Lumps of Puddings (2): Difference between revisions
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Bdg Bdg|Bdg f2d|cAF GAc|d2G G2:|] | Bdg Bdg|Bdg f2d|cAF GAc|d2G G2:|] | ||
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<section end=X6 /> | |||
X:33 | |||
T:Lumps of Pudding [2]. Roose.0211 | |||
B:Roose MS, 1850 | |||
%See also VMP transcriptions of: | |||
%John Buttrey MS, poss. Lincolnshire, early 19thC (JBut.219). | |||
%Playford, Dancing Master, 11th Ed. ,1701 ((p).1701.PLFD1.453). | |||
%Walsh, Compleat Country Dancing Master, 3rd Series, 1st Book, 4th Ed., 1754 (WCD3/1.043) | |||
%Also in: Campin, J., 'Scales and Modes in Scottish Traditional Music', Part 2 - Hexatonic Modes (http://www.campin.me.uk/Music/Modes/). | |||
Z:Village Music Project 2019 Roger Hare | |||
M:6/8 | |||
L:1/8 | |||
Q:3/8=80 | |||
K:Amin | |||
|: A/B/ | c>BA Aag | e>de A2 B/c/ | B2 G Bae | d>cB/A/ G2 g/a/ | | |||
b>ag eag | e>dc g2 e | dB^G A>Bc/d/ | e2 c A2 :| | |||
|: c/B/ | cea cea | cea A2 B/c/ | Bdg Bdg | Bdg G2 c/B/ | | |||
cea cea | cea ^g2 e | dB^G A>Bc/d/ | e2 c A2 :| | |||
|: c/d/ |"^NB1" ec/d/e/c/ ec/d/e/c/ | ec/d/e/c/ A2 c | dB/c/d/B/ dB/c/d/B/ | dB/c/d/B/ G2 d | | |||
ec/d/e/c/ ec/d/e/c/ | ec/d/e/c/ g2 e | dB^G A>Bc/d/ | e2 c A2 :| | |||
|: e | a/^g/a/b/a a/g/a/b/a | a/^g/a/b/a A2 d | g/^f/g/a/g g/f/g/a/g | g/^f/g/a/g G2 e | | |||
a/^g/a/b/a a/g/a/b/a | a/^g/a/b/a c'2 e | dB^G A>Bc/d/ | e2 c A2 :| | |||
N:NB1 - Bar 17 presented as two under-full bars in MS. | |||
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T:Lumps of Pudding [2] | T:Lumps of Pudding [2] | ||
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d/c/|Bdg Bdg|Bdg G2 A/B/|Acf Acf |Acf F2 d/c/| | d/c/|Bdg Bdg|Bdg G2 A/B/|Acf Acf |Acf F2 d/c/| | ||
Bdg Bdg|Bdg f2d|(c/d/)(c/A/)(G/^F/) G<AB/c/|d2B G2|| | Bdg Bdg|Bdg f2d|(c/d/)(c/A/)(G/^F/) G<AB/c/|d2B G2|| | ||
<section end= | <section end=X9 /> | ||
<!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | <!-- FROM HERE ON YOU'RE ALLOWED TO ENTER MULTIPLE ABC NOTATED TUNES DUPLICATING <SECTION BEGIN /><SECTION END /> AS MUCH AS YOU NEED --> | ||
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Latest revision as of 00:55, 23 January 2023
X:1 T:Lumps of Puddings [2] M:6/4 L:1/8 R:Jig S:Henry Playford - Dancing Master (1701) Z:AK/Fidder's Companion K:Gmin A2|B4 G2B3g f2|d2 c2 d2G4 AB|A4 F2A3g d2|c3B AG F4 fg| a2g2f2d2g2f2|d3c B2f4d2|cdcA GF G3A Bc|d4 B2 G6:| |:A/B/c|d2 BcdeB d2 BcdB|d2 BcdB G2 AB|c2 ABcA c2 ABcA|c2 ABcA F3A Bc| d2 BcdB d2 BcdB|d2 BcdB f4d2|cdcAGF G3 A Bc|d4 B2 G4:| |:dc|B2d2g2 B2d2g2|B2d2g2 G4AB|A2c2f2 A2c2f2|A2c2f2 F4 dc| B2d2g2B2d2g2|B2d2g2 f4d2|cdcAG^F G3A Bc|d4B2 G4:||
X:2
T:Lumps of Puddings [2]
M:6/8
L:1/8
R:Jig
N:"Brisk"
S:James Oswald - Caledonian Pocket Companion, Book 7 (1760, p. 4)
Z:AK/Fidder's Companion
K:Ador
(A/B/) |Tc>BA Aag |Te>de A2c | BAG Gge | d>(cB/A/) G2 g/a/ |
bag eag | edc {c}g2e | dBG ABd| ede A2 :|
|: (c/d/) | e(c/d/e/c/) e(c/d/e/c/) | e(c/d/e/c/) A2 (B/c/) | d(B/c/d/B/) d(B/c/d/B/) | d(B/c/d/B) G2 c/d/ |
e(c/d/e/c/) e(c/d/e/c/) | eca Tg2e | dBG ABd | ede A2 :|
|: e/d/ | cea cea | cea A2(d/c/) | Bdg Bdg | Bdg G2 (e/d/) |
cea cea | cea Tg2e | dBG ABd | ede A2 :|
|: e | (a/^g/a/b/)a (a/g/a/b/)a | (a/^g/a/b/)a A2f | (g/f/g/a/)g (g/f/g/a/)g | (g/f/g/a/)g G2e |
(a/^g/a/b/)a (a/g/a/b/)a | aec' Tb2a | gBG ABd | ede A2 :|
|: A/B/ | cBA acA | acA acA | BAG gBG | gBG gBG |
c(A/B/c/A/) d(B/c/d/B/) | eca Tg2e | dBG Agf | ede A2 :|
|: e | (a/#g/)(a/g/)(a/g/) acA | acA A2 e/f/ | (g/f/)(g/f/)(g/f/) gBG | gBG G2 e/g/ |
(a/^g/)(a/g/)(a/g/) acA | cea Tg2e | dBG ABd | ede A2 :|
X:1
T:Lumps of Pudding
M:6/8
L:1/8
S:John Bell (1783-1864) music manuscript collection (c. 1812)
Z:AK/Fiddler's Companion
K:Gmin
A|BAB Ggf|dcd G2B|AGA Ffd|cAc F2A|
BAB Ggf|dBd f2d|cAF GAc|d2G G2:||:
A|Bdg Bdg|Bdg G2B|Acf Acf|Acf F2A|
Bdg Bdg|Bdg f2d|cAF GAc|d2G G2:|]
X:33 T:Lumps of Pudding [2]. Roose.0211 B:Roose MS, 1850 %See also VMP transcriptions of: %John Buttrey MS, poss. Lincolnshire, early 19thC (JBut.219). %Playford, Dancing Master, 11th Ed. ,1701 ((p).1701.PLFD1.453). %Walsh, Compleat Country Dancing Master, 3rd Series, 1st Book, 4th Ed., 1754 (WCD3/1.043) %Also in: Campin, J., 'Scales and Modes in Scottish Traditional Music', Part 2 - Hexatonic Modes (http://www.campin.me.uk/Music/Modes/). Z:Village Music Project 2019 Roger Hare M:6/8 L:1/8 Q:3/8=80 K:Amin |: A/B/ | c>BA Aag | e>de A2 B/c/ | B2 G Bae | d>cB/A/ G2 g/a/ | b>ag eag | e>dc g2 e | dB^G A>Bc/d/ | e2 c A2 :| |: c/B/ | cea cea | cea A2 B/c/ | Bdg Bdg | Bdg G2 c/B/ | cea cea | cea ^g2 e | dB^G A>Bc/d/ | e2 c A2 :| |: c/d/ |"^NB1" ec/d/e/c/ ec/d/e/c/ | ec/d/e/c/ A2 c | dB/c/d/B/ dB/c/d/B/ | dB/c/d/B/ G2 d | ec/d/e/c/ ec/d/e/c/ | ec/d/e/c/ g2 e | dB^G A>Bc/d/ | e2 c A2 :| |: e | a/^g/a/b/a a/g/a/b/a | a/^g/a/b/a A2 d | g/^f/g/a/g g/f/g/a/g | g/^f/g/a/g G2 e | a/^g/a/b/a a/g/a/b/a | a/^g/a/b/a c'2 e | dB^G A>Bc/d/ | e2 c A2 :| N:NB1 - Bar 17 presented as two under-full bars in MS.
X:1 T:Lumps of Pudding [2] M:6/8 L:1/8 R:Country Dance Tune B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 613) B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf Z:AK/Fiddler’s Companion K:Gmin A|B2G B>gf|dcd G2 A/B/|A2F A>fd|c>BAG F2 f/g/| agf dgf|d>cB f2d|(c/d/)(c/A/)(G/^F) G>AB/c/|d2B G2|| (A/4B/4c/)|d(B/c/d/B/) d(B/c/d/B/)|d(B/c/d/B/) G2 A/B/|c(A/B/c/A/) c(A/B/c/A/)|c(A/B/c/A/) F>AB/c/| d(B/c/d/B/) d(B/c/d/B/)|d(B/c/d/B/)g2d| (c/d/)(c/A/)(G/^F/) G>AB/c/|d2B G2|| d/c/|Bdg Bdg|Bdg G2 A/B/|Acf Acf |Acf F2 d/c/| Bdg Bdg|Bdg f2d|(c/d/)(c/A/)(G/^F/) G<AB/c/|d2B G2||