Annotation:Sandy Cameron's (Strathspey): Difference between revisions

Revision as of 21:20, 16 October 2018

X: 1 T: Sandy Cameron T: (The Famous Athlete) C: J. Scott Skinner R: strathspey Z: 2009 John Chambers <jc:trillian.mit.edu> F: http://www.abdn.ac.uk/scottskinner/display.php?ID=JSS0711 N: First of two variants, by J.S.Skinner P: Pipe Strathspey M: C L: 1/16 K: A {g}a2 \ | "A"AAA2 (c3A) (e3A) (c3A) | "Bm"BBB2 (d3B) (f3B) (d3B)| "A"AAA2 (c3A) ({g}a3A) (c3A)| "D"ddd2 "E7"(B3e) "A"{cd}[c3E3][AE] [A2E2] :|g2 \ | "A"(3a2g2f2 (3e2f2g2 a3e c2A | "G"(3=g2f2e2 (3d2e2f2 g3d B3=G| "A"(3a2^g2f2 (3e2f2g2 a3e c2A | "D"ddd2 "E7"(B3e) "A"({cd}c3A) (A3[ge]) || "A"(3a2g2f2 (3e2f2g2 a3e c2A | "G"(3=g2f2e2 (3d2e2f2 g3d B3=G | "A"c3{B}A "Bm"d3{c}B "A/C#"e3{d}c "A"a3c | "D"ddd2 "E7"(B3e) "A"{cd}[c3E3][AE] [A2E2] |]

SANDY CAMERON’S. Scottish, Canadian; Strathspey (whole time). Canada, Cape Breton. A Major/Mixolydian. Standard tuning (fiddle). AAB. Scottish fiddle great biography:J. Scott Skinner (1843-1927) composed this pipe strathspey for Sandy Cameron, “The Famous Athlete,” who was a younger friend.

Alexander Anthony (“A.A.” or “Sandy”) Cameron (1875-1951), The Mighty Mucomir, was a native of Dochanassie, Lochaber, Inverness-shire, near Fort William. His first love was farming (his nickname "Mighty Mucomir" stems from the Highland custom of naming a person from the property he owns), but he had a large frame, handsome physique and prodigious strength, and he soon gained fame at fairs, Highland games and other competitions where his feats of agility and strength were unparalleled prior to World War I. Cameron was enticed to tour several times, venturing as far as Australia, New Zealand, America and Russia, where he performed feats of strength on stage. In his prime he held 16 records, some still unbeaten at the time of his death at age 76, some thirty years after he had stopped competing.

Skinner recorded "Sandy Cameron" in 1910 in London with pianist Ethel Stuart, one of a series of Skinner recordings from that session heard by a young Donegal fiddler John Doherty, and added to his own repertory ^[1]. Skinner also later recorded the strathspey on 78 RPM towards the end of his life, in the 1920’s, and it was published (by Bayley & Ferguson on a single sheet [1]) both pipe and fiddle settings; subsequently it has entered both piping and fiddling repertory. Paul Stewart Cranford (2000) points out the Cape Breton versions tend to employ the ‘G’ natural and more cuts than do Scottish ones. The strathspey has sometimes been associated with composer Alex Cameron (1848-1923), who came from a famous Scottish piping family.

Additional notes

Source for notated version: -

Printed sources : - Cranford (Jerry Holland: The Second Collection), 2000; No. 29, p. 13. The Gordon Highlanders Pipe Music Collection, vol 1, 1983. Henderson (The Scottish Music Maker), 1957.

Recorded sources: - A & M 79602 2000-2, Ashley MacIsaac - “Close to the Floor” (1992). Green Linnet SIF 1139, “Eileen Ivers” (1994. Recorded in duet with Natalie MacMaster). Rounder RO7023, Natalie MacMaster - “No Boundaries” (1996). Rounder 82161-7032-2, Bill Lamey – “From Cape Breton to Boston and Back: Classic House Sessions of Traditional Cape Breton Music 1956-1977” (2000). Rounder Records 7057, Jerry Holland – “Parlor Music” (2005). Topic 12T 280, J. Scott Skinner - "Strathspey King" (1975). Jerry Holland – “Crystal Clear” (2000).

See also listing at:
Alan Snyder’s Cape Breton Fiddle Recording Index [2]
Hear a clip of Skinner playing his tune [3]

Back to Sandy Cameron's (Strathspey)

↑ Thomas Caldwell, "Did you hear about the poor old travelling fiddler?’ - The Life and Music of John Doherty", Doctoral Thesis, 2013, pp. 90-91.

[1] Thomas Caldwell, "Did you hear about the poor old travelling fiddler?’ - The Life and Music of John Doherty", Doctoral Thesis, 2013, pp. 90-91.

[1]

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-Skinner recorded the strathspey on 78 RPM towards the end of his life, in the 1920’s, and published (by Bayley & Ferguson on a single sheet [http://www.abdn.ac.uk/scottskinner/display.php?ID=JSS0711]) both pipe and fiddle settings; subsequently it has entered both piping and fiddling repertory. Paul Stewart Cranford (2000) points out the Cape Breton versions tend to employ the ‘G’ natural and more cuts than do Scottish ones.  The strathspey has sometimes been associated with composer Alex Cameron (1848-1923), who came from a famous Scottish piping family.
+Skinner recorded "Sandy Cameron" in 1910 in London with pianist Ethel Stuart, one of a series of Skinner recordings from that session heard by a young Donegal fiddler John Doherty, and added to his own repertory <ref>Thomas Caldwell, "Did you hear about the poor old travelling fiddler?’ - The Life and Music of John Doherty", Doctoral Thesis, 2013, pp. 90-91.</ref>. Skinner also later recorded the strathspey on 78 RPM towards the end of his life, in the 1920’s, and it was published (by Bayley & Ferguson on a single sheet [http://www.abdn.ac.uk/scottskinner/display.php?ID=JSS0711]) both pipe and fiddle settings; subsequently it has entered both piping and fiddling repertory. Paul Stewart Cranford (2000) points out the Cape Breton versions tend to employ the ‘G’ natural and more cuts than do Scottish ones.  The strathspey has sometimes been associated with composer Alex Cameron (1848-1923), who came from a famous Scottish piping family.
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