
N:incorrect spelling of Meg Merrilees, strongly suggests to me that this | |||
N:has been attempted from memory rather than sloppy copying, and | |||
N:indicates that the author of the MS has a "consumer's" knowledge of | |||
N:music notation. CGP | |||
Z:vmp.Tim Willets | |||
F:http://www.village-music-project.org.uk/abc/staffs.abc 2015-10-17 041136 UT | |||
K:D | |||
"^unedited"A2FA|DAFA|DAFA|BEEc|"^Incomplete"A2FA|D||! | |||
a2|f/2e/2d ad|bdad|f/2e/2d af|beea|! | |||
f/2e/2d ad|bdad|A>B de|fdd a|! | |||
f/2e/2d ad|bdad|f/2e/2d af|bee g|! | |||
fadf|gb e>f|A>B de|fdd|] | |||
</pre> | </pre> | ||
<pre> | <pre> | ||
X:3 | X:3 | ||
% | |||
T:Perth Hunt | T:Perth Hunt | ||
M:C | M:C | ||
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T:Perth Hunt, The | T:Perth Hunt, The | ||
T:Perthshire Hunt, The | T:Perthshire Hunt, The |
Revision as of 05:15, 17 October 2015
Tune annotations
X:1 T:Perthshire Hunt M:C L:1/8 R:Reel C:Miss Stirling of Ardoch S:Gow – 2nd Collection of Niel Gow’s Reels (1788) Z:AK/Fiddler’s Companion K:A F|TE2 CE A,ECE|A,ECE FB,B,F|TE2 CE A,AcA|ceBd cAA:|| e|(c/B/A) eA fAeA|(c/B/A) ec fBBe|(c/B/A) eA fAeA|TE>FAB cAAe| (c/B/A) eA fAeA|(c/B/A) ec fBBd|ceAc dfB>c|TEFAB cAA||
X:2 % T:Perth Hunt M:C| L:1/8 R:Country Dance B:Preston's 24 Country Dances for the Year 1798 Z:AK/Fiddler's Companion K:A E2 CE A,ECE|A,ECE FB,B2 |E2 CE A,ECE|ceBd cA A2:|| e|(c/B/A) eA fAeA|(c/B/A) ec dBBd|(c/B/A) eA fAeA|EdcB cAAe| (c/B/A) eA fAeA|(c/B/A) ec dBBd|ceAc dfBd|EdcB cA A||
X:1 % T:Perthshire Hunt, The M:C| L:1/8 R:Reel B:Preston’s 24 Country Dances for the Year 1804 (No. 523, p. 222) N: “With proper tunes and directions to each dance, as they are performed at N:Court, Bath and all Public Assemblies.” Z:AK/Fiddler’s Companion K:D F|E2 CE A,ECE|A,ECE FB,B,F|E2 CE A,ECA|ceBd cAA:| |:e|(c/B/)A eA fAeA|(c/B/)A ec fB-Be|(c/B/)A eA fAeA|E>FGB cA-Ae| (c/B/)A eA fAeA|(c/B/A) ec fB-Be|ceAc dfBc|TE>FAB cAA||
X:1 % T:Perthshire Hunt M:C C: Miss Stirling of Ardoch N: Magdalene Stirling (1765-1846) was the youngest daughter of Sir William Stirling, N:4th Baronet of Ardoch, and his wife Christian Erskine L:1/8 R:Ree; B:Stirling – Twelve Tunes (1812) K:A A/F/|TE2 CE A,ECE|A,ECE FB,BA|TE2 CE A,AcA|c/d/e Bd cAAF| TE2 CE A,ECE|A,ECE FB,B,A|TE2 CE A,AcA|c/d/eBd cAAe|| (c/B/A)eA fAeA|(c/B/A)ec fBBd|(c/B/A)eA fAeA|E>FAB TcAAe| (c/B/A)eA fAeA|(c/B/A)ec fBBd|ceAc dfBc|E>FGA cAA||
X: 1 % T:Persian Hunt,aka. ST.05 T:Boyne Hunt,aka. ST.05 M:2/4 L:1/8 Q:1/2=90 S:Anonymous Staffordshire MS, Early 19thC. R:.Reel O:England A:Staffordshire N:The way this has been strangely written down with what would normally N:be considered to be inappropriate bar lines, lead in notes, and N:incorrect spelling of Meg Merrilees, strongly suggests to me that this N:has been attempted from memory rather than sloppy copying, and N:indicates that the author of the MS has a "consumer's" knowledge of N:music notation. CGP Z:vmp.Tim Willets F:http://www.village-music-project.org.uk/abc/staffs.abc 2015-10-17 041136 UT K:D "^unedited"A2FA|DAFA|DAFA|BEEc|"^Incomplete"A2FA|D||! a2|f/2e/2d ad|bdad|f/2e/2d af|beea|! f/2e/2d ad|bdad|A>B de|fdd a|! f/2e/2d ad|bdad|f/2e/2d af|bee g|! fadf|gb e>f|A>B de|fdd|]
X:3 % T:Perth Hunt M:C L:1/8 R:Reel B:J. Anderson - Anderson's Budget of Strathspeys, Reels & Country Dances B: for the German Flute or Violin (Edinburgh, 1820, p. 27) Z:AK/Fiddler's Companion K:D B|A2 (FA) DAFA|DAFA BEEd|A2 (FA) DAFd|faeg fdd:|| g|(f/e/d) (ad) bdad|(f/e/d) (af) geeg|(f/e/d) (ad) bdad|ABde fddg| (f/e/d) (ad) bdad|fdad geeg|(fa).d.f (gb)ed|ABde fdd||
X:4 % T:Perth Hunt, The T:Perthshire Hunt, The L:1/8 M:C| S:Reel B:The Athole Collection (1884) Z:AK/Fiddler’s Companion K:A F|E2 CE A,ECE|A,ECE FB,B,F|~E CE A,ECA|ceBd cAA:|| e|cAeA fAeA|cAeA fBBe|cAeAfAeA|EFAB cAAe| cAeA fAeA|cAeA fBBe| ceAc dfBc|EFAB cAA|] P:Variations:last ending ceAc dfBa|gbeg aAA|]