Athole Cummers (1): Difference between revisions

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K:D mixolydian
K:D mixolydian
F |: E/E/E ~E2 E>FB>F | E/E/E ~E2 {/G}(F<D)A>F | E/E/E ~E2 D>FB>A | [1 (B<{/c}d)A>d {/G}F>DA>F :|
F |: E/E/E ~E2 E>FB>F | E/E/E ~E2 {/G}(F<D)A>F | E/E/E ~E2 D>FB>A | [1 (B<{/c}d)A>d {/G}F>DA>F :|
[2 B<dA<d (F<D)D>d |: B<ET(B>A) B<EE>e | B<ET(B>A) {/G}(F<D)D>d |  
[2 B<dA<d (F<D)D>d |: B<ET(B>A) B<EE>e | B<ET(B>A) {/G}(F<D)D>d | B<ETB>A {/c}d>eT(f>e) |
B<ETB>A {/c}d>eT(f>e) | [1 {/^c}(d/^c/).B/.A/ {/c}d>A {/G}(F<D)D>d :|[2 {/^c}(d/^c/).B/.A/ {/c}d>A {/G}F<DD>f ||  
|[1 {/^c}(d/^c/).B/.A/ {c}d>A {/G}(F<D)D>d :|[2 {/^c}(d/^c/).B/.A/ {/c}d>A {/G}F<DD>f ||  
e/e/e {/f}e2 (e>f)(b>f) | e/e/e {/f}e2 f>da>f |e/e/e {/f}e2 (e>f)b>f | {/f}(g<e)b>e {/^c}(df/g/) a>f |
e/e/e {/f}e2 (e>f)(b>f) | e/e/e {/f}e2 f>da>f |e/e/e {/f}e2 (e>f)b>f | {/f}(g<e)b>e {/^c}(df/g/) a>f |
{/f}(g>e)(b>e) {/f}(g<e)(b>e) | {/f}(g<e)(b>e) {/^c}(df/g/) a<f | {/f}(g<e)(b<e) {/^c}d>eT(f>e) | {/^c}(d/^c/).B/.A/ {/c}d>A {/G}(F<D)D>{/^c}d ||
{/f}(g>e)(b>e) {/f}(g<e)(b>e) | {/f}(g<e)(b>e) {/^c}(df/g/) a<f | {/f}(g<e)(b<e) {/^c}d>eT(f>e) | {/^c}(d/^c/).B/.A/ {/c}d>A {/G}(F<D)D>{/^c}d ||

Revision as of 01:27, 12 October 2020


Athole Cummers (1)  Click on the tune title to see or modify Athole Cummers (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Athole Cummers (1)
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 Theme code Index    1115 1124
 Also known as    Bòg an Lochan, Lady Grant of Grant
 Composer/Core Source    
 Region    Scotland
 Genre/Style    Scottish
 Meter/Rhythm    Reel (single/double), Strathspey
 Key/Tonic of    E
 Accidental    2 sharps
 Mode    Dorian
 Time signature    4/4
 History    
 Structure    AA'BC
 Editor/Compiler    Robert Bremner
 Book/Manuscript title    Book:Scots Reels
 Tune and/or Page number    p. 78
 Year of publication/Date of MS    1757
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   ()   




X:1 T:Athol Cummers [1] M:C L:1/8 R:Strathspey B:Manson – Hamilton’s Universal Tune Book, vol. 2 (1846, p. 12) Z:AK/Fiddler’s Companion K:Emin F|:O E/E/E E2 E>FB>F|E/E/E E<F DFA>F|E/E/E E2 E>FB>F| B<dA>B F>DA>F|E/E/E E2 E>FB>F|E/E/E F>DA>F| E/E/E E2 E>F B>A|B<dA<d F>DD>d||B>EB>A BEEe| B<EB>A FDDd|B<EB>A d>ef>e|d/^c/B/A/ d>A FDD<d| B>EB>A BEEe|B<EB>A FDDd|B<EB>A de{de}f>e| d/^c/B/A/ {c}dA FDDf!fine!!fermata!||e/e/e e2 e>fb>f| e/e/e e2 f>daf|e/e/e e2 e>fb>f|g>ebe df/g/ af| gebe gebe|gebe df/g/ af|geb>B de{de}f>e| d/^c/B/A/ {c}dA FDD<d|B<EB>A GEE<e|B<EB>A F<DD<d| B>EB>A de{de}fe|d/^c/B/A/ B/c/d/A/ F>DAFO||


X:1 T:Athole Cummers [1] M:C L:1/8 R:Strathspey B:A Companion to the reticule (1833, p. 10) Z:AK/Fiddler's Companion K:Edor F|E<E TE2 E>FB>F|E<E TE2 D>FA>F|E<ETE>F E>FTB>A| |1 B>dA>B F>DA>F:|2 B>dA>d F>DD<d||ee~e>f e>fb>f| e<~ee<e d>fa>f|e<ee>f efb>f|g>eb>e ~d>fa>f| g>eb>e ~g>eb>f|~g>eb>e ~d>fa>f|g<be>f ~d>eTf>e| d/c/B/A/ d>A F>D D2||B<EB>A B>EE>d|B<EB>A F>DD>d| B>EB>A defe|d/c/B/A/ d>A F>DD>d|B<EB>A B<EB>E F>DD<d| B<EB>A ~d>eTf>e|d/c/B/A/ d>A F>D D2!Fine!||


X: 1 %%topmargin 3cm U:~=!turn! T:Athole Cummers [1] C: O:Scotland B:Keith Norman MacDonald : "The Skye collection of the best reels & strathspeys extant" : 1887 Z:Ralph Palmer R:Stathspey M:C L:1/8 F:http://trillian.mit.edu/~jc/music/book/skye/T/Athole_Cummers.abc K:D mixolydian F |: E/E/E ~E2 E>FB>F | E/E/E ~E2 {/G}(F<D)A>F | E/E/E ~E2 D>FB>A | [1 (B<{/c}d)A>d {/G}F>DA>F :| [2 B<dA<d (F<D)D>d |: B<ET(B>A) B<EE>e | B<ET(B>A) {/G}(F<D)D>d | B<ETB>A {/c}d>eT(f>e) |

|[1 {/^c}(d/^c/).B/.A/ {c}d>A {/G}(F<D)D>d :|[2 {/^c}(d/^c/).B/.A/ {/c}d>A {/G}F

f || e/e/e {/f}e2 (e>f)(b>f) | e/e/e {/f}e2 f>da>f |e/e/e {/f}e2 (e>f)b>f | {/f}(g<e)b>e {/^c}(df/g/) a>f | {/f}(g>e)(b>e) {/f}(g<e)(b>e) | {/f}(g<e)(b>e) {/^c}(df/g/) a<f | {/f}(g<e)(b<e) {/^c}d>eT(f>e) | {/^c}(d/^c/).B/.A/ {/c}d>A {/G}(F<D)D>{/^c}d ||