Down Beside Me: Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Down Beside Me | |f_tune_title=Down Beside Me | ||
|f_aka=Sin Sios agus sios liom, Lie Up with Me and Lie Down with Me, Where's the slave so lowly, | |f_aka=Sin Sios agus sios liom, Lie Up with Me and Lie Down with Me, Where's the slave so lowly, Sheen Sheesh igus Souse lum | ||
|f_country=Ireland | |f_country=Ireland | ||
|f_genre=Irish | |f_genre=Irish | ||
Line 40: | Line 40: | ||
L:1/8 | L:1/8 | ||
R:Air | R:Air | ||
Q:"Rather Slow" | |||
B:Bunting – Ancient Music of Ireland (1840, No. 38, p. 30) | B:Bunting – Ancient Music of Ireland (1840, No. 38, p. 30) | ||
Z:AK/Fiddler’s Companion | Z:AK/Fiddler’s Companion | ||
K:Eb | K:Eb | ||
(e>f) (e/f/)(g/f/)|Te2 cz|.c.B.e.d|Tc2B B| | |||
[Be](e/f/) (e/f/)(g/f/)|.e.B .B(A/G/)|.c.B.A.G|TF2Ez|| | [Be](e/f/) (e/f/)(g/f/)|.e.B .B(A/G/)|.c.B.A.G|TF2Ez|| | ||
(G>F).G.A|(B>c).B.B|(c>d).e.d|Tc2 Bz| | (G>F).G.A|(B>c).B.B|(c>d).e.d|Tc2 Bz| | ||
Line 55: | Line 56: | ||
L:1/8 | L:1/8 | ||
R:Air | R:Air | ||
Q:”Moderato con energio” | |||
B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 96, p. 48) | B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 96, p. 48) | ||
Z:AK/Fiddler’s Companion | Z:AK/Fiddler’s Companion | ||
K:F | K:F | ||
.c|.f3.g .f>.g.a>.g|(f4 c2) z.c|.d3 .c .d>.e.f>.e|{e}(d4 c3) .A| | |||
(f3g) (fga).f|(dc) {c}(BA) !fermata!B2 (Ac)|(d2 f)z/.e/ (dcBA)|(G4 F2) zF| | (f3g) (fga).f|(dc) {c}(BA) !fermata!B2 (Ac)|(d2 f)z/.e/ (dcBA)|(G4 F2) zF| | ||
(A3G A3) B|(c3d c)z (fe)|.d3.c .d>.e.f>.e|{e}(d4 c) z(de)| | (A3G A3) B|(c3d c)z (fe)|.d3.c .d>.e.f>.e|{e}(d4 c) z(de)| | ||
Line 72: | Line 73: | ||
L:1/8 | L:1/8 | ||
R:Air | R:Air | ||
Q:"Rather Slow" | |||
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 96, p. 39) | B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 96, p. 39) | ||
Z:AK/Fiddler’s Companion | Z:AK/Fiddler’s Companion | ||
K:Eb | K:Eb | ||
(e>f) (e/f/g/e/)|Te2B z|.c.B.e.d|Tc2B z|e(e/f/) (e/f/g/f/)|.e.B .B(A/G/)| | |||
.c.B.A.G|TF2E z||(G>F).G.A|(B>c).B.B|(c>d).e.d|Tc2 Bz| | .c.B.A.G|TF2E z||(G>F).G.A|(B>c).B.B|(c>d).e.d|Tc2 Bz| | ||
Te2 (G>B)|c/B/A/G/ .F(G/A/)|.B(B/c/) .B(A/G/)|TF2Ez|| | Te2 (G>B)|c/B/A/G/ .F(G/A/)|.B(B/c/) .B(A/G/)|TF2Ez|| |
Revision as of 13:11, 19 December 2017
Tune annotations
X:1 % T:Sin sios agus liom T:Down Beside Me M:C| L:1/8 S:Merry Musician, 1716, 327 K:E e4 g4|e4 B4|=d3d d2e2|c4 B4| e2 e2 ef g2|B3c B2 G2|c3B c2 AG|F4 E4|| G3 F G2A2|B4 B4|c3B cd e2|d4 B4| e4 G4 c4 F4|B3c B2 G2|F4 E4||
X:1 % T:Down Beside Me M:2/4 L:1/8 R:Air Q:"Rather Slow" B:Bunting – Ancient Music of Ireland (1840, No. 38, p. 30) Z:AK/Fiddler’s Companion K:Eb (e>f) (e/f/)(g/f/)|Te2 cz|.c.B.e.d|Tc2B B| [Be](e/f/) (e/f/)(g/f/)|.e.B .B(A/G/)|.c.B.A.G|TF2Ez|| (G>F).G.A|(B>c).B.B|(c>d).e.d|Tc2 Bz| Te2 (G>B)|c/B/A/G/ .F(G/A/)|.B(B/c/) .B(A/G/)|TF2 Ez|]
X:1 % T:Sios agus sios liom M:C| L:1/8 R:Air Q:”Moderato con energio” B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 96, p. 48) Z:AK/Fiddler’s Companion K:F .c|.f3.g .f>.g.a>.g|(f4 c2) z.c|.d3 .c .d>.e.f>.e|{e}(d4 c3) .A| (f3g) (fga).f|(dc) {c}(BA) !fermata!B2 (Ac)|(d2 f)z/.e/ (dcBA)|(G4 F2) zF| (A3G A3) B|(c3d c)z (fe)|.d3.c .d>.e.f>.e|{e}(d4 c) z(de)| .f2 (f2A3)-c|(dc){c}(BA) .G2 .A.B|(c2 f)z/e/ d>cd>B|(A2 {A}G>)F F2z|| “Larghetto melancolico”.A2.A2 (c3B)|.A2.A2 (c3B)|(A3 G/F/) T(G3F)|F4 F2||
X:1 % T:Down Beside Me M:2/4 L:1/8 R:Air Q:"Rather Slow" B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 96, p. 39) Z:AK/Fiddler’s Companion K:Eb (e>f) (e/f/g/e/)|Te2B z|.c.B.e.d|Tc2B z|e(e/f/) (e/f/g/f/)|.e.B .B(A/G/)| .c.B.A.G|TF2E z||(G>F).G.A|(B>c).B.B|(c>d).e.d|Tc2 Bz| Te2 (G>B)|c/B/A/G/ .F(G/A/)|.B(B/c/) .B(A/G/)|TF2Ez||