Annotation:My Love and I in the Garden: Difference between revisions

Revision as of 05:10, 16 February 2019

X:1 T:My Love and I in the Garden M:C| L:1/8 R:Reel B:Roche - Collection of Traditional Irish Music vol. 1 (1912, No. 167) Z:AK/Fiddler's Companion K:G Bd|edBA ~G3A|BdAc B>E(3FED|~G3E DEGA|BAdB A2 Bd| edBA ~G3A|BdAc B>E(3FED|~G3E DEGA|BdAB G|| B|d>edc Bcdf|edef edBA|Bdd>d ede>g|fdef g3e| ded>c Bcdf|edef edBA|Bd(3ddd e<aa>g|fdef g2||

MY LOVE AND I IN THE GARDEN. AKA and see "I Wish I Never Saw You," "Hayden's Favourite," "Kennaw's Reel (2)," "Stokestown Reel," "Tom Ennis' Fancy," "Tubercurry Reel (The)." Irish, Reel. G Major. Standard tuning (fiddle). AB. Similarities to the "Maude Millar (2)" family of tunes. See also the Co. Kerry reel "Kennaw's Reel (2)", cognate in the first strain, less similar in the second.

Additional notes

Source for notated version: -

Printed sources : - Bulmer & Sharpley (Music from Ireland, vol. 3), 1976; 33. Roche (Collection of Traditional Irish Music, vol. 1), 1912; No. 167, p. 65.

Recorded sources: -

See also listing at:
Jane Keefer's Folk Music Index: An Index to Recorded Sources [1]
Alan Ng's Irishtune.info [2]

Back to My Love and I in the Garden

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-'''MY LOVE AND I IN THE GARDEN.''' AKA and see "[[I Wish I Never Saw You]]," "[[Hayden's Favourite]]," "[[Kennaw's Reel (2)]]," "[[Stokestown Reel]]," "[[Tom Ennis' Fancy]]," "[[Tubercurry Reel (The)]]." Irish, Reel. G Major. Standard tuning (fiddle). AB. Similarities to the "[[Maude Millar (2)]]" family of tunes. See also the Co. Kerry reel "[[Kennaw's Reel]]", cognate in the first strain, less similar in the second.
+'''MY LOVE AND I IN THE GARDEN.''' AKA and see "[[I Wish I Never Saw You]]," "[[Hayden's Favourite]]," "[[Kennaw's Reel (2)]]," "[[Stokestown Reel]]," "[[Tom Ennis' Fancy]]," "[[Tubercurry Reel (The)]]." Irish, Reel. G Major. Standard tuning (fiddle). AB. Similarities to the "[[Maude Millar (2)]]" family of tunes. See also the Co. Kerry reel "[[Kennaw's Reel (2)]]", cognate in the first strain, less similar in the second.
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