Rose Tree (The): Difference between revisions
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{{Abctune | {{Abctune | ||
|f_tune_title=Rose Tree (The) | |f_tune_title=Rose Tree (The) | ||
|f_aka=Rosetree (The), Bhíosa lá I bport láirge, Dainty Besom Maker (The), I'll Cloot My Johnny's Grey Breecks, Johnny's Grey Breeks (2), Old Lea Rigg (The), Little Mary Cullinan, Little Sheila Connellan, Maureen from Giberland, Moore's Favourite, Phelim O’Neill (2), Port Láirge, Rose Tree in Full Bearing (The), Rose Tree of Paddy's Land (The), Gimblet (The), Forgive the Muse that Slumbered, I'd Mourn the Hopes that Leave Me, Paddy's Land | |f_aka=Rosetree (The), Bhíosa lá I bport láirge, Dainty Besom Maker (The), I'll Cloot My Johnny's Grey Breecks, Johnny's Grey Breeks (2), Magee's, Old Lea Rigg (The), Little Mary Cullinan, Little Sheila Connellan, Maureen from Giberland, Moore's Favourite, Phelim O’Neill (2), Port Láirge, Rose Tree in Full Bearing (The), Rose Tree of Paddy's Land (The), Gimblet (The), Forgive the Muse that Slumbered, I'd Mourn the Hopes that Leave Me, Paddy's Land | ||
|f_country= | |f_country=England, Scotland, Ireland, Canada, United States | ||
|f_genre=Contra, English, Irish, Morris | |f_genre=Contra, English, Irish, Morris | ||
|f_rhythm=Air/Lament/Listening Piece, Country Dance, March/Marche, Polka | |f_rhythm=Air/Lament/Listening Piece, Country Dance, March/Marche, Polka | ||
|f_time_signature= | |f_time_signature=4/4, 2/4 | ||
|f_key=D | |f_key=D | ||
|f_accidental=2 sharps | |f_accidental=2 sharps | ||
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|f_page=p. 40 | |f_page=p. 40 | ||
|f_theme_code_index=1H653 5555 | |f_theme_code_index=1H653 5555 | ||
|f_score=1 | |||
}} | }} | ||
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d2B2A2 FG |AB AF A2 FA|d2cd (3efe de| f2d2d2:|] | d2B2A2 FG |AB AF A2 FA|d2cd (3efe de| f2d2d2:|] | ||
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__NOTITLE__ | __NOTITLE__ |
Revision as of 04:53, 8 August 2020
X:1 T:Rose Tree, The M:2/4 L:1/8 R:Country Dance Tune B:J. Clinton – Gems of Ireland:200 Airs (1841, No. 20, p. 10) Z:AK/Fiddler’s Companion K:F (a/g/)|.f.d.c.A|c3 d|f2 (a/g/f/).g/|(ag).g (a/g/)| .f.d.c.A|c>{e}dc d|f2 (a/g/).f/.g/|{f}a.f.f:| |:g|(ag).a>.b|c’2-b.a|(gd').d'.c'|(d'g){^fga}!fermata!g (a/g/)| =.f.d.c.A|(c>{e}d)c d|f>f (a/g/f/).g/|{fg}a.f.f:|]
X:1
T:Rose Tree, The
M:2/4
L:1/8
Q:"Moderato"
B:P.M. Haverty – One Hundred Irish Airs vol. 1 (1858, No. 90, p. 38)
Z:AK/Fiddler’s Companion
K:Eb
(g/f/|e)cBG|B>cB c/d/|e>e (g/f/e/f/)|gff (g/f/)|
ecBG|B>cB c/d/|e>e g/f/e/f/|gee||
f|gfga|b2 ag|fc'c'b|c'ff (g/f/|
e)cBG|B>cB c/d/|e>e (g/f/e/f/)|gee||
X:1
T:Rosetree, The
M:2/4
L:1/8
R:Country Dance
B:Hughes – Gems from the Emerald Isles (London, 1867,, No. 65, p. 15)
Z:AK/Fiddler’s Companion
K:A
c/B/|AFEC|E2 EF|A2 BA/B/|cBB c/>B/|
AFEC|E2 EF|A2 c/B/A/B/|cAA||
d|cBcd|e2 dc|Bffe|fB!fermata!B !fermata!c/>B/|
AFEC|E2 E>F|A2 c/B/A/B/|cAA||
X:1
T:Rose Tree
M:C
L:1/8
R:Polka or March
K:D
|:fe|d2 B2 A2 F2|AB AF A2A2| d2cde2 de| f2e2 eg fe|
d2B2A2F2| AB AF A2A2 |d2cd (3efe de|f2d2d2:|
|:e2|f3ef2g2| a4g2f2|e2b2b3a |b2e2 egfe |
d2B2A2 FG |AB AF A2 FA|d2cd (3efe de| f2d2d2:|]