Annotation:Boating Up Sandy (3): Difference between revisions
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'''BOATING UP SANDY [3]'''. AKA and see "[[Gal with the Blue Dress On (1)]]." Old-Time, Breakdown. USA, West Virginia. A Mixoldyian (Phillips): A Dorian (Johnson). Standard tuning (fiddle). ABB'. The tune is a member of a tune family including "[[Hog Eye an' a 'Tater]]," "[[Hog Eye Man (1)]]," "[[Hog Eye]]," "[[Granny Will Your Dog Bite? (1)]]," "[[Sally in the Garden (1)]]," "Fire on/in the Mountain [1]" (there are several tunes by this name; it is a "floater"), and, in some respects "Betty Martin." Known as a West Virginia tune, it is in the repertoire of Wilson Douglas (1922-1999, Rush Fork, Clay County, W.Va.) who learned it from one of his strongest influences, the regionally famous and influential fiddler French Carpenter (W.Va.). A reel of the same title was in the repertoire of Braxton County, W. Va., fiddler Melvin Wine (1909-2003), whose version | '''BOATING UP SANDY [3]'''. AKA and see "[[Gal with the Blue Dress On (1)]]." Old-Time, Breakdown. USA, West Virginia. A Mixoldyian (Phillips): A Dorian (Johnson). Standard tuning (fiddle). ABB'. The tune is a member of a tune family including "[[Hog Eye an' a 'Tater]]," "[[Hog Eye Man (1)]]," "[[Hog Eye]]," "[[Granny Will Your Dog Bite? (1)]]," "[[Sally in the Garden (1)]]," "Fire on/in the Mountain [1]" (there are several tunes by this name; it is a "floater"), and, in some respects "Betty Martin." Known as a West Virginia tune, it is in the repertoire of Wilson Douglas (1922-1999, Rush Fork, Clay County, W.Va.) who learned it from one of his strongest influences, the regionally famous and influential fiddler French Carpenter (W.Va.). Southern West Virginia coal miner and fiddler Delbert Hughes (1905-1982), originally from east Kentucky, played a version quite similar to Douglas's. | ||
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A reel of the same title was in the repertoire of Braxton County, W. Va., fiddler Melvin Wine (1909-2003), whose version can be found at "[[Boating Up Sandy (5)]]," and faintly resembles Douglas's in its structure, although melodically and harmonically different. | |||
[[File:douglas.jpg|400px|thumb|left|Wilson Douglas]] | [[File:douglas.jpg|400px|thumb|left|Wilson Douglas]] | ||
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<font color=red>''Recorded sources'': </font> <font color=teal> - Heritage 12, Wilson Douglas - "Brandywine 75: Music of West Virginia" (1975). Marimac Recordings, 1989, Wilson Douglas - "Boatin Up Sandy." Rounder 0024, "The Hollow Rock String Band" (1974. Learned from Doc White, Ivydale, W.Va., who called it "[[Gal with the Blue Dress On (1)]]"). </font> | <font color=red>''Recorded sources'': </font> <font color=teal> - Augusta Heritage AHR-015113, Delbert Hughes - "The Home Recordings." Heritage 12, Wilson Douglas - "Brandywine 75: Music of West Virginia" (1975). Marimac Recordings, 1989, Wilson Douglas - "Boatin Up Sandy." Rounder 0024, "The Hollow Rock String Band" (1974. Learned from Doc White, Ivydale, W.Va., who called it "[[Gal with the Blue Dress On (1)]]"). </font> | ||
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Revision as of 22:50, 14 September 2018
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BOATING UP SANDY [3]. AKA and see "Gal with the Blue Dress On (1)." Old-Time, Breakdown. USA, West Virginia. A Mixoldyian (Phillips): A Dorian (Johnson). Standard tuning (fiddle). ABB'. The tune is a member of a tune family including "Hog Eye an' a 'Tater," "Hog Eye Man (1)," "Hog Eye," "Granny Will Your Dog Bite? (1)," "Sally in the Garden (1)," "Fire on/in the Mountain [1]" (there are several tunes by this name; it is a "floater"), and, in some respects "Betty Martin." Known as a West Virginia tune, it is in the repertoire of Wilson Douglas (1922-1999, Rush Fork, Clay County, W.Va.) who learned it from one of his strongest influences, the regionally famous and influential fiddler French Carpenter (W.Va.). Southern West Virginia coal miner and fiddler Delbert Hughes (1905-1982), originally from east Kentucky, played a version quite similar to Douglas's.
A reel of the same title was in the repertoire of Braxton County, W. Va., fiddler Melvin Wine (1909-2003), whose version can be found at "Boating Up Sandy (5)," and faintly resembles Douglas's in its structure, although melodically and harmonically different.