Annotation:Bacca Pipes (1): Difference between revisions

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'''BACCA PIPES JIG''' (GREENSLEEVES). AKA - "[[Pipe Dance]]." AKA and see "[[Greensleeves (1)]]." English, Morris Dance. A Dorian (Bacon {Bampton, Hinton}, Karpeles, Raven): G Major (Bacon {Ascot-Under-Wychwood}). Standard tuning. AB (Bacon {Ascot}): AAB (Bacon {Hinton}): AABB (Karpeles, Raven): ABA'B'A''B''A'''B'''(Bacon {Headington}). From the Ascot-under-Wychwood, Bampton, and Headington areas of England's Cotswolds. 'Bacca' pipes refers to the long-stemmed clay tobacco pipes (sometimes called 'churchwarden' pipes), which were crossed and placed on the ground (in the manner of some sword dances) whilst a solo jig was danced between them. Although not related to the tune it is interesting to note that the term 'bacca-pipes' in lower class English slang of the early 19th century referred to whiskers curled in small close ringlets.  
'''BACCA PIPES [1]''' (GREENSLEEVES). AKA "[[Pipe Dance]]." AKA and see "[[Greensleeves (1)]]." English, Morris Dance. A Dorian (Bacon {Bampton, Hinton}, Karpeles, Raven). Standard tuning. AAB (Bacon {Hinton}): AABB (Karpeles, Raven): ABA'B'A''B''A'''B'''(Bacon {Headington}). From the Bampton and Headington areas of England's Cotswolds. 'Bacca' pipes refers to the long-stemmed clay tobacco pipes (sometimes called 'churchwarden' pipes), which were crossed and placed on the ground (in the manner of some sword dances) whilst a solo jig was danced between them. Although not related to the tune it is interesting to note that the term 'bacca-pipes' in lower class English slang of the early 19th century referred to whiskers curled in small close ringlets. See related "[[Bacca Pipes (2)]]" from Bacon {Ascot-Under-Wychwood}.
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''Printed sources'': Bacon ('''The Morris Ring'''), 1974; pp. 26, 197, & 204. Karpeles & Schofield ('''A Selection of 100 English Folk Dance Airs'''), 1951; p. 36. Raven ('''English Country Dance Tunes'''), 1984; p. 74.  
''Printed sources'':
Bacon ('''A Handbook of Morris Dances'''), 1974; pp. 197, 204.
Karpeles & Schofield ('''A Selection of 100 English Folk Dance Airs'''), 1951; p. 36.
Raven ('''English Country Dance Tunes'''), 1984; p. 74.  
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''Recorded sources'': <font color=teal>EFDSS CD03, William Kimber - "Absolutely Classic: The Music of William Kimber." Topic 12T249, William Kimber - "The Art of William Kimber" (William Kimber played the anglo concertina for Headington Quarry Morris on Boxing Day, 1899, when Cecil Sharp first encountered them, which led to a morris dance revival).</font>
''Recorded sources'':
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EFDSS CD03, William Kimber "Absolutely Classic: The Music of William Kimber."
Topic 12T249, William Kimber "The Art of William Kimber" (William Kimber played the anglo concertina for Headington Quarry Morris on Boxing Day, 1899, when Cecil Sharp first encountered them, which led to a morris dance revival).
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Revision as of 04:02, 7 June 2017

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BACCA PIPES [1] (GREENSLEEVES). AKA – "Pipe Dance." AKA and see "Greensleeves (1)." English, Morris Dance. A Dorian (Bacon {Bampton, Hinton}, Karpeles, Raven). Standard tuning. AAB (Bacon {Hinton}): AABB (Karpeles, Raven): ABA'B'ABAB(Bacon {Headington}). From the Bampton and Headington areas of England's Cotswolds. 'Bacca' pipes refers to the long-stemmed clay tobacco pipes (sometimes called 'churchwarden' pipes), which were crossed and placed on the ground (in the manner of some sword dances) whilst a solo jig was danced between them. Although not related to the tune it is interesting to note that the term 'bacca-pipes' in lower class English slang of the early 19th century referred to whiskers curled in small close ringlets. See related "Bacca Pipes (2)" from Bacon {Ascot-Under-Wychwood}.

Source for notated version:

Printed sources: Bacon (A Handbook of Morris Dances), 1974; pp. 197, 204. Karpeles & Schofield (A Selection of 100 English Folk Dance Airs), 1951; p. 36. Raven (English Country Dance Tunes), 1984; p. 74.

Recorded sources: EFDSS CD03, William Kimber – "Absolutely Classic: The Music of William Kimber." Topic 12T249, William Kimber – "The Art of William Kimber" (William Kimber played the anglo concertina for Headington Quarry Morris on Boxing Day, 1899, when Cecil Sharp first encountered them, which led to a morris dance revival).




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