Souters o' Selkirk (The): Difference between revisions

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|f_tune_title=Souters o' Selkirk (The)
|f_tune_title=Souters o' Selkirk (The)
|f_aka=Up Wi' the Souters, Suttors of Selkirk, Sulters of Selkerke, Butterfly (4) (The)
|f_aka=Up Wi' the Souters, Suttors of Selkirk, Sulters of Selkerke, Butterfly (4) (The)
|f_country=Scotland
|f_country=England, Scotland
|f_genre=Scottish
|f_genre=Northumbrian/Borders, Scottish
|f_rhythm=Air/Lament/Listening Piece, Slip/Hop Jig
|f_rhythm=Air/Lament/Listening Piece, Slip/Hop Jig
|f_time_signature=9/8
|f_time_signature=9/8
|f_key=G
|f_accidental=1 sharp
|f_mode=Ionian (Major)
|f_history=ENGLAND(North East)
|f_structure=AABB
|f_book_title=Aria di Camera
|f_collector=Daniel Wright
|f_year=1727
|f_theme_code_index=356 531H
}}
}}
=[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: annotations]]=
=[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: annotations]]=

Revision as of 20:37, 21 February 2017


Souters o' Selkirk (The)  Click on the tune title to see or modify Souters o' Selkirk (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Souters o' Selkirk (The)
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 Theme code Index    356 531H
 Also known as    Up Wi' the Souters, Suttors of Selkirk, Sulters of Selkerke, Butterfly (4) (The)
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    Northumbrian/Borders, Scottish
 Meter/Rhythm    Air/Lament/Listening Piece, Slip/Hop Jig
 Key/Tonic of    G
 Accidental    1 sharp
 Mode    Ionian (Major)
 Time signature    9/8
 History    ENGLAND(North East)
 Structure    AABB
 Editor/Compiler    Daniel Wright
 Book/Manuscript title    Book:Aria di Camera
 Tune and/or Page number    
 Year of publication/Date of MS    1727
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


Souters o' Selkirk (The): annotations


X:1
%
T:Sulters of Sellkerke, The
M:3/4
L:1/8
B:publisher Daniel Wright’s “Aria di Camera” (London, 1727)
N:“being A Choice Collection of Scotch, Irish & Welsh Airs
N:for the Violin and German Flute by the following masters
N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick
N:Mr. Hugh Edwards of Carmarthen”
Z:AK/Fiddler’s Companion
K:G
Bc d2e2|d2B2g2|edcBAG|Bc d2e2|d2B2g2|f4A2|
Bcd2e2|d2B2g2|edcBAG|c3d c/d/e|d2B2g2|f4A2||
g2G2B2|g2f2e2|d2B2G2|g2G2B2|g2f2e2|f4 d/e/f|
g2G2B2|g2f2e2|d2g2B2|c3d c/d/e|d2B2g2|f4A2||
d2d4|d2B2ef|edcBAG|d6|d2B2 bc'|a4A2|
d6|d2B2bc'|a2 gfed|c3d c/d/e|d2B2b2|f4 A2||
G2B2d2|g2f2e2|d2B2G2|G2B2d2|g2d2g2|f4 A2|
G2B2d2 g2f2e2|d2g2A2|c3d c/d/e|d2B2g2|f4 A2||
d2 dB dB|g2 gd gd|edcBAG|d2 dB dB|g2 gd gd|f4 A2|
d2 dB dB|g2 gd gd|e2 ec ec|f2 fd fd|fg a2 gf|g4 G2||
dcBcdB|gfefge|dcBABG|dcBcdB|gfefge|f4 A2|
dcBcdB|gfefge|c'bagfe|gfedcB|c2e2a2|f4 A2||
g2 agfe|d2g2d2|edcBAG|g2 agfe|d2g2 bc'|f4 A2|
g2 agfe|d2g2 bc'|a2 gfed|cBcde=f|d2g2f2|g4G2||

X:2
%
T:Sulters of Sellkerke
M:3/4
L:1/8
R:Country Dance
B:Wright's Compleat Collection of Celebrated Country Dances (1740, p. 44)
Z:AK/Fiddler's Companion
K:G
Bc d2e2|d2B2G2|(ed)(cB)(AG)|Bc d2e2|
d2B2g2|e4A2|Ac d2e2|d2B2g2|(ed)(cB)(AG)|c3cd2|
d2B2g2|e4 A2||g2G2B2|g2f2e2|d2B2G2|
g2G2B2|g2f2e2|f4A2|g2G2B2|g2f2e2|
d2g2B2|c3d (c/d/e)|d2B2g2|e4 A2||

X:3
%
T:Sulters of Selkerke
M:3/4
L:1/8
R:Country Dance
B:John Walsh - Caledonian Country Dances (c. 1745, p. 96)
N:Published in several volumes and different editions, 1731-c. 1745)
Z:AK/Fiddler's Companion
K:G
Bc d2e2|d2B2g2|(ed)(cB)(AG)|Bc d2 e2|
d2B2g2|Tf4A2|Bcd2e2|d2B2g2|
(ed)(cB)(AG)|c3de2|d2B2g2|Tf4 A2:|
|:g2G2B2|g2f2e2|d2B2G2|g2G2B2|{ef}g2Tf2e2|Tf4A2|
g2G2B2|g2f2e2|d2g2B2|c3d (c/d/)e|d2G2g2|Tf4 A2:|]

X:1
%
T:Souters of Selkirk, The
M:3/4
L:1/8
R:Air
Q:"Slow"
B:James Oswald – Caledonian Pocket Companion, vol. 1 (1760, p. 34)
Z:AK/Fiddler’s Companion
K:G
(Bc) d2e2|d2B2g2|(ed)(cB)(AG)|(Bc)d2e2|{e}d2B2 (g>a)|{g}Tf4 A2|
(B2c2)d2|g2 (ag)(fe)|d2 (cB)(AG)|c3d (c/d/e)|{e}d2B2 (g>a)|{g}Tf4A2:|
|:g2G2B2|Tg3f e2|{e}d2 (cB)(AG)|g2G2B2|g2 (ag)(fe)|Tf4 A2|
g2G2B2|g2 (ag)(fe)|d2g2B2|(cBcd)ec|d2B2 (g>a)|Tf4 A2:|
|:G2 (Bcd)B|g2 (efge)|d2 (BcdB)|G2 (BcdB)|g2 (efge)|Tf4A2|
G2B2d2|g2 (ag)(fe)|(dc)(BA)(BG)|c2e2a2|d2 (fgaf)|g4 G2:|
|:g2 (ag)(fe)|d2g2d2|(ed)(cB)(AG)|g2 (ag)(fe)|d2g2 (b>c’)|
{b}a4A2|g2 (ag)(ge)|d2 (ef) g2|(ec)(dB)(AG)|(cBc).d.e.f|
d3 g f2|{f}g4 G2::d2 (d<B)(d<B)|g2 (g<d)(g<d)|(ed)(cB)(AG)|
d2 (d<B)(d<B)|g2 (g<e)(g<e)|Tf4A2|d2 (d<B)(d<B)|g2 (g<d)(g<d)|
e2 (e<c)(e<c)|f2 (f<d)(f<d)|(fga)fdf|{f}g4 G2:||:g2d2e2|
{c}TB4e2|d>edBAB|(G2A2)B2|(gfg)abc’|Ta4 (gf)|
(gf)(gf)(ed)|(ed)(ed)(cB)|(ed)(cB)(AG)|c2e2c2|d2 (fg)(af)|g4 G2:|
|:(d<B) B4|(d<B) A4|(d<B)G4|(d<B)(d<B) d2|(g<d)(g<d) g2|
(fg)a2A2|(d<B)B4|(d<B)A4|(d<B)G4|(e<c)(e<c)e2 d2g2f2|
{f}g4 G2::(G2a2)b2|G3A (G/A/B)|(E2F2)G2|g2G2B2|
G2 b2 (ag)|(fg)a2A2|g4f2|e3 gde|(B2c2)d2|
(e2f2)g2|a2 dgfa|G4G2:||(3B/c/d/ (.d.d.d.d)|Gg e2|
(dB)(cA) G2|(3Bcd (.d.d.d.d)|g3a (g/a/b)|{b}a4 A2|(3Bcd (.d.d.d.d)|
Gg e2 (dc)|BcBA G2|(3cde (3.e.e.e.e)|d2 (fg)(af)|{f}g4 G2:|
|:(bgdB) G2|B2e4|(ded)BAB|(GBd)g b2|G2 b2 (ag)|(fg)a2 A2|
(bgdB) G2|g2 (efg)e|(c’bag)(fe)|(agfe)(dc)|(Bdg)BAf|{f}g4 G2:|
M:9/8
L:1/8
|:"Brisk"(B/c/d)d (e/f/)ge (dB)G|(B/c/)d (e/f/)ge Tf2A|(B/c/)dd (e/f/)ge (dB)G|
c>de dBg Tf2A::gGB g(a/g/f/e/) dBG|gdB gdB|a(f/g/a/f/)|
g(e/f/g/e/) d(B/c/d/B/) G(B/c/d/B/)|cec dBg Tf2 A:|]

X:4
%
T:Suttors of Selkirk
M:3/4
L:1/8
R:Air
Q:"Brisk"
S:McGibbon – Scots Tunes, book III, p. 79  (1762)
Z:AK/Fiddler’s Companion
K:G
G2 | (Bcd2)e2 | d2B2g2 | (ed)cBAG | (Bcd2)e2 | d2B2g2 |
{g}Tf4A2 | (Bcd2)e2 | d2B2g2 | edcBAG | c3de2 | 
d2B2g2 |{g}Tf4A2 :||: g2G2B2 | g2f2e2 | d2 cBAG | 
g2G2B2 | g2 agfe |{e}f4 A2 | g2G2B2 | 
g2 agfe | d2g2B2 | c3de2 | d2B2g2 |{g}Tf4A2 :|]

X:5
%
T:Souters of Selkirk
L:1/8
M:3/4
Q:"Slow"
S:Peacock’s Tunes (c. 1805)
Z:AK/Fiddler’s Companion
K:G
B>c d2e2|d2B2g2|edcBAG|B>C d2e2|d2B2g2|f4 A2|
G2B2d2|g2 ecge|d2 cBAA|cBcdec|D2B2g2|f4 A2:|
|:g2 GB/c/ dB|g2 efge|edcBAG|g2 GB/c/ dB|g2 efge|
f4 A2|g2 GB/c/ dB|g2 efge|edcBAG|cBcdec|d2B2g2|f4 A2:|
|:(3dcB e>e e2|(3dcB g>g g2|(3dcB (3cBA (3BAG|(3dcB e>e e2|
(3dcB geGg|f4 A2|(3dcB e>e e2|(3dcB (3edc (3gfe|
(3dcB (3cBA (3BAG|cBcdec|d2B2g2|f4 A2:|
|:g2 dBdB|g2 ecge|dBcABG|g2 dBdB|g2 ecge|f4A2|g2 dBdB|
g2 (3efg (3cde|dgdBAG|cBcdec|d2B2g2|f4 A2:|
L:1/8
M:6/8
B/c/dd e/f/ge|dBG B/c/dd|e/f/ge f2A|B/c/dd e/f/ge|dBG c/B/c/d/e/c/|
dBg f2A:||:GB/c/d/B/ dBg|dBg GB/c/d/B/|dBg f2A|GB/c/d/B/ dBg|
d/c/B/A/G c/B/c/d/e/c/|dBg f2A:||:g/f/e/d/B g/f/e/d/B|g/f/e/d/G g/f/e/d/B|
g/f/e/d/B g/f/e/d/A|g/f/e/d/B g/f/e/d/B|e/d/c/B/A/G/ c/B/c/d/e/c/|dBg f2A:|
|:GgB gBg|BgB GgB|gBg AgA|ggB gBg|
BgB cec|dBg f2A::d/B/d/B/e d/B/d/B/g|d/B/d/B/G d/B/d/B/e|
d/B/d/B/g f2A|d/B/d/B/e d/B/d/B/g|dBG c/B/c/d/e/c/|dBg f2A:|
|:gGB d/B/d/B/d/B/|d/B/d/B/d/B gAc|d/B/d/B/d/B/ c/A/c/A/c/A/|gGB g/f/e/f/g/e/|
d/c/B/c/d/B/ c/B/c/d/e/c/|dBg f2A::d2B d2B|d/c/B/A/G d2B|
d2B e/d/c/B/A|d2B d2B|d/c/B/A/G c/d/e/f/g/e/|dBg f2A:|
|:G/a/B/c/d/B/ g/f/e/d/c/B/|dBg G/A/B/c/d/B/|g/f/e/d/c/B/ eAe|G/A/B/c/d/B/ g/f/e/f/g/e/|
dgB c/B/c/d/e/c/|dBg f2A::B2G B2G|dBg B2G|
B/c/dg f2A|B2G B2G|gdB cB/c/d/e/|dBg f2A:|
|:d3e3|dBG d2G|ABd e2A|d3 e3|dBG c2e|dBg f2A:|

Souters o' Selkirk (The): annotations

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