Lango Lee (2): Difference between revisions
No edit summary |
No edit summary |
||
Line 35: | Line 35: | ||
</pre> | </pre> | ||
<Pre> | <Pre> | ||
X: | X:2 | ||
T:Lango Lee [2] | T:Lango Lee [2] | ||
M:6/8 | M:6/8 | ||
Line 48: | Line 48: | ||
</pre> | </pre> | ||
<pre> | <pre> | ||
X: | X:3 | ||
T:Lango Lee [2] | T:Lango Lee [2] | ||
M:6/8 | M:6/8 | ||
Line 63: | Line 63: | ||
</pre> | </pre> | ||
<pre> | <pre> | ||
X: | X:4 | ||
T:Lango Lee | T:Lango Lee | ||
T:Banks of the Dee | T:Banks of the Dee | ||
S:J. Jones MS (JJo.026), 1801, N. Shrops. | S:J. Jones MS (JJo.026), 1801, N. Shrops. | ||
Line 78: | Line 78: | ||
</pre> | </pre> | ||
<pre> | <pre> | ||
X: | X:5 | ||
% | % | ||
T:Langolee [2] | T:Langolee [2] | ||
Line 97: | Line 97: | ||
|: A/G/ | FAd FAd | faa afd | FAd FAd | e>fe ecA | | |: A/G/ | FAd FAd | faa afd | FAd FAd | e>fe ecA | | ||
FGA Bcd | efg abg | fdB ABd | f>gTe d2 :| | FGA Bcd | efg abg | fdB ABd | f>gTe d2 :| | ||
|: a | fga bge | afd cBA | aba afd | | |: a | fga bge | afd cBA | aba afd | dcd ecA | | ||
[1FGA Bcd | efg abg | fe/d/c/B/ ABd | f>gTe d2 :| | |||
[2 fga bc'd' | (b/a/)(g/f/)(e/d/) B(d/B/A/G/) | FGA Bbg | f>gTe d2 |] | |||
</pre> | </pre> | ||
<pre> | <pre> | ||
X: | X:6 | ||
T:Langolee [2] | T:Langolee [2] | ||
M:6/8 | M:6/8 |
Revision as of 16:08, 9 December 2016
Tune annotations
X:1 T:Lango Lee [2] M:6/8 L:1/8 R:Jig B:Aird - Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (1782, No. 25, p. 9) Z:AK/Fiddler's Companion K:G D|D>EF G>AB|c>ed cBA|B>GE D>EG|B>cA G2D| D>EF GAB|c>ed cBA|B>GE D>EG|B>cA G2:| |:c|B2c d3|e>ce dB>G|B>cd e>fg|G>AG G>ED| c>ec B>dB|A>GA BGE|G>FE Ddc|B>cA G2:|]
X:2 T:Lango Lee [2] M:6/8 L:1/8 R:March S:Thomas Nixon Jr./Joseph Long copybook (c. 1776-78) Z:AK/Fiddler’s Companion K:G DEF GAB|cde dBG|BGE EDE|GBA G2:| |:B2c d3|ecA dBG|GBd efg|GAG GEC| cec BdB|AGA BGE|GED DEF|GBA G2:|]
X:3 T:Lango Lee [2] M:6/8 L:1/8 R:Jig B:Samuel, Anne & Peter Thompson – The Hibernian Muse (London, 1787, No. 42, p. 26) N:”A Collection of the most Favorite Compositions of Carolan the Celebrated Irish Bard” Z:AK/Fiddler’s Companion K:G D|DE>F GA>B|c>ed cBA|BGE DGA|B>cA G2D| D>EF G>AB|ced cBA|BGE DGA|B>cA G2:| c|B2c d2d|e>dc dBG|Bcd efg|G>AG FED| cec BdB|A>GA BGE|GFE Ddc|B>cA G2||
X:4 T:Lango Lee T:Banks of the Dee S:J. Jones MS (JJo.026), 1801, N. Shrops. N:Familiar to Morris dancers as Banks of the Dee (Fieldtown).NeilB. A:N. Shropshire Z:Neil Brookes 2006 M:6/8 L:1/8 K:C G|G>AB cde|fag fed|ecA Gcd|efd c2:|! |:f|e2fg3|a2f gec|e>fg a>bc'|c>dc BAG|! faf ege|dcd ecA|cBA Ggf|efd c2:|
X:5 % T:Langolee [2] M:6/8 L:1/8 R:Jig S:O'Farrell - Pocket Companion, vol. III (c. 1808) Z:AK/Fiddler's Companion K:D d/B/ | ABd d>ef | gba gfe | fdB A>Bd | {e}f<ge d2 :| |: d | f2g a2a | bgb afd | dfa bc'd' | b/a/g/f/e/d/ dBA | gbg faf | ede fdB | fe/d/c/B/ ABd | f>ge d2 :| "Variations" |: d/B/ | ABd def | gba gfe | f/d/e/B/d/B/ A/G/F/E/D/g/ | f/a/b/g/e/c/ d/B/A/G/(F/E/) | D/F/EG/F/A/ B/d/c/e/d/f/ | (g/f/)(g/b/)(a/g/) f2e | fdB ABd | f>ge d2 :| |: a | f/e/d/e/f/g/ a/g/f/g/a/f/ | bgb b/a/(g/f/)e/d/ | dfa bc'd' | b/a/g/f/e/d/ dBA | g/b/e/g/b/g/ f/a/d/f/a/f/ | e/f/(g/a/)b/g/ fdB | f(e/d/c/B/) ABd | f>gTe d2 :| |: A/G/ | FAd FAd | faa afd | FAd FAd | e>fe ecA | FGA Bcd | efg abg | fdB ABd | f>gTe d2 :| |: a | fga bge | afd cBA | aba afd | dcd ecA | [1FGA Bcd | efg abg | fe/d/c/B/ ABd | f>gTe d2 :| [2 fga bc'd' | (b/a/)(g/f/)(e/d/) B(d/B/A/G/) | FGA Bbg | f>gTe d2 |]
X:6 T:Langolee [2] M:6/8 L:1/8 R:Air N:”Moderato” B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 104, p. 52) H:Irish-born Clinton was a flute teacher for the Royal Academy, London Z:AK/Fiddler’s Companion K:D "Moderato"(d/B/)|(AB).d (de).f|(gb).a (gf).e|(fd).B (A>B).d|(f>g).e d2 (d/B/)| (AB).d (d>e).f|(gb).a (gf).e|(fd).B (A>B).d|(f>ge) .d2|| .d|(df).a (a>f).a|(g>a).b (af).d|(df).a (b>c').d'|(d>ed) (dB).A| .g>.g.g (g<f)f|(e>d).e (fd).B|(d>B).A (AB).d|(f>g).e d2||