Annotation:Little Celia Connellan: Difference between revisions
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'''LITTLE CELIA CONNELLAN''' ([[Sile Bheag Ni Chonnalain]]). AKA - "[[Sheala Ni Chonallain]]," "[[Sheela Beg Ni Chonallain]]," "[[Celia Connellan]]," "[[Little Mary Cullinan]]." Irish, Slow Air (4/4 or 2/4 time). D Dorian (Joyce): F Minor. Standard tuning (fiddle). AB (Joyce). There are several versions of this once-popular Irish song, composed by the great Sligo harper Thomas Connallon, in either 1650 or 1660. "[The Irish collector William] Forde took a setting from [fiddler] Hugh O'Beirne and another from Paddy Conneely (p. 254). I give these two settings here, as they differ considerably from Bunting's two: notably they are plainer and less interrupted by instrumental ornaments and variations...I think it likely that these two versions from two skilled native players of (the composer Thomas) O'Connallon's neighbourhood better represent his original composition than Bunting's do. There is a simple and very pretty Irish song to tis air (Sighile Bheag ni Choindealbhain: Edw. Walsh, '''Irish Popular Songs''', p. 94: Hardiman's Ir. Minstr. I. 220), which sings smoothly to the two versions of the air given here. But Bunting's two settings are so complicated --especially the first--that it is impossible to sing the words to them" (P.W. Joyce, 1909). Bunting's 1st version is probably a harp rather than vocal version. See also O'Neill's " | '''LITTLE CELIA CONNELLAN''' ([[Sile Bheag Ni Chonnalain]]). AKA - "[[Sheala Ni Chonallain]]," "[[Sheela Beg Ni Chonallain]]," "[[Celia Connellan]]," "[[Little Mary Cullinan]]." Irish, Slow Air (4/4 or 2/4 time). D Dorian (Joyce): F Minor. Standard tuning (fiddle). AB (Joyce). There are several versions of this once-popular Irish song, composed by the great Sligo harper Thomas Connallon, in either 1650 or 1660. "[The Irish collector William] Forde took a setting from [fiddler] Hugh O'Beirne and another from Paddy Conneely (p. 254). I give these two settings here, as they differ considerably from Bunting's two: notably they are plainer and less interrupted by instrumental ornaments and variations...I think it likely that these two versions from two skilled native players of (the composer Thomas) O'Connallon's neighbourhood better represent his original composition than Bunting's do. There is a simple and very pretty Irish song to tis air (Sighile Bheag ni Choindealbhain: Edw. Walsh, '''Irish Popular Songs''', p. 94: Hardiman's Ir. Minstr. I. 220), which sings smoothly to the two versions of the air given here. But Bunting's two settings are so complicated --especially the first--that it is impossible to sing the words to them" (P.W. Joyce, 1909). Bunting's 1st version is probably a harp rather than vocal version. See also O'Neill's <incipit title="load:Celia" width=850 link="https://tunearch.org/wiki/Celia Connellan">Celia Connellan</incipit>" (Bunting version). | ||
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Revision as of 03:49, 28 May 2019
X:1 T:Little Celia O'Connellan [1] S:Hugh O'Beirne, piper, 1846, Ballinamore, Co. Leitrim, via collector William Forde M:C L:1/8 R:Slow Air B:Joyce - Old Irish Music and Folk Songs (1909, No. 586) Z:AK/Fiddler's Companion K:Ddor AG|A2 de f2e2|d3f edcB|A3G E2D2|EGAB c2 AG| A2 de f2e2|d3c A2G2|F3A GEDE|D2 DE F2|| fe|dcAd cAAG|F3A GEDE|D3F E2 DC|D2E2F2 DE| FDFG Acde|f3d edcA|{A}d3c AGED|E2D2D2||
LITTLE CELIA CONNELLAN (Sile Bheag Ni Chonnalain). AKA - "Sheala Ni Chonallain," "Sheela Beg Ni Chonallain," "Celia Connellan," "Little Mary Cullinan." Irish, Slow Air (4/4 or 2/4 time). D Dorian (Joyce): F Minor. Standard tuning (fiddle). AB (Joyce). There are several versions of this once-popular Irish song, composed by the great Sligo harper Thomas Connallon, in either 1650 or 1660. "[The Irish collector William] Forde took a setting from [fiddler] Hugh O'Beirne and another from Paddy Conneely (p. 254). I give these two settings here, as they differ considerably from Bunting's two: notably they are plainer and less interrupted by instrumental ornaments and variations...I think it likely that these two versions from two skilled native players of (the composer Thomas) O'Connallon's neighbourhood better represent his original composition than Bunting's do. There is a simple and very pretty Irish song to tis air (Sighile Bheag ni Choindealbhain: Edw. Walsh, Irish Popular Songs, p. 94: Hardiman's Ir. Minstr. I. 220), which sings smoothly to the two versions of the air given here. But Bunting's two settings are so complicated --especially the first--that it is impossible to sing the words to them" (P.W. Joyce, 1909). Bunting's 1st version is probably a harp rather than vocal version. See also O'Neill's <incipit title="load:Celia" width=850 link="https://tunearch.org/wiki/Celia Connellan">Celia Connellan</incipit>" (Bunting version).
X:1 M:2/4 L:1/8 K:Dmin A/4B/4 A/G/|Ad dd/4e/4f/4e/4|{^c}d2 d=c/A/|{=B}c2 G/E/G/A/|