Annotation:Galloway Tom (1): Difference between revisions

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'''GALLOWAY TOM [1]'''. AKA - "[[Gallaway Tom]]," "[[Galway Tom]]." Scottish, English; Jig. England, Northumberland. C Major. Standard tuning (fiddle). AABB. The name Galloway comes from the Gaelic Gall Gaidel, meaning 'the land of the stranger Gaels,' but galloway is also a Scots dialect word meaning 'pony'. The melody first appears in print in Walsh's '''Third Book of the Complete Dancing Master''' (London, 1735, with a later edition of 1749), (Daniel) '''Wright's Compleat Collection of Celebrated Country Dances''' (London, 1740), and James Oswald's '''Caledonian Pocket Companion''' (1760). As a song it is included in Johnson's '''Scots Musical Museum''' (vol. 4, 1792, No. 325). The title appears in Henry Robson's list of popular Northumbrian song and dance tunes, which he published c. 1800. London musician Thomas Hammersley copied it into his music manuscript, as did William Vickers [http://www.asaplive.com/archive/detail.asp?id=R0310901] in 1770.  In America, "Galloway Tom" appears in the music manuscript copybooks of flute player Henry Beck (1786) and fiddler George Beck (1790, Cherry Vally, N.Y.). "Galloway Tom [1]" is a different tune than the Irish "Galway Tom," but is related to "Over the Hills and Far Awa'".  
'''GALLOWAY TOM [1]'''. AKA - "[[Gallaway Tom]]," "[[Gallway Tom]]," "[[Galway Tom]]." Scottish, English; Jig. England, Northumberland. C Major. Standard tuning (fiddle). AABB. The name Galloway comes from the Gaelic Gall Gaidel, meaning 'the land of the stranger Gaels,' but galloway is also a Scots dialect word meaning 'pony'. The melody first appears in print in Walsh's '''Third Book of the Complete Dancing Master''' (London, 1735, with a later edition of 1749), (Daniel) '''Wright's Compleat Collection of Celebrated Country Dances''' (London, 1740), and James Oswald's '''Caledonian Pocket Companion''' (1760). As a song it is included in Johnson's '''Scots Musical Museum''' (vol. 4, 1792, No. 325). The title appears in Henry Robson's list of popular Northumbrian song and dance tunes, which he published c. 1800. London musician Thomas Hammersley copied it into his music manuscript, as did William Vickers [http://www.asaplive.com/archive/detail.asp?id=R0310901] in 1770.  In America, "Galloway Tom" appears in the music manuscript copybooks of flute player Henry Beck (1786) and fiddler George Beck (1790, Cherry Vally, N.Y.). "Galloway Tom [1]" is a different tune than the Irish "Galway Tom," but is related to "Over the Hills and Far Awa'".  
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Revision as of 02:16, 29 June 2011

Tune properties and standard notation


GALLOWAY TOM [1]. AKA - "Gallaway Tom," "Gallway Tom," "Galway Tom." Scottish, English; Jig. England, Northumberland. C Major. Standard tuning (fiddle). AABB. The name Galloway comes from the Gaelic Gall Gaidel, meaning 'the land of the stranger Gaels,' but galloway is also a Scots dialect word meaning 'pony'. The melody first appears in print in Walsh's Third Book of the Complete Dancing Master (London, 1735, with a later edition of 1749), (Daniel) Wright's Compleat Collection of Celebrated Country Dances (London, 1740), and James Oswald's Caledonian Pocket Companion (1760). As a song it is included in Johnson's Scots Musical Museum (vol. 4, 1792, No. 325). The title appears in Henry Robson's list of popular Northumbrian song and dance tunes, which he published c. 1800. London musician Thomas Hammersley copied it into his music manuscript, as did William Vickers [1] in 1770. In America, "Galloway Tom" appears in the music manuscript copybooks of flute player Henry Beck (1786) and fiddler George Beck (1790, Cherry Vally, N.Y.). "Galloway Tom [1]" is a different tune than the Irish "Galway Tom," but is related to "Over the Hills and Far Awa'".

Source for notated version: William Vickers' 1770 Northumbrian music manuscript collection [Seattle].

Printed sources: Seattle (Great Northern/William Vickers), 1987, Part 2; No. 395.

Recorded sources:




Tune properties and standard notation