Kate Kearney: Difference between revisions
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B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 11, p. 6) | B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 11, p. 6) | ||
H:Irish-born Clinton was a flute teacher for the Royal Academy, London | H:Irish-born Clinton was a flute teacher for the Royal Academy, London | ||
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GE|D2 B,2 D2|G3 A BG|A2 G2 G2|G4 D2|G2 B2 d2| | |||
ed cB AG|B2A2 A2|A4 Bd|e2 g2 ge|d4 c2| | ed cB AG|B2A2 A2|A4 Bd|e2 g2 ge|d4 c2| | ||
B2 d2 c2|B4 GA|B2 A2 B2|G2 E2 D2|E4 F2|G2 z2|| | B2 d2 c2|B4 GA|B2 A2 B2|G2 E2 D2|E4 F2|G2 z2|| | ||
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GA Bc df|e2 d2 d2|g2 d2 d2|e2 d2 BA|G2 B2 A2|G2 z2|| | GA Bc df|e2 d2 d2|g2 d2 d2|e2 d2 BA|G2 B2 A2|G2 z2|| | ||
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S:O'Neill - Music of Ireland (1903), No. 263 | S:O'Neill - Music of Ireland (1903), No. 263 | ||
Z:AK/Fiddler's Companion | Z:AK/Fiddler's Companion |
Revision as of 18:23, 27 February 2018
Tune Annotations
X:1 % T:Kate Kearney M:6/8 L:1/8 R:Air S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 231) Z:AK/Fiddler’s Companion K:D A|A>FA d>ef|{f}ed z z2d|dfa afd|fe z z2d/d/| b>ab a2a|g>fg !fermata!f2e|f>ef dBA|B3 d2|| A/A/|A>BA AFA|d2{f}e d2d|d>fa b/a/g/f/e/d/|fe z z2d| bab a2a|{a}g>fg f2{f}e|f>ef dBA|B3 d2||
X:1 % T:Kate Kearny M:6/8 L:1/8 R:Air Q:"Slow and Plaintive" B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 11, p. 6) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:F .c|(cA).c .f>.g.a|{a}.g.fz z2f|(fa).c' .c'(b/a/)(g/f/)|(ag)z z2.f| .d'>c'.d' c'2 c'|{a}b>.a.b .a2 (f/g/)|.a>.g.a (f<d).c|(d2f).f2|| .c|(c>d).c (cA).c|{fg}(a2g) f2c|(fa).c' (d'/c'/)(b/a/)(g/f/)|(ag).g {^fga}g2 =f/>f/| .d'^c'.d' =c'2c'|(c'/b/a/b/)(d'/>c'/) .a2 .f/>.g/|.a>.g.a (f<d).c|d2f {efg}f2||
X:1 % T:Kate Kearney Waltz M:3/8 L:1/8 R:Waltz B:Saunders – New and Complete Instructor for the Violin (Boston, 1847, No. 66, p. 37) Z:AK/Fiddler’s Companion K:Bb (3f/g/a/|b/a/b/a/b/a/|b2 (b/a/)|g/^f/g/f/g/f/|g2 (g/=f/)|(ed)e| dcd|Bb/b/b |bbb|BBB||:F>BB|Bdc|cBB|B2-F| Bdf|(g/f/)e/d/c/B/|dcc|c2-f|g>eg|fdf|ece| d2-.c|d>cd|BGF|FGA|1 B2z:|2 B2||:(3f/g/a/|bgg| {a}gfe|c/B/c/d/e/f/|g/f/e/d/c/B/|bff|{a}gff|B/A/B/f/g/a/|b2:|]
X:1 % T:Kate Kearney M:6/8 L:1/8 R:Air B:P.M. Haverty - One Hundred Irish Airs, vol. 1 (New York, 1858, No. 8, p. 3) Z:AK/Fiddler’s Companion K:C G|(GEG c>de)|(dc2)z2c|(ceg) (a/g/f/e/d/c/)|(ed2) z2c| (a>ga g2)g|(f>ef e2) (c/d/)|(e>de) (cAG)|(A3c2)||
X:1 % T:Kate Kearney M:6/8 L:1/8 R:Jig B:O'Flannagan - The Hibernia Collection (Boston, 1860; p. 16) Z:AK/Fiddler's Companion K:D A|A>FA d>ef|e d2z2 d|dfa afd|fe2 z2d| b>ab a2a|g>fg f2e|fef dBA|(B3 d2):| |:A|A>BA AFA|d2 f/e/ d2d|dfa afd|f e2 z2d| b>ab a2a|g>fg f2e|fef dBA|(B3d2):|]
X:1 % T:Kate Kearney T:Beardless Boy, The T:Dissipated Youth, The M:3/4 L:1/8 Q:"Temp di Valse" S:Capt. F. O'Neill Z:Paul Kinder R:Waltz K:G GE|D2 B,2 D2|G3 A BG|A2 G2 G2|G4 D2|G2 B2 d2| ed cB AG|B2A2 A2|A4 Bd|e2 g2 ge|d4 c2| B2 d2 c2|B4 GA|B2 A2 B2|G2 E2 D2|E4 F2|G2 z2|| GE|D2 B,2 D2|D2 B,2 D2|G4 G2|G4 E2|D2 B,2 D2| D2 B,2 D2|A4 A2|A4 d2|e2 c2 e2|d2 B2 d2| c2 A2 c2|B4 GA|B2 A2 B2|G2 E2 D2|E4 F2|G2 z2|| Bd|g2 d2 d2|e2 d2 BA|GA Bc df|e2 d2 d2|g2 d2 d2| e2 d2 BA|G2 B2 d2|e4 de|g2 d2 d2|e2 d2 BA| GA Bc df|e2 d2 d2|g2 d2 d2|e2 d2 BA|G2 B2 A2|G2 z2||
X:2 % T:Kate Kearney Waltz M:3/4 L:1/8 R:Air Q:"Moderate" S:O'Neill - Music of Ireland (1903), No. 263 Z:AK/Fiddler's Companion K:G D2 | D2E2G2 | G2A2B2 | A2G2G2 | G4D2 | G2B2d2 | edcBAG | B2A2A2 | A4 Bd | e2c2e2 | d2B2d2 | c2A2c2 | B4 GA | B2A2B2 | G2E2D2 | E2G2G2 | G4 || D2 | D2B,2D2 | D2B,2D2 | G6 | G4D2 | D2B,2D2 | D2B,2D2 | A6 | A4Bd | e3ce2 | d2B2d2 | c3Ac2 | B2G2A2 | B2A2B2 | G2E2D2 | E6 | G4 ||