Croppies' March: Difference between revisions

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{{Abctune
{{Abctune
|f_tune_title=Croppies' March
|f_tune_title=Croppies' March
|f_aka=Banks of Inverness, Croppy's Retreat (The), Father Murphy's Quick Step, Freedom for Ireland, Heather on the Hill (1), Ireland Forever, Lark's Nest
|f_aka=Banks of Inverness, Croppy's Retreat (The), Father Murphy's Quick Step, Freedom for Ireland, Heather on the Hill (1), Ireland Forever!, Lark's Nest
|f_country=Ireland
|f_country=Ireland
|f_genre=Irish
|f_genre=Irish
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}}
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'''CROPPIES' MARCH'''. AKA and see "[[Banks of Inverness]]," "[[Croppy's Retreat]]," "[[Freedom for Ireland]]," "[[Heather on the Hill (1)]]," "[[Ireland Forever]]," "[[Lark's Nest]]." Irish, March (4/4 time). D Major. Standard tuning (fiddle). AABB. O'Neill (1922) notes: The term 'Croppy' grew from the custom of the English and Scotch reformers in 1795, who cut their hair short. The same custom was adopted by the reformers in Ireland; and hence all those who wore their hair short were denominated 'Croppies', and were the marked objects of government vengeance. In truth, clipped hair constituted secondary evidence of treason, and was sufficient to cause the arrest and ill treatment of any person daring enough to adopt it." See also tune as part of "[[Walls of Limerick]]," "[[Seige of Ennis]]."  
'''CROPPIES' MARCH'''. AKA and see "[[Banks of Inverness]]," "[[Croppy's Retreat]]," "[[Freedom for Ireland]]," "[[Heather on the Hill (1)]]," "[[Ireland Forever!]]," "[[Lark's Nest]]." Irish, March (4/4 time). D Major. Standard tuning (fiddle). AABB. O'Neill (1922) notes: The term 'Croppy' grew from the custom of the English and Scotch reformers in 1795, who cut their hair short. The same custom was adopted by the reformers in Ireland; and hence all those who wore their hair short were denominated 'Croppies', and were the marked objects of government vengeance. In truth, clipped hair constituted secondary evidence of treason, and was sufficient to cause the arrest and ill treatment of any person daring enough to adopt it." See also tune as part of "[[Walls of Limerick]]," "[[Seige of Ennis]]."  
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Revision as of 03:40, 13 August 2012


Croppies' March  Click on the tune title to see or modify Croppies' March's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Croppies' March
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 Theme code Index    5551H 3H2H1H6
 Also known as    Banks of Inverness, Croppy's Retreat (The), Father Murphy's Quick Step, Freedom for Ireland, Heather on the Hill (1), Ireland Forever!, Lark's Nest
 Composer/Core Source    
 Region    Ireland
 Genre/Style    Irish
 Meter/Rhythm    March/Marche
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    4/4
 History    
 Structure    AAB
 Editor/Compiler    Francis O'Neill
 Book/Manuscript title    Book:Waifs and Strays of Gaelic Melody
 Tune and/or Page number    No.'s 60 & 61
 Year of publication/Date of MS    1922
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   


CROPPIES' MARCH. AKA and see "Banks of Inverness," "Croppy's Retreat," "Freedom for Ireland," "Heather on the Hill (1)," "Ireland Forever!," "Lark's Nest." Irish, March (4/4 time). D Major. Standard tuning (fiddle). AABB. O'Neill (1922) notes: The term 'Croppy' grew from the custom of the English and Scotch reformers in 1795, who cut their hair short. The same custom was adopted by the reformers in Ireland; and hence all those who wore their hair short were denominated 'Croppies', and were the marked objects of government vengeance. In truth, clipped hair constituted secondary evidence of treason, and was sufficient to cause the arrest and ill treatment of any person daring enough to adopt it." See also tune as part of "Walls of Limerick," "Seige of Ennis."

Source for notated version: piper Patsy Touhey [O'Neill]. Uilleann piper Patrick James Tuohey (1865 – 1923) was born in County Galway, but emigrated with his parents to the United States when just a toddler. He learned to play the pipes from masters in the Irish neighborhoods of Boston and New York, and became, as O'Neill opined, "the genial wizard of the Irish pipers." He made a living as a musician on the variety and vaudeville stages of the late 19th and early 20th century, branching into acting in skits and and comedy sketches as well.

Printed source: O'Neill (Waifs and Strays of Gaelic Melody), 1922; No's. 60 & 61.

X:1 T:Croppies' March, The M:4/4 L:1/8 S:Patsy Touhey Z:Paul Kinder R:March K:D B|A3 B A2 F2|A2 B2 d3 e|f2 a2 e2 f2|d2 B2 BcdB| A3 B A2 F2|A2 B2 d3 e|f2 a2 e2 f2|d4 d3:|| |:e|f2 a2 a3 f|g2 b2 b2 g2|f2 a2 e2 f2|d2 B2 B2 d2| f2 a2 a3 f|g2 b2 b3 c'|d'2 c'2 c'2 a2|b4 b3 a| f2 a2 a2 f2|g2 b2 b2 g2|f2 a2 e2 f2|d2 B2 BcdB| A3 B A2 F2|A2 B2 d3 e|f2 a2 e2 f2|d4 d3:||


X:2
T:Croppies' March
M:4/4
L:1/8
S:Capt. F. O'Neill
Z:Paul Kinder
R:March
K:D
B|A>BAF ABde|faef d/2e/2f/2d/2 Bd|A>BAF ABde|faef d2 d2:||
faag/2f/2 gbba/2g/2|faef d/2e/2f/2d/2 "tr"BA|
faag/2f/2 gbbc'|d'c'ba b2 ba|faag/2f/2 gbba/2g/2|
faef d/2e/2f/2d/2 Bd|A>BAF ABde|faef d2 d2||


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