Annotation:Royal Circus (The): Difference between revisions

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ROYAL CIRCUS. AKA and see “Drury Lane.” English, Scottish; Jig or March (6/8 time). F Major. Standard tuning (fiddle). AABB (Gow, Howe): AA’BB’ (Cranford/Holland). A tune by this name appears in Gow’s 2nd Collection, probably named for the Royal Circus in the New Town of Edinburgh, so called because of its shape complimentary to Royalty. Perhaps the most famous use of the name Royal Circus dates to 1782 when a former member of Phillip Astley’s equestrian performance company, Charles Hughes (1747-1797), struck out on his own. Astley’s performance hall was called the Royal Amphitheater, while rival Hughes’ named his The Royal Circus, located on Black-friar’s Road at St. George’s Fields, London (see note for “annotation:Astley's Ride” for more). Hughes, who opened his entertainment in conjunction with the popular songwriter Charles Dibdin, is credited with inventing the name circus (in the context of a program consisting of live acts), meaning 'circle', referring to the ring around which the equestrians rode during their performances.

File:Royalcircus.jpg

Additional notes

Source for notated version: -

Printed sources : - Cranford (Jerry Holland: The Second Collection), 2000; No. 286, p. 102. Gow (Second Collection of Niel Gow’s Reels), 1788; p. 34 (3rd ed.). Howe (1000 Jigs and Reels), c. 1867; p. 47. O’Flannagan (The Hibernia Collection), 1860; p. 21. Samuel, Ann & Peter Thompson (Compleat Collection of 200 Favourite Country Dances, vol. 5), 1788; No. 113, p. 57.

Recorded sources: - BM-91, Buddy MacMaster – “Glencoe Hall” (the Gow version). RC2000, George Wilson – “Royal Circus” (2000). Rounder Records 7057, Jerry Holland – “Parlor Music” (2005). Jerry Holland – “Crystal Clear” (2000).

See also listings at:
Alan Snyder’s Cape Breton Fiddle Recording Index [1]

Back to Royal Circus (The)

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-'''ROYAL CIRCUS.''' AKA and see “[[Drury Lane]].” English, Scottish; Jig or March (6/8 time). F Major. Standard tuning (fiddle). AABB (Gow, Howe): AA’BB’ (Cranford/Holland). A tune by this name appears in Gow’s 2nd Collection, probably named for the Royal Circus in the New Town of Edinburgh, so called because of its shape complimentary to Royalty. Perhaps the most famous use of the name Royal Circus dates to 1782 when a former member of Phillip Astley’s equestrian performance company, Charles Hughes (1747-1797), struck out on his own. Astley’s performance hall was called the Royal Amphitheater, while rival Hughes’ named his The Royal Circus, located on Black-friar’s Road at St. George’s Fields, London (see note for “[[annotation:Astley's Ride]]” for more). Hughes, who opened his entertainment in conjunction with the popular songwriter Charles Dibdin, is credited with inventing the name ''circus'' (in the context of a program consisting of live acts), meaning 'circle', referring to the ring around which the equestrians rode during their performances.
+'''ROYAL CIRCUS.''' AKA and see “[[Drury Lane]].” English, Scottish; Jig or March (6/8 time). F Major. Standard tuning (fiddle). AABB (Gow, Howe): AA’BB’ (Cranford/Holland). A tune by this name appears in Gow’s 2nd Collection, probably named for the Royal Circus in the New Town of Edinburgh, so called because of its shape complimentary to Royalty. Perhaps the most famous use of the name Royal Circus dates to 1782 when a former member of Phillip Astley’s equestrian performance company, Charles Hughes (1747-1797), struck out on his own. Astley’s performance hall was called the Royal Amphitheater, while rival Hughes’ named his The Royal Circus, located on Black-friar’s Road at St. George’s Fields, London (see note for “[[annotation:Astley's Ride]]” for more). Hughes, who opened his entertainment in conjunction with the popular songwriter Charles Dibdin, is credited with inventing the name ''circus'' (in the context of a program consisting of live acts), meaning 'circle', referring to the ring around which the equestrians rode during their performances.  [[File:royalcircus.jpg|600px|thumb|right|]]
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