Annotation:Get on de Train: Difference between revisions
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'''GET ON DE TRAIN'''. American, "Sand Jig" (4/4 or cut time). A Major (Cole/Ryan): A Major (Kerr). Standard tuning (fiddle). AABBCC (Cole): AABBCC' (Kerr). '''Ryan's Mammoth Collection''' credits composition of the melody to Frank Livingston, one of several under his name in the collection. A 'sand jig' was a duple-time syncopated dance tune bearing no relation to the Irish jig. Rather, 'jig' in this context is more in the English (morris) sense, meaning a solo dance. The sand jig was meant to be performed on a stage that had been strewn with sand, to facilitate the movement of the stepping. | '''GET ON DE TRAIN'''. American, "Sand Jig" (4/4 or cut time). A Major (Cole/Ryan): A Major (Kerr). Standard tuning (fiddle). AABBCC (Cole): AABBCC' (Kerr). '''Ryan's Mammoth Collection''' credits composition of the melody to Frank Livingston, one of several under his name in the collection. A 'sand jig' was a duple-time syncopated dance tune bearing no relation to the Irish jig. Rather, 'jig' in this context is more in the English (morris) sense, meaning a solo dance. The sand jig was meant to be performed on a stage that had been strewn with sand, to facilitate the movement of the stepping. | ||
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''Source for notated version'' | <p><font face="sans-serif" size="3"> '''Additional notes''' </font></p> | ||
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<font color=red>''Source for notated version''</font>: - | |||
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''Printed sources'': Cole ('''1000 Fiddle Tunes'''), 1940; p. 81. Kerr ('''Merry Melodies''') | <font color=red>''Printed sources''</font> : - Cole ('''1000 Fiddle Tunes'''), 1940; p. 81. Kerr ('''Merry Melodies, vol. 2'''); No. 420, p. 47. '''Ryan's Mammoth Collection''', 1883; p. 114. {{break|2}} | ||
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''Recorded sources'': <font color=teal></font> | <font color=red>''Recorded sources'': </font> <font color=teal> - </font> | ||
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Revision as of 14:25, 2 August 2019
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GET ON DE TRAIN. American, "Sand Jig" (4/4 or cut time). A Major (Cole/Ryan): A Major (Kerr). Standard tuning (fiddle). AABBCC (Cole): AABBCC' (Kerr). Ryan's Mammoth Collection credits composition of the melody to Frank Livingston, one of several under his name in the collection. A 'sand jig' was a duple-time syncopated dance tune bearing no relation to the Irish jig. Rather, 'jig' in this context is more in the English (morris) sense, meaning a solo dance. The sand jig was meant to be performed on a stage that had been strewn with sand, to facilitate the movement of the stepping.