Sally in our Alley (1): Difference between revisions
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Revision as of 20:29, 13 August 2020
X: 1 T:Sally in Our Alley. WCD3/2.165 M:3/4 L:1/8 C:Henry Carey 1687-1743 N:http://www.poetryfoundation.org/poem/173140 Z:vmp. Peter Dunk 2015 www.village-music-project.org.uk B:Walsh, Compleat Country Dancing Master, 3rd Series, 2nd Bk, 3rd Ed., 1749 Q:1/4=72 K:C zg/f/ ef|(e2 d)(e/d/) cd|c2- c(c/B/) AG|FEDC Cc-|"sic"c2:| |:ze/f/ ge|agfe fd|gfed ec|fedc BG-| G2 zg/f/ ef|(e2d)(e/d/) cd|(c2B)e/f/ gd|fedc Gc-|"sic"c2:| W: W:Each Strain Twice. (repeats added to notation accordingly)
X:1
T:Sally in our Alley
M:3/4
L:1/8
R:Air
N:The second air, "The Country Lass," to Carey's words
B:Aird – Selection of Scotch, English, Irish and Foreign Airs, vol. 4 (1796, No. 49, p. 18)
Z:AK/Fiddler’s Companion
K:D
z2 z AA d|d2 cd e/f/ {a}g/{f}e/|d2 cdBA|A3 (3G/F/E/ Dd|dz z AA d|
d2 cd e/g/ {a}g/{f}e/|d2 c d/d/ BA|A3 (3G/F/E/ D d|d z zAAF|
A3 =cBG|B3 =cBG|B3 fgf|e3 dce-|e zz GFE|
D3 fgf|{f}e3 f/f/ af|d3 c/B/ Ad-|d2 z2 z||
X: 1
T: Salley in our Alley
%R: air, waltz
B: Urbani & Liston "A Selection of Scotch, English Irish, and Foreign Airs", Edinburgh 1800, p.18 #3
F: http://www.vwml.org/browse/browse-collections-dance-tune-books/browse-urbani1800
Z: 2014 John Chambers <jc:trillian.mit.edu>
N: Adjusted final rests to fill the measure. There are 17 bars, but the tune is really just 16 bars long, plus a "pause".
M: 3/4
L: 1/16
K: D
z4 z2A2A2 d2 |\
d4 c2d2 ef {a}g{f}e | d4 c2d2B2A2 |\
A6 (3GFE D2 d2 | d2z2 z2A2A2 d2 |
d4 c2d2 ef {a}g{f}e | d4 c2 dd B2A2 |\
A6 (3GFE D2 d2 | d2z2 z2A2A2F2 |
A6 =c2B2G2 | B6 f2g2f2 |\
e6 d2c2e2- | e2z2 z2G2F2E2 |
D6 f2g2f2 | {f}e6 ff a2f2 |\
d6 cB A2d2- | d4z4z4 |]
X:1
T:Sally in Our Alley
M:3/4
L:1/8
S:Chappell – Popular Music of the Olden Time
Z:AK/Fiddler’s Companion
K:Ab
e/d/ cd|c2 Bc/B/ AB|A2 GA/G/ FE|(E2 E)D CB,|A,A z2:|
||c/d/ ec|fe dc dB|ed cB cA|dc B3A|
GE ze/d/ cd|c2 Bc/B/ AB|A2 GB/c/ dF|A3G FE|FA z2||