Lango Lee (2): Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Lango Lee (2)
|f_tune_title=Lango Lee (2)
|f_aka=Banks of the Dee (The), Langolee, Larry O'Lee, New Langolee (1)
|f_aka=Langolee, Larry O'Lee, New Langolee (1), Banks of the Dee (1) (The)
|f_country=England, Scotland, Ireland
|f_country=England, Ireland, Scotland
|f_genre=English, Irish, Scottish
|f_genre=English, Irish, Scottish
|f_rhythm=Jig/Quadrille
|f_rhythm=Jig/Quadrille
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<pre>
<pre>
X:1
X:1
%
T:Lango Lee [2]
T:Lango Lee [2]
M:6/8
M:6/8
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<pre>
<pre>
X:2
X:2
%
T:Lango Lee [2]
T:Lango Lee [2]
M:6/8
M:6/8
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<pre>
<pre>
X:3
X:3
%
T:Lango Lee [2]
T:Lango Lee [2]
M:6/8
M:6/8
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<pre>
<pre>
X:4
X:4
%
T:Lango Lee  
T:Lango Lee  
T:Banks of the Dee
T:Banks of the Dee [1]
S:J. Jones MS (JJo.026), 1801, N. Shrops.
S:J. Jones MS (JJo.026), 1801, N. Shrops.
N:Familiar to Morris dancers as Banks of the Dee (Fieldtown).NeilB.
N:Familiar to Morris dancers as Banks of the Dee (Fieldtown).NeilB.
Line 76: Line 80:
<pre>
<pre>
X:5
X:5
%
T:Langolee [2]
T:Langolee [2]
M:6/8
M:6/8
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|: d | f2g a2a | bgb afd | dfa bc'd' | b/a/g/f/e/d/ dBA |  
|: d | f2g a2a | bgb afd | dfa bc'd' | b/a/g/f/e/d/ dBA |  
gbg faf | ede fdB | fe/d/c/B/ ABd | f>ge d2 :|
gbg faf | ede fdB | fe/d/c/B/ ABd | f>ge d2 :|
"Variations"
P:"Variations"
|: d/B/ | ABd def | gba gfe | f/d/e/B/d/B/ A/G/F/E/D/g/ | f/a/b/g/e/c/ d/B/A/G/(F/E/) |  
|: d/B/ | ABd def | gba gfe | f/d/e/B/d/B/ A/G/F/E/D/g/ | f/a/b/g/e/c/ d/B/A/G/(F/E/) |  
D/F/EG/F/A/ B/d/c/e/d/f/ | (g/f/)(g/b/)(a/g/) f2e | fdB ABd | f>ge d2 :|
D/F/EG/F/A/ B/d/c/e/d/f/ | (g/f/)(g/b/)(a/g/) f2e | fdB ABd | f>ge d2 :|
Line 99: Line 104:
<pre>
<pre>
X:6
X:6
%
T:Langolee [2]
T:Langolee [2]
M:6/8
M:6/8
L:1/8
L:1/8
R:Air
R:Air
N:”Moderato”
Q:"Moderato"
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 104, p. 52)
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 104, p. 52)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Z:AK/Fiddler’s Companion
Z:AK/Fiddler’s Companion
K:D
K:D
"Moderato"(d/B/)|(AB).d (de).f|(gb).a (gf).e|(fd).B (A>B).d|(f>g).e d2 (d/B/)|
(d/B/)|(AB).d (de).f|(gb).a (gf).e|(fd).B (A>B).d|(f>g).e d2 (d/B/)|
(AB).d (d>e).f|(gb).a (gf).e|(fd).B (A>B).d|(f>ge) .d2||
(AB).d (d>e).f|(gb).a (gf).e|(fd).B (A>B).d|(f>ge) .d2||
.d|(df).a (a>f).a|(g>a).b (af).d|(df).a (b>c').d'|(d>ed) (dB).A|
.d|(df).a (a>f).a|(g>a).b (af).d|(df).a (b>c').d'|(d>ed) (dB).A|

Revision as of 22:37, 7 March 2018


Lango Lee (2)  Click on the tune title to see or modify Lango Lee (2)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Lango Lee (2)
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 Theme code Index    5L144 35L31
 Also known as    Langolee, Larry O'Lee, New Langolee (1), Banks of the Dee (1) (The)
 Composer/Core Source    
 Region    England, Ireland, Scotland
 Genre/Style    English, Irish, Scottish
 Meter/Rhythm    Jig/Quadrille
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    6/8
 History    
 Structure    AABB
 Editor/Compiler    Biography:James Aird
 Book/Manuscript title    Book:Selection of Scotch English Irish and Foreign Airs vol. 1
 Tune and/or Page number    No. 25, p. 9
 Year of publication/Date of MS    1782
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


Tune annotations

X:1
%
T:Lango Lee [2]
M:6/8
L:1/8
R:Jig
B:Aird - Selection of Scotch, English, Irish and Foreign Airs, vol. 1 (1782, No. 25, p. 9)
Z:AK/Fiddler's Companion
K:G
D|D>EF G>AB|c>ed cBA|B>GE D>EG|B>cA G2D|
D>EF GAB|c>ed cBA|B>GE D>EG|B>cA G2:|
|:c|B2c d3|e>ce dB>G|B>cd e>fg|G>AG G>ED|
c>ec B>dB|A>GA BGE|G>FE Ddc|B>cA G2:|]

X:2
%
T:Lango Lee [2]
M:6/8
L:1/8
R:March 
S:Thomas Nixon Jr./Joseph Long copybook (c. 1776-78)
Z:AK/Fiddler’s Companion
K:G
DEF GAB|cde dBG|BGE EDE|GBA G2:|
|:B2c d3|ecA dBG|GBd efg|GAG GEC|
cec BdB|AGA BGE|GED DEF|GBA G2:|]

X:3
%
T:Lango Lee [2]
M:6/8
L:1/8
R:Jig
B:Samuel, Anne & Peter Thompson – The Hibernian Muse (London, 1787, No.  42, p. 26)
N:”A Collection of the most Favorite Compositions of Carolan the Celebrated Irish Bard”
Z:AK/Fiddler’s Companion
K:G
D|DE>F GA>B|c>ed cBA|BGE DGA|B>cA G2D|
D>EF G>AB|ced cBA|BGE DGA|B>cA G2:|
c|B2c d2d|e>dc dBG|Bcd efg|G>AG FED|
cec BdB|A>GA BGE|GFE Ddc|B>cA G2||

X:4
%
T:Lango Lee 
T:Banks of the Dee [1]
S:J. Jones MS (JJo.026), 1801, N. Shrops.
N:Familiar to Morris dancers as Banks of the Dee (Fieldtown).NeilB.
A:N. Shropshire
Z:Neil Brookes 2006
M:6/8
L:1/8
K:C
G|G>AB cde|fag fed|ecA Gcd|efd c2:|!
|:f|e2fg3|a2f gec|e>fg a>bc'|c>dc BAG|!
faf ege|dcd ecA|cBA Ggf|efd c2:|

X:5
%
T:Langolee [2]
M:6/8
L:1/8
R:Jig
S:O'Farrell - Pocket Companion, vol. III (c. 1808)  
Z:AK/Fiddler's Companion
K:D
d/B/ | ABd d>ef | gba gfe | fdB A>Bd | {e}f<ge d2 :|
|: d | f2g a2a | bgb afd | dfa bc'd' | b/a/g/f/e/d/ dBA | 
gbg faf | ede fdB | fe/d/c/B/ ABd | f>ge d2 :|
P:"Variations"
|: d/B/ | ABd def | gba gfe | f/d/e/B/d/B/ A/G/F/E/D/g/ | f/a/b/g/e/c/ d/B/A/G/(F/E/) | 
D/F/EG/F/A/ B/d/c/e/d/f/ | (g/f/)(g/b/)(a/g/) f2e | fdB ABd | f>ge d2 :|
|: a | f/e/d/e/f/g/ a/g/f/g/a/f/ | bgb b/a/(g/f/)e/d/ | dfa bc'd' | b/a/g/f/e/d/ dBA | 
g/b/e/g/b/g/ f/a/d/f/a/f/ | e/f/(g/a/)b/g/ fdB | f(e/d/c/B/) ABd | f>gTe d2 :|
|: A/G/ | FAd FAd | faa afd | FAd FAd | e>fe ecA | 
FGA Bcd | efg abg | fdB ABd | f>gTe d2 :|
|: a | fga bge | afd cBA | aba afd | dcd ecA | 
[1FGA Bcd | efg abg | fe/d/c/B/ ABd | f>gTe d2 :|
[2 fga bc'd' | (b/a/)(g/f/)(e/d/) B(d/B/A/G/) | FGA Bbg | f>gTe d2 |]

X:6
%
T:Langolee [2]
M:6/8
L:1/8
R:Air
Q:"Moderato"
B:J. Clinton – Gems of Ireland: 200 Airs (1841, No. 104, p. 52)
H:Irish-born Clinton was a flute teacher for the Royal Academy, London
Z:AK/Fiddler’s Companion
K:D
(d/B/)|(AB).d (de).f|(gb).a (gf).e|(fd).B (A>B).d|(f>g).e d2 (d/B/)|
(AB).d (d>e).f|(gb).a (gf).e|(fd).B (A>B).d|(f>ge) .d2||
.d|(df).a (a>f).a|(g>a).b (af).d|(df).a (b>c').d'|(d>ed) (dB).A|
.g>.g.g (g<f)f|(e>d).e (fd).B|(d>B).A (AB).d|(f>g).e d2||

Tune annotations

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