Paddy on the Turnpike (1): Difference between revisions
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|f_tune_title=Paddy on the Turnpike (1), | |f_tune_title=Paddy on the Turnpike (1), | ||
|f_aka=Bunch of Keys (1), Flowers of Limerick (1), Half Past Four, Indian Nation (1), Jenny on the Railroad, Mills are Grinding (The), Old Town Reel, Paddy on the Handcar, Paddy on the Handlecar, Telephone Reel, Pigeon on the Gatepost (1), | |f_aka=Bunch of Keys (1), Flowers of Limerick (1), Half Past Four, Indian Nation (1), Jenny on the Railroad, Mills are Grinding (The), Old Town Reel, Paddy on the Handcar, Paddy on the Handlecar, Telephone Reel, Pigeon on the Gatepost (1), | ||
|f_country=Ireland | |f_country=Canada, Ireland, United States | ||
|f_genre=Bluegrass, Cape Breton/PEI, Irish, Old-Time | |f_genre=Bluegrass, Cape Breton/PEI, Irish, Old-Time | ||
|f_rhythm=Reel (single/double) | |f_rhythm=Reel (single/double) | ||
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X: 3 | X: 3 | ||
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T: Paddy on the Turnpike [1] | T: Paddy on the Turnpike [1] | ||
O: Ohio 1842 | O: Ohio 1842 |
Revision as of 06:04, 15 June 2018
Tune annotations
X: 3 % T: Paddy on the Turnpike [1] O: Ohio 1842 S: Cari Fuchs' collection B: Cole p.23 B: Ryan's Mammoth Collection, 1883 B: Richmond County, Ohio, musician Ruben Fisher's notebook, 1842 L: 1/8 N: See also "Bunch of Keys", the same tune in G Mixolydian. Z: 1998 by John Chambers <jc:trillian.mit.edu> M: C| K: GDor |: "Gm"DGG^F G2GA | BGdG _eGdG | "F"DFFE F2FG | AFcF dFcF | | "Gm"DGG^F ~G2GA | BAGA Bcde | "F"fefd cAFA | "D7"BGA^F "Gm"G4 :| |: "Gm"dgg^f g2ga | baga "C7"bage | "F"dffg ~f2fg | agfg agfe | | "Gm"dgg^f g2ga | bagf "C7"dcde | "F"fefd cAFA | "D7"BGA^F "Gm"G4 :|
X:1 % T:Paddy on the Turnpike [1] M:C| L:1/8 R:Reel K:Gdor |: DG G^F G2GA | BG dG eG dG | DF FE F2FG | AF cF dF cF| DG G^F G2GA | BA GA Bc de | fe fd cA FA | BG AF G4 :| |: dg g^f g2 ga | ba ga bg af | df fg f2 fg | ag fg af gf | dg g^f g2 ga |ba gf dc de | fe fd cA FA | BG AF G4 :|]
X: 1 % T: 31A. PADDY ON THE TURNPIKE B: Sam Bayard, "Hill Country Tunes" 1944 #31A S: Played by Irvin Yaugher Jr, Mt Independence, PA, Oct 19 1943. As played by his great-uncle. N: The 4/4+5/4 time signature was used by Bayard, to say that some bars contain 5 beats. R: reel M: 45/44 L: 1/8 Z: 2010 John Chambers <jc:trillian.mit.edu> K: Ador ((3EFG) |\ A3^G A2"a."AB | ^cdef gfed | BG-G2 G2 ((3DEF) GA | BGAF GFED | "b."EAA^G A2A2 | BABd e2d2 ef | gage dBGB | ^/cABG A2 :: z2 | ea-ab a3f | bfaf "c."gfed | efga g3g | bfaf ^/ge dz | eaab a3f | bfaf ^/ge dz ef | gage dBGB | ^/cABG A2 :| P: VAR: "a"B2 || "b."EAA2 || "c."ge dz |] y8 y8 y8 y8 y8 y8