Fanny Dillon: Difference between revisions

Find traditional instrumental music
No edit summary
No edit summary
Line 10: Line 10:
|f_mode=Dorian
|f_mode=Dorian
|f_structure=AB
|f_structure=AB
|f_book_title=Collection of the Most Celebrated Irish Tunes
|f_book_title=A Collection of the Most Celebrated Irish Tunes
|f_collector=John & William Neal
|f_collector=John & William Neal
|f_year=1724
|f_year=1724
Line 36: Line 36:
ga b4 ba|ag Tg4 {a}g/a/g/f/|d4 Bcde|f2 dcBf|Tg4 gfdg|
ga b4 ba|ag Tg4 {a}g/a/g/f/|d4 Bcde|f2 dcBf|Tg4 gfdg|
fd d/c/B Tc>d B/c/B/G/|F4 Bcde|fdga bag f|dBdf gd cB|A2 TG6:|]  
fd d/c/B Tc>d B/c/B/G/|F4 Bcde|fdga bag f|dBdf gd cB|A2 TG6:|]  
</pre>
<pre>
X:1
%
T:Fanny Dillon by Carrolan
M:C|
L:1/8
Q:”Very slow”
B:Daniel Wright – Aria di Camera (London, 1727, No. 7)
N:”being A Choice Collection of Scotch, Irish & Welsh Airs
N:for the Violin and German Flute by the following masters
N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick
N:Mr. Hugh Edwards of Carmarthen”
F: https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf
Z:AK/Fiddler’s Companion
K:Gmin
df g2 gfdc|B2 B>c (BcBG)|F4 dcdf| ga g3f d2|
f3g gfdc|B3 c BcBG|FGFG (Bc) (cB)|(AG) G6|
(fd)(dc) (BG)(Bc)|(defd) (gfga)|(ba) g4 (a//g/f)|d4 (Bcde)|
(fd)(ga) (ba)(gf)|(dB)(df) (gd)(cB)|(AG) G6||Bc d2 dcBG|
B3c (B/c/B/G/) D2|B3c (d/c/d/e/) (fc)|d2g2 g4|ga b4 ba|
ag g4- g/(a/g/f/)|d4 (Bcde|f4 (dcBf)|g4 (gfdg)|(fd) (d/c/B) cd (B/c/B/G/)|
F4 Bcde|(fd)(ga) (ba)(gf)|dBde gdcB|AG G6||
</pre>
</pre>
<pre>
<pre>

Revision as of 12:32, 18 December 2017


Fanny Dillon  Click on the tune title to see or modify Fanny Dillon's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Fanny Dillon
Query the Archive
Query the Archive
 Theme code Index    1H1H5 3b3b3b
 Also known as    
 Composer/Core Source    Turlough O'Carolan
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    G
 Accidental    1 flat
 Mode    Dorian
 Time signature    3/4
 History    
 Structure    AB
 Editor/Compiler    Biography:John & William Neal
 Book/Manuscript title    Book:A Collection of the Most Celebrated Irish Tunes
 Tune and/or Page number    p. 28
 Year of publication/Date of MS    1724
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


Tune annotations


X:1
%
T:Fanny Dillon
M:C
L:1/8
R:Air
B:Neal – Collection of the Most Celebrated Irish Tunes (1724, p. 28)
Z:AK/Fiddler's Companion
K:Gdor
df g2 gf dc|B4 TB>c B/c/B/G/|F4 dcdf|ga Tg3f d2|Tf3g gfdc|
TB3c BcBG|FGFG Bcc B|AG G6|fddc BGBc|defd gfga|
ba Tg4 a/g/f|d4 Bcde|fdga bagf|dBdf gdcB|AG TG6:|
|:Bc d2 dcBG|TB3c B/c/B/G/ {F}D2|TB3c d/c/d/e/ fc|d2g2Tg4|
ga b4 ba|ag Tg4 {a}g/a/g/f/|d4 Bcde|f2 dcBf|Tg4 gfdg|
fd d/c/B Tc>d B/c/B/G/|F4 Bcde|fdga bag f|dBdf gd cB|A2 TG6:|] 
X:1
%
T:Fanny Dillon by Carrolan
M:C|
L:1/8
Q:”Very slow”
B:Daniel Wright – Aria di Camera (London, 1727, No. 7)
N:”being A Choice Collection of Scotch, Irish & Welsh Airs
N:for the Violin and German Flute by the following masters
N:Mr. Alex. Urquahart of Edinburgh, Mr. Dermot O'Connar of Limrick
N:Mr. Hugh Edwards of Carmarthen”
F: https://ia600808.us.archive.org/20/items/AriaDiCamera1727/Wright-AriaDiCamera-1727.pdf
Z:AK/Fiddler’s Companion
K:Gmin
df g2 gfdc|B2 B>c (BcBG)|F4 dcdf| ga g3f d2|
f3g gfdc|B3 c BcBG|FGFG (Bc) (cB)|(AG) G6|
(fd)(dc) (BG)(Bc)|(defd) (gfga)|(ba) g4 (a//g/f)|d4 (Bcde)|
(fd)(ga) (ba)(gf)|(dB)(df) (gd)(cB)|(AG) G6||Bc d2 dcBG|
B3c (B/c/B/G/) D2|B3c (d/c/d/e/) (fc)|d2g2 g4|ga b4 ba|
ag g4- g/(a/g/f/)|d4 (Bcde|f4 (dcBf)|g4 (gfdg)|(fd) (d/c/B) cd (B/c/B/G/)|
F4 Bcde|(fd)(ga) (ba)(gf)|dBde gdcB|AG G6||
X:1
%
T:Fanny Dillon
M:C|
L:1/8
R:Air
C:”Carolan”
B:Samuel, Anne & Peter Thompson – The Hibernian Muse (London, 1787, No. 11, p. 7)
N:”A Collection of the most Favorite Compositions of Carolan the Celebrated Irish Bard”
Z:AK/Fiddler’s Companion
K:Gmin
(dg) g2{a}(gf)Tdc|B2 B>c (Bc)BG|F4 (dc)df|ga (g2 g)f d2|
f3g (gf)dc|B3c (Bc)BG|(FG)(FG) cBTAG|G4 z2 d>e|
(fd)dc (BG)Bc|defd (gf)ga|ba g4 a/g/f|d4 Bcde|
(fd)ga (ba)gf|(dB)(de) dcBA|G4 z4||
Bc d2 {e}(dc)BA|B3 c (B/c/B/G/) D2|B3c (d/c/d/e/) fc|d2g2{a}g4|
(ga) b4 (ba)|(ag) g4 (g/a/g/f/)|d4 Bcde|f4 (dc)Bf|g4 (gf)dg|
(fd) (d/c/B) (cd) (B/c/B/G/)|F4 Bcde|(fd)ga bagf|(dB) de/g/ dcBA|G4 z4||
X:1
%
T:Fanny Dillon
M:3/4
L:1/8
K:Gdor
df|g2 {a}gf dc|B2 B>c B/c/B/G/|F2 dc df|
ga g2 (3gfd|f>g gf dc|B>c B/c/B/G/ {F/G/} FG|Bc cB AG|
G4 fd|dc BG Bc|de fd|g/f/g/a/|ba g2 (3agf|
d2 Bc de|fd ga ba|gf dB df|gd cB AG|G4||
Bc|d2 dc BG|B>c B/c/B/G/ {F}D2|B>c d/c/d/e/ fc|
dg g2 ga|b2 ba ag|g2 ga gf|d2 Bc de|f2 de df|
g2 gf dg|fd d/c/B cd|B2 B>c B/c/B/G/|F2 Bc de|
fd ga ba|gf dB df|gd cB AG|G4||

Tune annotations