Sae merry as we have been: Difference between revisions

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B2 (dB) (AG/F/)|(G3A) B c|d2 (cB) (AG)|(FBAG) (FE)|D4||
B2 (dB) (AG/F/)|(G3A) B c|d2 (cB) (AG)|(FBAG) (FE)|D4||
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X:1
T:So merry as we twa have been
M:3/4
L:1/8
R:Air
B:Burk Thumoth - Twelve Scotch and Twelve Irish Airs with Variations (London, 1742, No. 3, pp. 6-7)
Z:AK/Fiddler's Companion
K:D
f>e|d3e f2|A3 GF>G|TE4 f>e|{e}Td3e f2|D2 D>EF>G|
A3 a>g|(fgafed)|(BcdBAF)|G3 AB>c|d2c2B2|
A>B AGFE|D4:||:F>E|D2F2A2|D2 FABF|{F}TGF>E|
D2F2A2|D2 F>G TG>(F/2G/4)|A3 ba>g|f2 g>fe>d|B2 d>BA>F|
TG3 (ABc)|d2c2B2|A>B (A>F) (GE)|D4::f>e|{e}d3e f2|
d2 (3bag (3agf|{f}Te3 (fe)|{e}d3ef2|d2 f>g Tgf/g/|a3 (bag)|
f2 (3agf (3efd|B2 (3dcB (3AGF|TG3 AB>c|d2c2B2|A>BA>GF>E|D4:|
|:F>E|D2F2A2|D2 F/D/A/F/ d/A/F/D/|{F}TE3 GF>E|(3DED F2A2|
D2 (F/G/F/G/) GF/G/|A3 ba>g|(f/g/f/g/) afed|B2 (d/c/B/A/) (B/A/G/F/)|
TG2 (G/A/G/A/) (B/c/B/c/)|(dfedcB)|A>B (A/B/A/F/) (B/G/F/E/)|D4:|
|:f>e|dABAcA|dAdefg|{f}e3 gf>e|(dA)(BA)(cA)|(df d'2b2|
a3 ba>g|fAdAfA|eA (d/c/B/A/) (B/A/G/F/)|DdDcDB|A>G/2A/4B/4 AGFE|D4 !D.C.!:|]
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(dcd).e.f.g|{fg}a4 (a>g)|(f>g/a/4) gfTe>d|B2 (d<B) (A<F)|
(dcd).e.f.g|{fg}a4 (a>g)|(f>g/a/4) gfTe>d|B2 (d<B) (A<F)|
G3 ABc|d2c2TB2|A>BAGFE|D4:|]
G3 ABc|d2c2TB2|A>BAGFE|D4:|]
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(D/F/TE/D/) (A/F/TE/D/) dD | (D/E/F/E/) (F/D/F/G/) T(G>F/2G/4) | A4 ag | a{f/g/}agfed |  
(D/F/TE/D/) (A/F/TE/D/) dD | (D/E/F/E/) (F/D/F/G/) T(G>F/2G/4) | A4 ag | a{f/g/}agfed |  
B2 e/<(d/c/<)B/ (B/<A/)(G/<F/) | G3ABc | d4T(cB) | A>BAGFE | D4 :|]
B2 e/<(d/c/<)B/ (B/<A/)(G/<F/) | G3ABc | d4T(cB) | A>BAGFE | D4 :|]
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e2f2(g>a)|(g2f2) (g>f)|e3f g2|(ed)(ef)(ga)|b4 (ba)|g2 (ag)(fe)|
e2f2(g>a)|(g2f2) (g>f)|e3f g2|(ed)(ef)(ga)|b4 (ba)|g2 (ag)(fe)|
c2 (ec) (BA/G/)|A3 B (cd)|(e>g)(fe)(dc)|(B>c) (BA)(GF)|E4||  
c2 (ec) (BA/G/)|A3 B (cd)|(e>g)(fe)(dc)|(B>c) (BA)(GF)|E4||  
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Revision as of 15:12, 24 December 2021


Sae merry as we have been  Click on the tune title to see or modify Sae merry as we have been's annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Sae merry as we have been
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 Theme code Index    1H1H3H 543
 Also known as    So merry as we have been
 Composer/Core Source    
 Region    Scotland
 Genre/Style    Scottish
 Meter/Rhythm    Air/Lament/Listening Piece
 Key/Tonic of    D
 Accidental    2 sharps
 Mode    Ionian (Major)
 Time signature    3/4
 History    
 Structure    ABC, AABBCCDDEEFF
 Editor/Compiler    Biography:William Thomson
 Book/Manuscript title    Book:Orpheus Caledonius vol. 2
 Tune and/or Page number    No. 3
 Year of publication/Date of MS    1733
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   


Sae merry as we have been: Annotations

X:1 T:Sae merry as we have been M:3/4 L:1/8 R:Air B:William Thomson - Orpheus Caledonius, vol. 2 (1733, No. 3) Z:AK/Fiddler’s Companion K:D (fe)|d3e f2|D3E FA|E4 fe|d3e f2|F2 (G>A) B2| A4 (ag)|f2 (gf) (ed)|B2 (dB) (AG/F/)|(G3A) (Bc)|d2 (cB) (AG)| FB (AG) (FE)|D4||(fe)|d3 e (fe)|(dc) (de) (fg)|e4 (fe)| d3e fe|(dc) (de) (fg)|{fg}a4 (ag)|f2 (gf) (ed)| B2 (dB) (AG/F/)|(G3A) B c|d2 (cB) (AG)|(FBAG) (FE)|D4||


X:1 T:So merry as we twa have been M:3/4 L:1/8 R:Air B:Burk Thumoth - Twelve Scotch and Twelve Irish Airs with Variations (London, 1742, No. 3, pp. 6-7) Z:AK/Fiddler's Companion K:D f>e|d3e f2|A3 GF>G|TE4 f>e|{e}Td3e f2|D2 D>EF>G| A3 a>g|(fgafed)|(BcdBAF)|G3 AB>c|d2c2B2| A>B AGFE|D4:||:F>E|D2F2A2|D2 FABF|{F}TGF>E| D2F2A2|D2 F>G TG>(F/2G/4)|A3 ba>g|f2 g>fe>d|B2 d>BA>F| TG3 (ABc)|d2c2B2|A>B (A>F) (GE)|D4::f>e|{e}d3e f2| d2 (3bag (3agf|{f}Te3 (fe)|{e}d3ef2|d2 f>g Tgf/g/|a3 (bag)| f2 (3agf (3efd|B2 (3dcB (3AGF|TG3 AB>c|d2c2B2|A>BA>GF>E|D4:| |:F>E|D2F2A2|D2 F/D/A/F/ d/A/F/D/|{F}TE3 GF>E|(3DED F2A2| D2 (F/G/F/G/) GF/G/|A3 ba>g|(f/g/f/g/) afed|B2 (d/c/B/A/) (B/A/G/F/)| TG2 (G/A/G/A/) (B/c/B/c/)|(dfedcB)|A>B (A/B/A/F/) (B/G/F/E/)|D4:| |:f>e|dABAcA|dAdefg|{f}e3 gf>e|(dA)(BA)(cA)|(df d'2b2| a3 ba>g|fAdAfA|eA (d/c/B/A/) (B/A/G/F/)|DdDcDB|A>G/2A/4B/4 AGFE|D4 !D.C.!:|]


X:1 T:So Merry as we have been M:3/4 L:1/8 R:Air Q:"Slow" B:Oswald – Caledonian Pocket Companion, Book 2 (1760, p. 21) Z:AK/Fiddler’s Companion K:D f>e|d3e {de}f2|A2G2 (F>G)|{F}TE4 D2|d2 f>e f2| D3 EF>G|{G}A4 (a>g)|f2 afT(e>d)|TB>A/B/4 dBT(A>F)| G3 ABc|{Bc}d4 T(c>B)|A>BAGFE|D4:| |:TF>E|D2 F>G A2|D2 FA dF|E4 TF>E|D2 F>G A2| D2 (F>G) TG>F/G/4|A4 a>g|f2 {a}gf{f}ed|B2 (d<B) (A<F)| G3 ABc|(dfed) T(c>B)|A>BAGFE|D4:| |:T(f>e)|d2e2 {de}f2|d3 efg|{f}e4 T(f>e)|d2 T(f>e) f2| (dcd).e.f.g|{fg}a4 (a>g)|(f>g/a/4) gfTe>d|B2 (d<B) (A<F)| G3 ABc|d2c2TB2|A>BAGFE|D4:|]


X:1 T:Sae merry as we have been M:3/4 L:1/8 R:Air Q:"Slow" S:McGibbon – Scots Tunes, book III, p. 64 (1762) Z:AK/Fiddler’s Companion K:D Tge | d3ef2 | A2G2 (F/A/G/F/) | TE4D2 | d2fef2 | D3 EFG | A4ag | f2 (gf)(ed) | B2(dB) (AF) | G3ABc | d4 T(cB) | A>BAGFE | D4 :: [A,2A2] | D2 (F>G)A2 | D2 (FA)(dF) | E4 (FE) | D2(FG)A2 | D2 (F>G) T(G>F/2G/4) | A4ag | f2 (gf)(ed) | B2(dB)(AF) | G3ABc | d4 T(cB) | A>BAGFE | D4 :: fe | d3ef2 | d2e2fg | {f}e4(fe) | d2f>ef2 | d3efg | a4 (ag) | f>agfed | B2 {e}d{c}B2 {B}A{G}F | G3ABc | d4 T(cB) | A>BAGFE | D4 :| |: [A,2A2] | (D/F/TE/D/) (A/F/TE/D/) dd | (3d/A/G/ (3F/E/D/ dAdF | {F}E4 FE | (D/F/TE/D/) (A/F/TE/D/) dD | (D/E/F/E/) (F/D/F/G/) T(G>F/2G/4) | A4 ag | a{f/g/}agfed | B2 e/<(d/c/<)B/ (B/<A/)(G/<F/) | G3ABc | d4T(cB) | A>BAGFE | D4 :|]


X:1 T:Sae Merry as We Twa hae been M:3/4 L:1/8 Q:"Slow" N:”The tune appears in the Skene MS, 1598.” B:Manson – Hamilton’s Universal Tune Book vol. 1 (1853, p. 163) Z:AK/Fiddler’s Companion K:Eb (g>f)|e3f g2|B2A2 (G>A)|G2F2 (g>f)|e2 (gf) g2|E3 F (GA)| B4 (ba)|g2 (ag)(fe)|c2 (ec)(BG)|(A3B) (cd)|e3 d c2| (Bc)(BA)(GF)|E4||G>F|E2 (G>A) B2|E2 (GB) (eG)|(G2F2 GF)| (E2 GA) B2|(G2 AB) c2|B4 (ba)|g2 (ag)(fe)|c2 (ec) (BA/G/)| (A3B) (cd)|e3d c2|(B>c)BA (G>F)|E4||(g>f)|e3f {ef}g2| e2f2(g>a)|(g2f2) (g>f)|e3f g2|(ed)(ef)(ga)|b4 (ba)|g2 (ag)(fe)| c2 (ec) (BA/G/)|A3 B (cd)|(e>g)(fe)(dc)|(B>c) (BA)(GF)|E4||


Sae merry as we have been: Annotations

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