Shenandoah: Difference between revisions
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A/F/|D2 FA|de/f/ ge|fdcd|e/d/c/B/ A/G/F/E/|D2 FA|de/f/ ge| | A/F/|D2 FA|de/f/ ge|fdcd|e/d/c/B/ A/G/F/E/|D2 FA|de/f/ ge| | ||
fd e/d/c|d3::(3A/B/c/|de/f/ ge|fa a>g|fa dc/d/|e/d/c/B/ Az| | fd e/d/c|d3::(3A/B/c/|de/f/ ge|fa a>g|fa dc/d/|e/d/c/B/ Az| | ||
edd>d|faa2|fa/g/ fe|d3::A/G/|FA AA/A/|GB/B/ BB/B/|AGFA| | |||
dd e/d/B/A/|FA/A/ AA|GB/B/ BB|AGFE|D3::d/B/|A2 F/A/d/B/|A2 F/A/d/c/| | |||
BAGF|E/D/E/F/ Ed/B/|A2 FA/d/B/|A2 F/A/ zg|fd e/d/c|d3:| | |||
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Revision as of 00:13, 21 June 2019
X:1 T:Shenandoah I:From the music manuscript collection of James Wiliam Conwell, a I:martial-band instructor from Philadelphia, via fifer Hiram Horner, I:transcribed by Bayard in 1944 M:2/4 L:1/8 R:March N:Usually known as "York Fusiliers" B:Bayard - Dance to the Fiddle (1981, No. 248) Z:AK/Fiddler's Companion K:D A/F/|D2 FA|de/f/ ge|fdcd|e/d/c/B/ A/G/F/E/|D2 FA|de/f/ ge| fd e/d/c|d3::(3A/B/c/|de/f/ ge|fa a>g|fa dc/d/|e/d/c/B/ Az| edd>d|faa2|fa/g/ fe|d3::A/G/|FA AA/A/|GB/B/ BB/B/|AGFA| dd e/d/B/A/|FA/A/ AA|GB/B/ BB|AGFE|D3::d/B/|A2 F/A/d/B/|A2 F/A/d/c/| BAGF|E/D/E/F/ Ed/B/|A2 FA/d/B/|A2 F/A/ zg|fd e/d/c|d3:|