Annotation:Essence of Old Virginny (1): Difference between revisions
(Created page with "[[{{BASEPAGENAME}}|Tune properties and standard notation]] ---- <p><font face="garamond, serif" size="4"> '''ESSENCE OF OLD VIRGINNY'''. American, ("Slow") Jig. G Major. Standard...") |
No edit summary |
||
Line 7: | Line 7: | ||
</font></p> | </font></p> | ||
<p><font face="garamond, serif" size="4"> | <p><font face="garamond, serif" size="4"> | ||
''Source for notated version'': | ''Source for notated version'': | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face="garamond, serif" size="4"> | <p><font face="garamond, serif" size="4"> | ||
''Printed sources'': | ''Printed sources'': Cole ('''1000 Fiddle Tunes'''), 1940; p. 24. '''Ryan's Mammoth Collection''', 1883. | ||
<br> | <br> | ||
<br> | <br> |
Revision as of 03:32, 31 March 2011
Tune properties and standard notation
ESSENCE OF OLD VIRGINNY. American, ("Slow") Jig. G Major. Standard tuning (fiddle). AABB. Hans Nathan (Dan Emmett and Negro Minstrelsy, Univ. of Oklahoma Press, 1962, p. 93) explains that some minstrel dancing involved slow steps: "Dances featuring such jumps and leaps were called 'essences' from about the (eighteen)fifties on, of which the 'Essence of Old Virginny', frequently accompanied by Emmett's tune 'Root, Hog or Die', is the best known example. Dan Bryant's famous rendition must have been highly realistic, for the press referred to it as 'a dance characteristic of the rude and untutored black of the old plantation'. In 'essences' the dancer sometime held his 'palms...at right angles with the wrists, while the arms were extended in a sort of pushing gesture...' but this was apparently at a later time." Another performer, named Mert Sexton, "'the great original essence of old Virginia,' (who) was a variety and minstrel performer of some note. He was connected with Fox & Warden's Minstrels, 1859" (William L. Slout, Broadway Below the Sidewalk, Borgo Press, California, 1994, p. 72). Frank Dumont, in an article in the New York Clipper (Dec. 19, 1914), called "The Golden Days of Minstrelsy," writes: "From time to time dwarfs appeared with the troupes and excited attention, notably Japanese Tommy, a colored dwarf, who was quite funny as a 'prima donna' and in the 'Essence of Old Virginy'."
Source for notated version:
Printed sources: Cole (1000 Fiddle Tunes), 1940; p. 24. Ryan's Mammoth Collection, 1883.
Recorded sources: