Braes of Tullymet (1) (The): Difference between revisions

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B | e>B(e<g) e>B(e<g) | d>A(d<f) f>A(d<f) | e>B(e<g) e>B(e<g) | d>B{B}A>F (E2E)B |  
B | e>B(e<g) e>B(e<g) | d>A(d<f) f>A(d<f) | e>B(e<g) e>B(e<g) | d>B{B}A>F (E2E)B |  
e>B(e<g) B(e/f/) g>e|d>A(d<f) A(d/e/) f>^d|(e<B)B>^c =d>e{d/e/}f>e|d>B (B/A/G/F/) {F}E3||  
e>B(e<g) B(e/f/) g>e|d>A(d<f) A(d/e/) f>^d|(e<B)B>^c =d>e{d/e/}f>e|d>B (B/A/G/F/) {F}E3||  
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X:1
%
T:Braes o’ Tullymet or Birnieboozle
M:C|
L:1/8
R:Strathspey
B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 32)
Z:AK/Fiddler’s Companion
K:Gmin
c|A<(dd>)c (d>c)B<f|A>F(c>F) (d>F)c>B|A<(dd>)c (d>c)d<g|
(f>c) (d/c/)B/A/ (G2G):|d|g>dg<b g>dg<b|f>cf<a f>df<a|
g>dg<b g>dg<b|(f>c) (d/c/).B/.A/ (G2 G)d|g>dg<b d(g/a/) b<g|
f>cf<a c(f/g/) a{ga}f|g<d(d>=e) (f>g)a>g|(f>c) (d/c/).B/.A/ {A}(G2G)||
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Revision as of 18:09, 1 August 2017


Braes of Tullymet (1) (The)  Click on the tune title to see or modify Braes of Tullymet (1) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Braes of Tullymet (1) (The)
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 Theme code Index    2555 2454
 Also known as    Barrack Street Boys (The), Birnie-Bouzle, Braes of Tullimet (The), Braes o' Tullymet (The), Brides Away, Bride to Bed (The), Brides to Bed, British Naggon, Cheese It, Corney is Coming, Crawford's Reel (1), D. Dick's Favourite, Honeymoon (2) (The), Honeymoon Reel (2), I Saw Her, Kelly's Reel, Miss Grant of Grant (1), Miss Wilson, Merry Bits of Timber, My Love is in America, My Love is in the House (1), Shannon Breeze (2), Six Mile Bridge
 Composer/Core Source    
 Region    Canada, Scotland
 Genre/Style    Cape Breton/PEI, Scottish
 Meter/Rhythm    Schottische/Schottis/Jennkka/Reinlander, Strathspey
 Key/Tonic of    G
 Accidental    2 flats
 Mode    Aeolian (minor)
 Time signature    4/4
 History    CANADA(Maritimes/English)
 Structure    AB
 Editor/Compiler    Joshua Campbell
 Book/Manuscript title    Book:A Collection of New Reels & Highland Strathspeys &c.
 Tune and/or Page number    p. 19
 Year of publication/Date of MS    1789
 Artist    Biography:John 'Dancie' Reid
 Title of recording    Scottish Tradition 9: The Fiddler and his Art
 Record label/Catalogue nr.    Greentrax CDTRAX 9009
 Year recorded    1993
 Media    
 Score   ()   


Tune annotations


X:1
%
T:Braes of Tullymet, The
M:C
L:1/8
R:Strathspey
B:Joshua Campbell – A Collection of New Reels & Highland Strathspeys (Glasgow, 1789, 19)
Z:AK/Fiddler’s Companion
K:Gmin
c|A<(dd>)c Td>cdf|c<FTc<FTc>A|A<(dd>c) d>cdg|(f>d)Tc(c>A) T(A>G)Gc|
A<(dd>)c Td>cdf|c<FTc>A c<FTc>A|A<(dd>)c (d/c/d/f/) (g/f/g/b/)|
(g/f/e/d/) (d/c/B/A/) T(A>G)G||^f|g>dg>b g>dg>b|f>cf>a f>cf>a|
g>dd>e f>ga>g|f>c d/c/B/A/ TA>GGd|(g>d)(g>b) (d/f/)g/a/ (b>g)|
(f>c)(f>a) (c/d/)f/g/ a>!fermata!f|f>dde (f/e/f/g/) (a/g/a/f/)|(b/g/f/d/) (f/d/c/A/) B>GG||
c|(B>d)(G>d) (B>G)(d>G)|(f>c)(d>f) T(A>F)(c>F)|(G>d)(B>d) (G>d)(g>d)|
f>c (d/c/B/A/) B(GG)c|(B/d/c/d/) (G/d/c/d/) (f/d/c/d/) (B/c/d/g/)|(f/a/g/b/) (a/f/c/f/) (A/c/f/c/) (A/c/A/F/)|
(G/B/A/c/) (B/d/c/f/) (g/f/g/a/) (b/a/b/g/)|(f/b/g/_e/) (d/f/c/A/) TB(GG)||d|g>dg>b (G/B/)d/g/ (b>g)|
f>cf>a (F/A/)c/f/ T(a>f)|g>d (B/c/d/f/) T(g/f/g/a/) b>g|T(a/g/4f/4) (c/>f/) d/c/B/A/ TB(GG)d|
(g/d/B/d/) (g/d/b/d/) (G/B/d/g/) (b/a/b/g/)|(f/d/c/TB/) (A/c/f/a/) (F/A/c/f/) (a/g/a/f/)|
(g/b/d/g/) (B/c/d/f/) (g/f/g/a/) (b/a/b/g/)|(f/d/b/g/) (f/d/c/A/) TBGG|| 
X:1
%
T:Braes of Tulliemet, or D. Dick's Favorite
M:C|
L:1/8
R:Strathspey
B:Petrie - Fourth Collection of Strathspeys, Reels, Jiggs and Country Dances (c. 1805)
K:Gdor
A<dd>c d>cd>g|F<FA>F c>FA>F|A<dd>c d>cd>g|f>dc>A G2G2:|
|:g>dg>a g>dg>b|f>cf>a f>cf>a|g>dg>b g>dg>b|f>dc>A G2G2:|]
X:2
%
T:Braes of Tullymet (The)
M:C
L:1/8
S:Mackie Collection (Aberdeen, early 19th cent.)
Z:AK/Fiddler’s Companion
K:Amin
B<ee>d efg>e|d>GB>G d>GB>G|B>ee>d e>ga>c'|g>e d>B A2A2:|
a>ea>c' a>ea>c'|g>dg>b g>dg>b|aeac' aeac'|ge dB A2A2|
a>ea>c' e>ac'>a|g>dg>b d>gb>a|g>ee>f g>ab>a|g>e d>B A2A2||
X:3
%
T:Braes o' Tullymet, The
M:C
L:1/8
R:Strathspey
S:Surenne - Dance Music of Scotland, pp. 12-13  (1852)
Z:AK/Fiddler's Companion
K:Emin
A | (F<B)B>A (B>A)(B<d)|(F<D)A>D B>DA>G|(F<B)B>A B>A(B<e)|d>B{B}A>F E3A| 
(F<B)B>A B>A (B<d) | (F<D)A>D B>DA>G | (F<B)B>A B>A(B<e) | d>B{B}AF E3 || 
B | e>B(e<g) e>B(e<g) | d>A(d<f) f>A(d<f) | e>B(e<g) e>B(e<g) | d>B{B}A>F (E2E)B | 
e>B(e<g) B(e/f/) g>e|d>A(d<f) A(d/e/) f>^d|(e<B)B>^c =d>e{d/e/}f>e|d>B (B/A/G/F/) {F}E3|| 
X:1
%
T:Braes o’ Tullymet or Birnieboozle
M:C|
L:1/8
R:Strathspey
B:Milne – Middleton’s Selection of Strathspeys, Reels &c. for the Violin (1870, p. 32)
Z:AK/Fiddler’s Companion
K:Gmin
c|A<(dd>)c (d>c)B<f|A>F(c>F) (d>F)c>B|A<(dd>)c (d>c)d<g|
(f>c) (d/c/)B/A/ (G2G):|d|g>dg<b g>dg<b|f>cf<a f>df<a|
g>dg<b g>dg<b|(f>c) (d/c/).B/.A/ (G2 G)d|g>dg<b d(g/a/) b<g|
f>cf<a c(f/g/) a{ga}f|g<d(d>=e) (f>g)a>g|(f>c) (d/c/).B/.A/ {A}(G2G)||
X:1
%
T:Braes of Tullymet, The
M:C
L:1/8
R:Strathspey
B:Stewart-Robertson - The Athole Collection  (1884)
Z:AK/Fiddler's Companion
K:Gmin
c|A<d d>c d>c d<f|A>Fc>F d>Fc>F|A<d d>c d>cd>g|f>d cB/A/ G2G:|
d|g>d g<b g>d g<b|f>c f<a f>c f<a|g>d g<b g>d g<b|f>d cB/A/ g2 g>d|
g>dg>b dg/a/ b>g|f>c f<a cf/g/ a>f|g<d d>=e f>ga>g|f>d d/c/B/A/ G2G ||

Tune annotations