Maidin Domhnaigh: Difference between revisions

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K:A
K:A
(A/B/).c.A|(B>A) ~F>G (A/B/)(c/e/)|(f>g) (.a.e.d.c)|{Bc}B(A/B/) (cA) (B/A/G/F/)|
(A/B/).c.A|(B>A) ~F>G (A/B/)(c/e/)|(f>g) (.a.e.d.c)|{Bc}B(A/B/) (cA) (B/A/G/F/)|
[G,2E2 E(A/B/) .c.A|B>A F>G (A/B/)(c/e/)|f>g ae dc|[E2B2] (A/B/c/A/) {c}B/A/B/c/|1 .A.A.A:|2 {G}AA A2z||
[G,2E2] E(A/B/) .c.A|B>A F>G (A/B/)(c/e/)|f>g ae dc|[E2B2] (A/B/c/A/) {c}B/A/B/c/|1 .A.A.A:|2 {G}AA A2z||
e/d/|(.c.e. .e(f/g/) .a(g/a/)|~(f>g).a (.e.d.c)|TB2 (c/B/c/A/) (.G.F)|(E2 E) (A/B/) (.c.A)|
e/d/|(.c.e) .e(f/g/) .a(g/a/)|~(f>g).a (.e.d.c)|TB2 (c/B/c/A/) (.G.F)|(E2 E) (A/B/) (.c.A)|
(B>A) {G}(F/E/F/G/) (A/B/c/e/)|~(f>g) .a(3g/a/b/ (ag)(fe)|c>B {d}(c/B/c/A/) {A}(G/F/G/E/)|(.A.A) !fermata![E2a2] z:|]
(B>A) {G}(F/E/F/G/) (A/B/c/e/)|~(f>g) .a(3g/a/b/ (ag)(fe)|c>B {d}(c/B/c/A/) {A}(G/F/G/E/)|(.A.A) !fermata![E2a2] z:|]
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Revision as of 15:27, 9 January 2016


Maidin Domhnaigh  Click on the tune title to see or modify Maidin Domhnaigh's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Maidin Domhnaigh
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 Theme code Index    26L1 61H4
 Also known as    On Sunday Morning, Sunday Morning, Youghal Harbour (4), Maidin Fhoghmhair
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    A
 Accidental    3 sharps
 Mode    Ionian (Major)
 Time signature    3/4
 History    
 Structure    AA'BB
 Editor/Compiler    Biography:Edward Bunting
 Book/Manuscript title    Book:A General Collection of Ancient Irish Music
 Tune and/or Page number    No. 16, p. 15
 Year of publication/Date of MS    1840
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


Tune annotations


X:1
T:Maidin Domhnaigh
T:On Sunday Morning
R:Air
M:3/4
L:1/8
B:Bunting - Ancient Irish Music (1840, p. 15)
Z:AK/Fiddler's Companion
K:A
A/B/cA|B>A F>G A/B/c/e/|f>g aedc|{Bc}BA/B/ cA B/A/G/F/|
E2 EA/B/ cA|B>A F>G A/B/c/e/|f>g aedc|B2 A/B/c/A/ {c}B/A/B/c/|
|1 AA A:||2 AA A2z|:ed|ce ef/g/ ag/a/ |f>g aedc|
TB2 c/B/c/A/ GF|E2-EA/B/ cA|B>A {G}F/E/F/G/ A/B/c/e/|
f>g a(3g/a/b/ a/g/f/e/|c>B {d}c/B/c/A/ {A}G/F/G/E/|AA A2 z:||
X:1
T:Sunday Morning
M:3/4
L:1/8
R:Air
S:Redmond Stanton, at Westport, 1802
B:Bunting – Ancient Music of Ireland (1840, p. No. 16, p. 15)
Z:AK/Fiddler’s Companion
K:A
"Distinctly and spirited"(A/B/).c.A|(B>A) F>G (A/B/)(c/e/)|(f>g) (.A.e.d.c)|{Bc}.B(A/B/) (.c.A) (B/A/G/F/)|E2 E(A/B/) .c.A|
B>A F>G (A/B/)(c/e/)|f>g (.a.e.d.c)|[E2B2] (A/B/c/A/) {c}B/A/B/c/|1 .A.A.A:|2{G}AA [C2A2]z||
|:e/d/|(.c.e .e)(f/g/) .a(g/a/)|(f>g)a (.e.d.c)|TB2 (c/B/c/A/) (.G.F)|E2-E (A/B/) (.c.A)|
(B>A) {G}(F/E/F/G/) (A/B/c/e/)|(f>g) .a(3g/a/b/ (a/g/)(f/e/)|c>B {d}(c/B/c/A/) {A}(G/F/G/E/)|(.A.[CA]) !fermata![C2E2A2]z:|]
X:1
T:Sunday Morning
M:3/4
L:1/8
R:Air
B:P.M. Haverty – One Hundred Irish Airs vol. 3 (1859, No. 255, p. 125)
Z:AK/Fiddler’s Companion
K:A
(A/B/).c.A|(B>A) ~F>G (A/B/)(c/e/)|(f>g) (.a.e.d.c)|{Bc}B(A/B/) (cA) (B/A/G/F/)|
[G,2E2] E(A/B/) .c.A|B>A F>G (A/B/)(c/e/)|f>g ae dc|[E2B2] (A/B/c/A/) {c}B/A/B/c/|1 .A.A.A:|2 {G}AA A2z||
e/d/|(.c.e) .e(f/g/) .a(g/a/)|~(f>g).a (.e.d.c)|TB2 (c/B/c/A/) (.G.F)|(E2 E) (A/B/) (.c.A)|
(B>A) {G}(F/E/F/G/) (A/B/c/e/)|~(f>g) .a(3g/a/b/ (ag)(fe)|c>B {d}(c/B/c/A/) {A}(G/F/G/E/)|(.A.A) !fermata![E2a2] z:|]

Tune annotations