Annotation:Where will Our Good Man Lay? (1): Difference between revisions

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'''WHERE/WHAR WAD OUR GUDMAN/BONNIE ANNIE LYE/LAYE?'''  AKA and see "[[Red House]], "[[Red House in Cardiff]]." Scottish, English; Air (2/4 or cut time). G Major. Standard tuning (fiddle). AABB (most versions). The same tune ("Red House") is the ancestor to "[[John Peel]]."  
'''WHERE/WHAR WAD OUR GUDMAN/BONNIE ANNIE LYE/LAYE?'''  AKA and see "[[Red House]], "[[Red House in Cardiff]]." Scottish, English; Air (2/4 or cut time). G Major. Standard tuning (fiddle). AABB (most versions). The same tune ("Red House") is the ancestor to "[[John Peel]]." Johnson prints the song in the sixth volume of '''Scots Musical Museum''' (No. 324) as "Whar wad Bonnie Annie lie." Charles Kirkpatrick Sharpe, in notes to the '''Scots Musical Museum''' comments:
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''The more modern version of this song was said to have been composed on the beautiful Lady Anne''
''Cochrane, Duchess of Hamilton, who, at an early age, died in childbed. She is still remembered by''
''tradition as 'bonnie Annie;' but her portrait at Holyroodhouse, and a cast of her face at''
''Hamilton, inspire no admiration of her charms. The former, indeed, is very ill done; and I have''
''been told that the latter was taken after her death. Her Epithalamium and Eligy are to be''
''found among the poems of Allan Ramsay.''
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Revision as of 03:03, 28 March 2016

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WHERE/WHAR WAD OUR GUDMAN/BONNIE ANNIE LYE/LAYE? AKA and see "Red House, "Red House in Cardiff." Scottish, English; Air (2/4 or cut time). G Major. Standard tuning (fiddle). AABB (most versions). The same tune ("Red House") is the ancestor to "John Peel." Johnson prints the song in the sixth volume of Scots Musical Museum (No. 324) as "Whar wad Bonnie Annie lie." Charles Kirkpatrick Sharpe, in notes to the Scots Musical Museum comments:

The more modern version of this song was said to have been composed on the beautiful Lady Anne Cochrane, Duchess of Hamilton, who, at an early age, died in childbed. She is still remembered by tradition as 'bonnie Annie;' but her portrait at Holyroodhouse, and a cast of her face at Hamilton, inspire no admiration of her charms. The former, indeed, is very ill done; and I have been told that the latter was taken after her death. Her Epithalamium and Eligy are to be found among the poems of Allan Ramsay.

Source for notated version:

Printed sources: Aird (Selection of Scotch, English, Irish and Foreign Airs, vol. 1), 1778; No. 95. Gow (Vocal Melodies of Scotland), 1822; p. 34. Johnson (The Scots Musical Museum, vol. VI), 1787 1803, No. 324. Oswald (Caledonian Pocket Companion, vol. 2), 1760; p. 22. Smith (Scottish Minstrel, vol. VI), 1820 24, p. 48.

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