Annotation:Cottonwood Reel: Difference between revisions
No edit summary |
No edit summary |
||
| Line 20: | Line 20: | ||
<p><font face="sans-serif" size="3"> '''Additional notes''' </font></p> | <p><font face="sans-serif" size="3"> '''Additional notes''' </font></p> | ||
<p><font face="sans-serif" size="3"> | <p><font face="sans-serif" size="3"> | ||
<font color=red>''Sources for notated versions''</font>: - Arthur Muise (Cape Breton) [Dunlay and Reich]; Vivian Williams (Mo.) [Phillips]; Ivan Laam (Oregon/California) [Dunlay & Greenberg]; Angus Chisholm (Cape Breton) [Dunlay & Greenberg | <font color=red>''Sources for notated versions''</font>: - Arthur Muise (Cape Breton) [Dunlay and Reich]; Vivian Williams (Mo.) [Phillips]; Ivan Laam (Oregon/California) [Dunlay & Greenberg]; Angus Chisholm (Cape Breton) [Dunlay & Greenberg]. | ||
<br> | <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
<p><font face="sans-serif" size="3"> | <p><font face="sans-serif" size="3"> | ||
<font color=red>''Printed sources''</font> : - Dunlay & Greenberg ('''Traditional Celtic Violin Music from Cape Breton'''), 1996; pp. 80-81. Dunlay and Reich ('''Traditional Celtic Fiddle Music from Cape Breton'''), 1986; p. 56 | <font color=red>''Printed sources''</font> : - Dunlay & Greenberg ('''Traditional Celtic Violin Music from Cape Breton'''), 1996; pp. 80-81. Dunlay and Reich ('''Traditional Celtic Fiddle Music from Cape Breton'''), 1986; p. 56. Phillips ('''Traditional American Fiddle Tunes, vol. 1'''), 1994; p. 57. <br> | ||
<br> | <br> | ||
</font></p> | </font></p> | ||
Revision as of 01:27, 4 June 2019
X:1 T:Cottonwood Reel S:Happy Hayseeds (Calif.) M:C| L:1/8 R:Reel Z:Pete Showman K:D fg|:a2a2 agfe|f2f2{g}fedf|efed cABc|dfeg fagb| a2a2 agfe|f2f2 {g}fedf|efed cABc|1 dfec d2 fg:|2 dfec d4|| K:G |:Bdgd Bdgd|Adfd Adfd| Bdef gage|dcBA G2G2:| |:DB2D BDB2|Ec2E cE c2|ABAG FDEF|GAGE DCB,C| DB2D BDB2|Ec2E cE c2|ABAG FDEF|1GBAF G2G2:|2FGAF G2||
COTTENWOOD REEL. AKA- "Moreley's Reel." Old-Time, Breakdown; Canadian, Reel. USA, Missouri. Canada, Cape Breton. D Major ('A' & 'B' parts) & G Major ('C' part). Standard or ADae tuning (fiddle). AA'BCC (Dunlay & Greenberg/Laam): AABBCC (Dunley and Reich): AA'BBCC' (Phillips). The melody originated in American tradition, migrating in the reverse direction via New England to Cape Breton. It was recorded in 1930 by the Laam's Happy Hayseeds, a group whose members originally came from the rural town of John Day, Oregon, consisting of brothers Ivan Laam (fiddle) and Fred Laam (banjo), joined by Fred's son, Logan Laam (guitar), -- the group began performing in the 1920s, and traveled widely on the West Coast before their sole recording session for Victor Records. "Cottonwood Reel" may possibly have been learned by Hayseed's fiddler Ivan Laam from his German-born fiddling father, Abe, according to Dunlay & Greenberg (1996). The tune is associated on Cape Breton with Angus Chisholm, however, Winston Fitzgerald stated to Paul Cranford that he himself taught it to Chisholm. As Dunley and Reich point out, internal key changes in tunes are uncharacteristic of Scottish music, the style most Cape Breton tunes are composed in.