Bonaparte's Retreat (1): Difference between revisions

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N:DDad tuning
N:DDad tuning
F:https://www.oldtownschool.org/fiddle/fun/bonnepartsretreat_slow7299.mp3
F:https://www.oldtownschool.org/fiddle/fun/bonnepartsretreat_slow7299.mp3
F:https://www.oldtownschool.org/fiddle/fun/bonapartesretreat7351.mp3 (William Stepp's version)
N:https://www.oldtownschool.org/fiddle/fun/bonapartesretreat7351.mp3 (William Stepp's version)
Z:Transcribed by Andrew Kuntz
Z:Transcribed by Andrew Kuntz
K:D
K:D

Revision as of 07:28, 17 December 2018


Bonaparte's Retreat (1)  Click on the tune title to see or modify Bonaparte's Retreat (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bonaparte's Retreat (1)
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 Theme code Index    3352 2242
 Also known as    Napoleon's Retreat
 Composer/Core Source    
 Region    United States
 Genre/Style    Old-Time, Texas/Oklahoma
 Meter/Rhythm    March/Marche, Reel (single/double)
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    2/4
 History    USA(Upland South), USA(Piedmont), USA(Southeast), USA(Deep South), USA(Central), USA(Mid Atlantic), USA(Southwest)
 Structure    AABBCCDD
 Editor/Compiler    Biography:Ira Ford
 Book/Manuscript title    Book:Traditional Music in America
 Tune and/or Page number    p. 129
 Year of publication/Date of MS    1940
 Artist    A.A. Gray
 Title of recording    
 Record label/Catalogue nr.    Okeh 40110 (78 RPM)
 Year recorded    1924
 Media    
 Score   ()   


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{{ #viki:pageTitles=Bonaparte's Retreat (1)|width=1100|height=600|delimiter=,| }} Bonaparte's Retreat (1): Annotations


X:1 T:Bonaparte's Retreat [1] M:C L:1/8 Q:"Andante" N:DDAd tuning N:Drone strings throughout. B:Ford - Traditional Music in America (1940) Z:AK/Fiddler's Companion K:D [G,2D2] [G,D]F [D2A2]F2|(ED) (EF) (GF) (EF)|[G,2D2][G,D]F [D2A2]F2|(ED) (EF) [G,3D3]:| "accelerando"(3A/B/c/|d2 d>f d2 (3A/B/c/|(dB) (AG) (FD) (3A/B/c/|d2 d>f d[D2A2]|(FD) (EF) (GF) (EF)| [G,D][G,D]F [D2A2]F2|(ED) (EF) (GF) (EF)|[G,2D2][G,D]F [D2A2]F2|(ED) (EF) [G,3D3]z2|| (3A/B/c/|[G,2D2]d>"poco"f d2 (3A/B/c/|[G,D]>B (AG) (FD) "poco"(3A/B/c/|[G,2D2]|d>f d2A2|(F>D) (EF) (GF) (EF)| [G,2D2][GD]F [D2A2]F2|"Piu moto"(ED) (EF) (GF) (EF)|[G,2D2] {G,D]F [D2A2]F2|(ED) (EF) [G,4D4]|"Coda"[A8e8]|| M:2/4 L:1/8 "Allegro"(g/e/g/e/ bg|g/e/f/g/ a/g/f)|(g/e/g/e/ bg|1 f/e/f/g/ [A2e2]):| |2f/e/f/g/ [Ae](3A/B/c/||"Allegretto"d2 d>f d2 (3A/B/c/|(dB) (AG) (FD) (3A/B/c/|d2 d>f d2A2|(FD) (EF) (GF) (EF)|


X:1 T:Bonaparte's Retreat [1] S:Oscar "Os" Scholes (1891-1984, Mountain View, Arkansas) M:C| L:1/8 R:Air/Listening piece N:Scholes adopts the frequent fiddler's practice of starting the tune N:slow, then speeding up each time around. N:DDad tuning (fiddle) D:Os Scholes - The Fiddlers at Stone County, Arkansas, vol. 1 F:https://www.slippery-hill.com/recording/bonapartes-retreat-old-0 Z:Transcribed by Andrew Kuntz K:D F2D2F2D2|A2F2 (E/F/E)D2|E2D2E2F2|G2F2 (E/F/E) D2| F2D2F2D2|A2F2 (E/F/E)D2|F2 (E/F/E) D4|A2D2F2D2| A2F2 (E/F/E)D2|E2D2E2F2|G2F2 E2 D2| A2D2F2D2| A2F2 (E/F/E) D2|F2(E/F/E) D4|[M:2/4]A2B2||[M:C|]d4d2(fe| d4)A2B2|d2{e}dB A2F2|(E/F/E) D2A2B2|d4 {e}d2(f/e/d)| f4 A2B2|d2dB A2F2|(E/F/E) D2 F2(E/F/E)|[M:2/4]D4||

X:1 T:Bonaparte's Retreat [1] M:C| L:1/8 R:Reel N:DDad tuning F:https://www.oldtownschool.org/fiddle/fun/bonnepartsretreat_slow7299.mp3 N:https://www.oldtownschool.org/fiddle/fun/bonapartesretreat7351.mp3 (William Stepp's version) Z:Transcribed by Andrew Kuntz K:D (d3e d2)B(c|dB)A(F ED)FD|Bdde dBAB|dBAF (3EFE Dd-| (d3e d2)B(c|dB)A(F ED)FD|Bdde dBAB|dBAF (3EFE (DE|| FDFD) A(DFD)|EDEF GFED|F(DFD) A(DFD)|1(EDE)(F D2)DE:|2(EDE)(F D2)[D2A2]||


X:1 T:Bonaparte's Retreat [1] D:Aly Bain/Phil Cunningham, The Ruby Z:Nigel Gatherer M:2/4 L:1/8 K:D F2 F/E/F/G/ | AF ED | E2 E/D/E/F/ | GF ED | F2 F/E/F/G/ | AF ED | EF/G/ FE | D4- | D4 :| d2 f>e | d/e/d/B/ AB/c/ | d>B AF | ED F>E | D4- | D4 :| F2 F/E/F/G/ | AF ED | E2 E/D/E/F/ | GF ED | F2 F/E/F/G/ | AF ED | EF/G/ FE | D4- | D4 :| d2 f>e | d/e/d/B/ AB/c/ | d>B AF|\ M:1/4 ED| M:2/4 B4- | B4 | d2 f>e | d/e/d/B/ AB/c/ | d>B AF | ED F>E | D4- | D4 :||