Annotation:We've Cheated the Parson (1): Difference between revisions
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'''WE'VE CHEATED THE PARSON [1].''' AKA - "Boys and Girls Come Out to Play." | '''WE'VE CHEATED THE PARSON [1].''' AKA - "Boys and Girls Come Out to Play." AKA and see "[[Boys and Girls to Play]]." English, Jig (6/8 time). G Major. Standard tuning (fiddle). AABB. There are two 6/4 or 6/8 melodies called "We've Cheated the Parson." The older one was printed by Henry Playford in '''Apollo's Banquet: The Second Book''' in 1691 and appears in numerous ballad operas [see "[[We've Cheated the Parson (2)]]"]. A second melody, the subject of this entry, was printed in John Gay's '''Polly''' (1729, Air XLVI) and in London publisher John Young's '''Third Volume of the Dancing Master''' (1628, under the title "Girls and Boys, come out to play: the new way". It was called "the new way" in Young's volume because the first part of the older tune was abandoned, while the second strain was attached to a different first strain. | ||
There are two 6/4 or 6/8 melodies called "We've Cheated the Parson." The older one was printed by Henry Playford in '''Apollo's Banquet: The Second Book''' in 1691 and appears in numerous ballad operas [see "[[We've Cheated the Parson (2)]]"]. A second melody, the subject of this entry, was printed in John Gay's '''Polly''' (1729, Air XLVI) and in London publisher John Young's '''Third Volume of the Dancing Master''' (1628, under the title "Girls and Boys, come out to play: the new way". It was called "the new way" in Young's volume because the first part of the older tune was abandoned, while the second strain was attached to a different first strain. | |||
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Revision as of 05:40, 4 January 2016
Back to We've Cheated the Parson (1)
WE'VE CHEATED THE PARSON [1]. AKA - "Boys and Girls Come Out to Play." AKA and see "Boys and Girls to Play." English, Jig (6/8 time). G Major. Standard tuning (fiddle). AABB. There are two 6/4 or 6/8 melodies called "We've Cheated the Parson." The older one was printed by Henry Playford in Apollo's Banquet: The Second Book in 1691 and appears in numerous ballad operas [see "We've Cheated the Parson (2)"]. A second melody, the subject of this entry, was printed in John Gay's Polly (1729, Air XLVI) and in London publisher John Young's Third Volume of the Dancing Master (1628, under the title "Girls and Boys, come out to play: the new way". It was called "the new way" in Young's volume because the first part of the older tune was abandoned, while the second strain was attached to a different first strain.
Source for notated version:
Printed sources: Wilson (A Companion to the Ball Room), London, 1816; p. 92.
Recorded sources: