Alexander Jig (2) (The): Difference between revisions

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|f_page=p. 89
|f_page=p. 89
|f_theme_code_index=6661H 6666
|f_theme_code_index=6661H 6666
|f_score=1
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=[[ANNOTATION:{{PAGENAME}}|{{PAGENAME}}: annotations]]=
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T:Alexander Jig, The
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T:Alexander Gigg
 
T:Máirseáil Alastroim
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M:6/8
L:1/8
R:Jig
B:Finnegan/Curtin Manuscript  (Sliabh Luachra, Co. Cork, mid-19th century, No. 55, p. 22)
B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript
N:The ms. predates the introduction of quadrille-based polkas and slides that
N:now characterize the music of Sliabh Luachra region, thought to have been
N:introduced in the latter 19th century.
S:Breandán Breathnach (1912-85) obtained the ms. from  E. Finnegan, who had it
S:from D. Curtin of Stagmount, Rockchapel, Co Cork.
K:D
Ecc Edd|Ecc cAG|Ecc Edd|Ecc A2G:|
|:FDD EDD|FDd cAG|FDD EDD|FDF A2G:|
A/B/A/G/ A/B/A/E/ A/B/A/G/ A/B/A/E/|A/B/A/G/ A/B/A/E/ A/B/A/G/ A/B/A/E/|
A/B/A/G/ A/B/A/E/ A/B/A/G/ A/B/A/E/|A/B/A/G/ A/B/A/E/ A/B/A/G/ A/B/A/E/||
|:Ecc Edd|Ecc cAG|Ecc Edd|Ecc A2G:|
|:FDD EDD|FDd cAG|FDD EDD FDF A2G:|
|:”ad libitum”A/B/A/G/ A/B/G/E/ A (3B/A/G/ ABAE:|
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|:”ad libitum”F/D/E/D/ F/D/E/D/ F/D/E/D/ F/D/E/D/||:Ecc Edd|Ecc cAG
Ecc Edd|Ecc A2G::FDD EDD |FDd cAG|
FDD EDD |FDF A2G:||:”ad libitum”F/D/A/D/ F/D/E/D/ F/D/A/D/ F/D/E/D/||
|:Ecc Edd|Ecc cAG|Ecc Edd|Ecc A2G:|
|:FDD EDD|FDd cAG|FDD EDD FDF A2G:|
P:Lamentation
AG|:A2A2A2 cd|{e}f2{e}f2 g2f2|d22 fedc|d2 de f2 ed:|
|:c2A2 BAGF|A2 AB c2 ec|dcAG FAGE|D2D2D2D2:|]
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Revision as of 04:34, 7 August 2022


Alexander Jig (2) (The)  Click on the tune title to see or modify Alexander Jig (2) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Alexander Jig (2) (The)
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 Theme code Index    6661H 6666
 Also known as    
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Jig/Quadrille
 Key/Tonic of    G
 Accidental    NONE
 Mode    Mixolydian
 Time signature    6/8
 History    IRELAND(Munster)
 Structure    AABB
 Editor/Compiler    James Goodman
 Book/Manuscript title    Book:James Goodman music manuscript collection
 Tune and/or Page number    p. 89
 Year of publication/Date of MS    mid-19th century
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   



Alexander Jig (2) (The): Annotations

X:1 T:Alexander Jig, The M:6/8 L:1/8 R:Jig S:James Goodman music manuscript collection (mid-19th cent., County Cork, p. 89) F: http://goodman.itma.ie/volume-one#?c=0&m=0&s=0&cv=92&z=301.1304%2C76.7341%2C7645.6612%2C4631.04 Z:AK/Fiddler's Companion K:Gmix egg eaa|egg ged|egg eaa|egg e2d| egg eaa|egg ged|egg eaa|egg e2d:| |:BAA BGG|BAa ged|BAA BGG|eaa e2d| BAA BGG|BAa ged|BAA BGG|eaa e2d:|


X:1 T:Alexander Gigg T:Máirseáil Alastroim M:6/8 L:1/8 R:Jig B:Finnegan/Curtin Manuscript (Sliabh Luachra, Co. Cork, mid-19th century, No. 55, p. 22) B: https://www.itma.ie/digital-library/manuscript/finnegan-curtin-manuscript N:The ms. predates the introduction of quadrille-based polkas and slides that N:now characterize the music of Sliabh Luachra region, thought to have been N:introduced in the latter 19th century. S:Breandán Breathnach (1912-85) obtained the ms. from E. Finnegan, who had it S:from D. Curtin of Stagmount, Rockchapel, Co Cork. K:D Ecc Edd|Ecc cAG|Ecc Edd|Ecc A2G:| |:FDD EDD|FDd cAG|FDD EDD|FDF A2G:| A/B/A/G/ A/B/A/E/ A/B/A/G/ A/B/A/E/|A/B/A/G/ A/B/A/E/ A/B/A/G/ A/B/A/E/| A/B/A/G/ A/B/A/E/ A/B/A/G/ A/B/A/E/|A/B/A/G/ A/B/A/E/ A/B/A/G/ A/B/A/E/|| |:Ecc Edd|Ecc cAG|Ecc Edd|Ecc A2G:| |:FDD EDD|FDd cAG|FDD EDD FDF A2G:| |:”ad libitum”A/B/A/G/ A/B/G/E/ A (3B/A/G/ ABAE:| |:FDD EDD|FDd cAG|FDD EDD|FDF A2G:| |:”ad libitum”F/D/E/D/ F/D/E/D/ F/D/E/D/ F/D/E/D/||:Ecc Edd|Ecc cAG Ecc Edd|Ecc A2G::FDD EDD |FDd cAG| FDD EDD |FDF A2G:||:”ad libitum”F/D/A/D/ F/D/E/D/ F/D/A/D/ F/D/E/D/|| |:Ecc Edd|Ecc cAG|Ecc Edd|Ecc A2G:| |:FDD EDD|FDd cAG|FDD EDD FDF A2G:| P:Lamentation AG|:A2A2A2 cd|{e}f2{e}f2 g2f2|d22 fedc|d2 de f2 ed:| |:c2A2 BAGF|A2 AB c2 ec|dcAG FAGE|D2D2D2D2:|]


Alexander Jig (2) (The): Annotations

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