Peeler's Jacket (3): Difference between revisions

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|:B|(B/e/){f}e/d/ (e>f)|g/(e/a/)(f/ g/)(f/e/)d/|(B/d/)d/e/ (d>e)|g/(e/a/)(f/ g/)(f/e/)d/|
|:B|(B/e/){f}e/d/ (e>f)|g/(e/a/)(f/ g/)(f/e/)d/|(B/d/)d/e/ (d>e)|g/(e/a/)(f/ g/)(f/e/)d/|
B/e/{f}e/d/ e>f|g/(e/a/)(f/ g/)(f/e/)d/|B/E/{F}E/D/ E/F/G/A/|B/(c/A/)(F/ G):|]
B/e/{f}e/d/ e>f|g/(e/a/)(f/ g/)(f/e/)d/|B/E/{F}E/D/ E/F/G/A/|B/(c/A/)(F/ G):|]
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<pre>
X:1
X:1
%
T:Peeler’s Jacket [3]
T:Peeler’s Jacket [3]
T:Temperance Reel
T:Temperance Reel

Revision as of 13:37, 18 October 2015


Peeler's Jacket (3)  Click on the tune title to see or modify Peeler's Jacket (3)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Peeler's Jacket (3)
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 Theme code Index    1113 5652
 Also known as    Oh My Foot, Where's My Other Foot, Temperance Reel, Teetotaler, Teetotaler's Reel
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Reel (single/double)
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    2/4
 History    
 Structure    AABB
 Editor/Compiler    Biography:P.M. Haverty
 Book/Manuscript title    Book:One Hundred Irish Airs vol. 2
 Tune and/or Page number    No. 126, p. 58
 Year of publication/Date of MS    1859
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


Tune annotations



X:1
T:Peeler’s Jacket [3], The
M:2/4
L:1/8
R:Reel
B:P.M. Haverty – One Hundred Irish Airs vol. 2 (1859, No. 126, p. 58) 
Z:AK/Fiddler’s Companion
K:G
(3D/E/F/|G{A}G/F/ G/A/B/c/|de/c/ d/B/A/(c/|B/)E/(E/D/) (E/F/)G/A/|B/(G/A/)(F/ G/)F/E/D/|
D/G/{A}G/F/ G/A/B/c/|de/c/ d/(B/A/)c/|B/E/{F}E/D/ E/F/G/A/|B/(c/A/)(F/ G):|
|:B|(B/e/){f}e/d/ (e>f)|g/(e/a/)(f/ g/)(f/e/)d/|(B/d/)d/e/ (d>e)|g/(e/a/)(f/ g/)(f/e/)d/|
B/e/{f}e/d/ e>f|g/(e/a/)(f/ g/)(f/e/)d/|B/E/{F}E/D/ E/F/G/A/|B/(c/A/)(F/ G):|]
X:1
%
T:Peeler’s Jacket [3]
T:Temperance Reel
M:2/4
L:1/8
R:Reel
S:Howe – 1000 Jigs and Reels  (c. 1867)
Z:AK/Fiddler’s Companion
K:G
(3DEF | (G{A}G/)F/ G/A/B/c/ | (d/B/)g/e/ d/B/A/c/ | (B/E/){F}E/D/ E/F/G/A/ | (B/G/)(A/F/) G/F/E/D/ | 
D/(G/{A}G/)F/ G/A/B/c/ | (d/B/)g/e/ d/B/A/c/ | (B/E/){F}E/D/ E/F/G/A/ | (B/d/).A/.F/ G :|
|: B | (B/e/)e/d/ e>f | (g/e/)a/f/ g/f/e/d/ | (B/d/)d/e/ d>e | (g/e/)a/f/ g/f/e/d/ | 
(B/e/)e/d/ e>f | (g/e/)a/f/ g/f/e/d/ | (B/E/){F}E/D/ E/F/G/A/ | (B/d/).A/.F/ G :|]

Tune annotations