Bridge of Athlone (2) (The): Difference between revisions

Revision as of 05:14, 9 March 2019

Bridge of Athlone (2) (The) Click on the tune title to see or modify Bridge of Athlone (2) (The)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Bridge of Athlone (2) (The) Query the Archive
Theme code Index	115L3 2242
Also known as	Ironbridge Hornpipe (The)
Composer/Core Source
Region	England, Ireland
Genre/Style	Irish
Meter/Rhythm	Hornpipe/Clog
Key/Tonic of	B
Accidental	2 flats
Mode	Ionian (Major)
Time signature	4/4
History
Structure	AABB
Editor/Compiler	Francis O'Neill
Book/Manuscript title	Book:Music of Ireland: 1850 Melodies
Tune and/or Page number	No. 1721, p. 320.
Year of publication/Date of MS	1903
Artist	Biography:Joe Derrane
Title of recording	Return to Inis Mor
Record label/Catalogue nr.	Green Linnet GLCD 1163
Year recorded	1996
Media
Score ()

BRIDGE OF ATHLONE [2], THE. Irish, Hornpipe. B Flat Major. Standard tuning (fiddle). AABB. Settings also in G major. The hornpipe was famously recorded on 78 RPM by Sligo fiddle great Michael Coleman in New York. Coleman's setting shifts to F major in the second part, though the notation in O'Neill's book retained two flats throughout.

Peter Kennedy incorporated the tune into a quadrille piece called "Princess Margaret's Fancy." The hornpipe appears in the c. 1837 music manuscript collection of Shropshire musician John Moore, who called the tune "Ironbridge Hornpipe (The)."

Printed sources: O'Neill (Krassen), 1976; p. 202. Connolly & Martin (Forget Me Not), 2002; pp. 16-17. O'Neill (Music of Ireland: 1850 Melodies), 1903; No. 1721, p. 320.

Recorded source: Decca 12056A 78 rpm disc, Michael Coleman with pianist Eileen O'Shea (1935); Green Linnet GLCD 1163, Joe Derrane - "Return to Inis Mor" (1996).

X:1
T:The Bridge of Athlone [2]
M:C|
L:1/8
R:Hornpipe
S:O'Neill - Music of Ireland (1903), No. 1721
Z:AK/Fiddler's Companion
K:Bb
(3FGA|B2B2 F>Bd>B|c>Bc>d e>dc>B|A>Bc>d c>BA>G|(3FAc f>g f>ed>c|
B>dF>B (3DFB d>B|e>gc>e (3FAc e>c|(3Bac (3BAG F2 G>A|B2 d2 B2:|
|:A>B|c>fa>g (3feg f>e|d>fb>a g2 g>f|(3edc (3dcB (3afe (3dcB|(3FAc f>g f>ed>c|
B>dF>B (3DFB d>B|e>gc>e (3FAc e>c|(3Bac (3BAG F2 G>A|B2 d2 B2:||

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-'''BRIDGE OF ATHLONE [2], THE'''. Irish, Hornpipe. B Flat Major. Standard tuning (fiddle). AABB. Settings also in G major. The hornpipe was famously recorded on 78 RPM by Sligo fiddle great Michael Coleman in New York [S. Connolly]. Peter Kennedy incorporated the tune into a quadrille piece called "[[Princess Margaret's Fancy]]." The hornpipe appears in the c. 1837 music manuscript collection of Shropshire musician John Moore, who called the tune "[[Ironbridge Hornpipe (The)]]."
+'''BRIDGE OF ATHLONE [2], THE'''. Irish, Hornpipe. B Flat Major. Standard tuning (fiddle). AABB. Settings also in G major. The hornpipe was famously recorded on 78 RPM by Sligo fiddle great Michael Coleman in New York. Coleman's setting shifts to F major in the second part, though the notation in O'Neill's book retained two flats throughout.
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+Peter Kennedy incorporated the tune into a quadrille piece called "[[Princess Margaret's Fancy]]." The hornpipe appears in the c. 1837 music manuscript collection of Shropshire musician John Moore, who called the tune "[[Ironbridge Hornpipe (The)]]."
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