Annotation:Tom Ward's Downfall: Difference between revisions
No edit summary |
No edit summary |
||
Line 10: | Line 10: | ||
<div style="text-align:justify;"> | <div style="text-align:justify;"> | ||
{{break}} | {{break}} | ||
'''TOM WARD'S DOWNFALL''' (Bascadh Thomáis Mhic an Bháird). AKA and see "[[Bascadh Thomáis Mhic an Bháird]]," “[[Follow Me Down to Carlow (3)]]," “[[Let a Body Lie with You]],” “[[Long Hills of Mourne (2) (The)]],” “[[Mourne Mountains (2)]].” Irish, Reel. G Major. Standard tuning (fiddle). AB (Perlman): AABB (Breathnach, Miller & Perron, Moylan): AABB' (Flaherty). A rare version of “Tom Ward” is called “The American Reel,” according to Caoimhin Mac Aoidh (1994). This alternate version was imported home to County Donegal by fiddler Charlie Doherty (of the famous fiddling Doherty family) when he returned after his years in America. During the 78 RPM era the melody (under the “Tom Ward” title) was recorded by Sligo fiddlers Michael Coleman in 1927 and Paddy Killoran in 1939 (paired with “[[McGovern's Favorite]]”). In was recorded by Peter Conlon in 1929 as the follow-up tune to “[[Coalminer's (The)]],” according to Philippe Varlet, although the label on the record called the medley “The Fiddler’s Delight.” O’Neill prints the tune as “The Mourne Mountains.” Barrel Rafferty, Galway flute player Mike Rafferty’s father, knew the tune by the title “Follow Me Down to Carlow,” although that title is usually applied to other melodies. A closely related American old-time tune is the Kentucky melody “"<incipit title="load:merri" width=850 link="https://tunearch.org/wiki/Merriweather">Merriweather</incipit>,” while the second strain of West Virginia fiddler Edden Hammons’ “<incipit title="load:gap" width=850 link="https://tunearch.org/wiki/Cumberland Gap (4)">Cumberland Gap (4)</incipit>,” mirrors the second strain of “Tow Ward’s Downfall.” | '''TOM WARD'S DOWNFALL''' (Bascadh Thomáis Mhic an Bháird). AKA and see "[[Bascadh Thomáis Mhic an Bháird]]," “[[Follow Me Down to Carlow (3)]]," “[[Let a Body Lie with You]],” “[[Long Hills of Mourne (2) (The)]],” “[[Mourne Mountains (2)]], "'[[Purty Girl (The)]].” Irish, Reel. G Major. Standard tuning (fiddle). AB (Perlman): AABB (Breathnach, Miller & Perron, Moylan): AABB' (Flaherty). A rare version of “Tom Ward” is called “The American Reel,” according to Caoimhin Mac Aoidh (1994). This alternate version was imported home to County Donegal by fiddler Charlie Doherty (of the famous fiddling Doherty family) when he returned after his years in America. During the 78 RPM era the melody (under the “Tom Ward” title) was recorded by Sligo fiddlers Michael Coleman in 1927 and Paddy Killoran in 1939 (paired with “[[McGovern's Favorite]]”). In was recorded by Peter Conlon in 1929 as the follow-up tune to “[[Coalminer's (The)]],” according to Philippe Varlet, although the label on the record called the medley “The Fiddler’s Delight.” O’Neill prints the tune as “The Mourne Mountains.” Barrel Rafferty, Galway flute player Mike Rafferty’s father, knew the tune by the title “Follow Me Down to Carlow,” although that title is usually applied to other melodies. A closely related American old-time tune is the Kentucky melody “"<incipit title="load:merri" width=850 link="https://tunearch.org/wiki/Merriweather">Merriweather</incipit>,” while the second strain of West Virginia fiddler Edden Hammons’ “<incipit title="load:gap" width=850 link="https://tunearch.org/wiki/Cumberland Gap (4)">Cumberland Gap (4)</incipit>,” mirrors the second strain of “Tow Ward’s Downfall.” | ||
{{break|2}} | {{break|2}} | ||
</div> | </div> | ||
Line 25: | Line 25: | ||
</font></p> | </font></p> | ||
<p><font face="sans-serif" size="3"> | <p><font face="sans-serif" size="3"> | ||
<font color=red>''Recorded sources'': </font> <font color=teal> -Green Linnet GLCD 1175, Cherish the Ladies – “New Day Dawning.” Green Linnet GLCD 1187, Cherish the Ladies – “One and All: the best of Cherish the Ladies” (1998). Intrepid Records, Michael Coleman - “The Heyday of Michael Coleman” (1973). Outlet SOLP 1001, "Sean McGuire & Roger Sherlock." | <font color=red>''Recorded sources'': </font> <font color=teal> -Green Linnet GLCD 1175, Cherish the Ladies – “New Day Dawning.” Green Linnet GLCD 1187, Cherish the Ladies – “One and All: the best of Cherish the Ladies” (1998). Intrepid Records, Michael Coleman - “The Heyday of Michael Coleman” (1973). Outlet SOLP 1001, "Sean McGuire & Roger Sherlock." Rounder 7002, Graham Townsend - "Le Violin--The Fiddle" (1976). Shanachie 33003, Paddy Killoran - "Paddy Killoran's Back in Town" (1970. Originally recorded in 1939). </font> | ||
</font> | |||
{{break|2}} | {{break|2}} | ||
</font></p> | </font></p> | ||
<p><font face="sans-serif" size="3"> | <p><font face="sans-serif" size="3"> | ||
See also listings at:<br> | See also listings at:<br> | ||
Jane Keefer’s Folk Music Index: An Index to Recorded Sources [ ]<br> | Jane Keefer’s Folk Music Index: An Index to Recorded Sources [http://www.ibiblio.org/keefer/t08.htm#Tomwado]<br> | ||
Alan Ng’s Irishtune.info [ ]<br> | Alan Ng’s Irishtune.info [https://www.irishtune.info/tune/1926/]<br> | ||
</font></p> | </font></p> | ||
{{break}} | {{break}} |
Revision as of 02:42, 19 January 2020
X:1 T:Tom Ward's Downfall T:Mourne Mountains [1], The R:reel Z:id:hn-reel-436 Z:transcribed by henrik.norbeck@mailbox.swipnet.se M:C| L:1/8 K:G BG~G2 GEDG|EDEG AEGA|DEGA ~B3d|ed~d2 egdc| BG~G2 GEDG|EDEG AEGE|DEGA ~B3d|1 egdc BGGA:|2 egdc BAGB|| |:dggf gedg|eaab a2ga|bg~g2 agef|gedc BGGB| dggf gedg|eaab a2ga|bg~g2 agef|1 gedc BAGB:|2 gedc BGGA||
TOM WARD'S DOWNFALL (Bascadh Thomáis Mhic an Bháird). AKA and see "Bascadh Thomáis Mhic an Bháird," “Follow Me Down to Carlow (3)," “Let a Body Lie with You,” “Long Hills of Mourne (2) (The),” “Mourne Mountains (2), "'Purty Girl (The).” Irish, Reel. G Major. Standard tuning (fiddle). AB (Perlman): AABB (Breathnach, Miller & Perron, Moylan): AABB' (Flaherty). A rare version of “Tom Ward” is called “The American Reel,” according to Caoimhin Mac Aoidh (1994). This alternate version was imported home to County Donegal by fiddler Charlie Doherty (of the famous fiddling Doherty family) when he returned after his years in America. During the 78 RPM era the melody (under the “Tom Ward” title) was recorded by Sligo fiddlers Michael Coleman in 1927 and Paddy Killoran in 1939 (paired with “McGovern's Favorite”). In was recorded by Peter Conlon in 1929 as the follow-up tune to “Coalminer's (The),” according to Philippe Varlet, although the label on the record called the medley “The Fiddler’s Delight.” O’Neill prints the tune as “The Mourne Mountains.” Barrel Rafferty, Galway flute player Mike Rafferty’s father, knew the tune by the title “Follow Me Down to Carlow,” although that title is usually applied to other melodies. A closely related American old-time tune is the Kentucky melody “"<incipit title="load:merri" width=850 link="https://tunearch.org/wiki/Merriweather">Merriweather</incipit>,” while the second strain of West Virginia fiddler Edden Hammons’ “<incipit title="load:gap" width=850 link="https://tunearch.org/wiki/Cumberland Gap (4)">Cumberland Gap (4)</incipit>,” mirrors the second strain of “Tow Ward’s Downfall.”
X:1 M:C| L:1/8 K:G BdBA GBAG|EGAB A3E|DEGA Bdef|gage dged|
X:1 M:C| L:1/8 K:G |:D2|g2 ga ge d2|eaab a2ga|baba g2d2|edef g2d2|