Annotation:Wappat the Widow my Lady: Difference between revisions

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WAPPAT THE WINDOW MY LADY. AKA – “Wap at the Window,” “Wap at the Widow My Laddie.” Scottish, Jig. G Major (Wright): D Major. Standard tuning (fiddle). ABC (Wright); AABB (McGlashan): AABBCCDD (McGibbon). The tune appears in London publisher Henry Playford’s 1700 collection of Scottish dance tunes. McGlashan erroneously designates the tune as a Scottish Measure. The word wap in the original title (“Wap at the Widow”) was a euphemism for intercourse dating to Elizabethan times, and in slang usage through the mid-18th century. The title was perhaps deliberately 'cleansed' by converting ‘Widow’ to ‘Window’, or perhaps it was just a natural mishearing, for the older meaning of wap was to hit or strike a blow.

Source for notated version:

Printed sources: Manson (Hamilton’s Universal Tune Book vol. 1), 1853; p. 183 (as "Wap at the Widow, My Laddie"). McGibbon (Scots Tunes, book II), c. 1746; p. 53. McGlashan (Collection of Scots Measures), 177?; p. 6 (appears as “Wap at the Widow my Laddie”). Oswald (Caledonian Pocket Companion Book 3), 1760; p. 18. Playford (A Collection of Original Scotch Tunes), 1700; No. 23, p. 10. Walsh (Caledonian Country Dances), c. 1745; p. 98. Daniel Wright (Aria di Camera), London, 1727; No. 21.

Recorded sources:

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-'''WAPPAT THE WINDOW MY LADY.''' AKA – “[[Wap at the Window]],” “[[Wap at the Widow My Laddie]].” Scottish, Jig. D Major. Standard tuning (fiddle). AABB (McGlashan): AABBCCDD (McGibbon). The tune appears in London publisher Henry Playford’s 1700 collection of Scottish dance tunes. McGlashan erroneously designates the tune as a Scottish Measure. The word ‘’wap’’ in the original title (“[[Wap at the Widow]]”) was a euphemism for intercourse dating to Elizabethan times, and in slang usage through the mid-18th century. The title was perhaps deliberately ‘cleansed’ by converting ‘Widow’ to ‘Window’, or perhaps it was just a natural mishearing, for the older meaning of ‘wap’ was to hit or strike a blow.
+'''WAPPAT THE WINDOW MY LADY.''' AKA – “[[Wap at the Window]],” “[[Wap at the Widow My Laddie]].” Scottish, Jig. G Major (Wright): D Major. Standard tuning (fiddle). ABC (Wright); AABB (McGlashan): AABBCCDD (McGibbon). The tune appears in London publisher Henry Playford’s 1700 collection of Scottish dance tunes. McGlashan erroneously designates the tune as a Scottish Measure. The word ''wap'' in the original title (“[[Wap at the Widow]]”) was a euphemism for intercourse dating to Elizabethan times, and in slang usage through the mid-18th century. The title was perhaps deliberately 'cleansed' by converting ‘Widow’ to ‘Window’, or perhaps it was just a natural mishearing, for the older meaning of ''wap'' was to hit or strike a blow.
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-''Printed sources'': Manson ('''Hamilton’s Universal Tune Book vol. 1'''), 1853; p. 183 (as "Wap at the Widow, My Laddie"). McGibbon ('''Scots Tunes, book II'''), c. 1746; p. 53. McGlashan ('''Collection of Scots Measures'''), 177?; p. 6 (appears as “Wap at the Widow my Laddie”). Oswald ('''Caledonian Pocket Companion Book 3'''), 1760; p. 18. Playford ('''A Collection of Original Scotch Tunes'''), 1700; No. 23, p. 10. Walsh ('''Caledonian Country Dances'''), c. 1745; p. 98.
+''Printed sources'': Manson ('''Hamilton’s Universal Tune Book vol. 1'''), 1853; p. 183 (as "Wap at the Widow, My Laddie"). McGibbon ('''Scots Tunes, book II'''), c. 1746; p. 53. McGlashan ('''Collection of Scots Measures'''), 177?; p. 6 (appears as “Wap at the Widow my Laddie”). Oswald ('''Caledonian Pocket Companion Book 3'''), 1760; p. 18. Playford ('''A Collection of Original Scotch Tunes'''), 1700; No. 23, p. 10. Walsh ('''Caledonian Country Dances'''), c. 1745; p. 98. Daniel Wright ('''Aria di Camera'''), London, 1727; No. 21.
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