Athole Cummers (1): Difference between revisions
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Z:AK/Fiddler’s Companion | Z:AK/Fiddler’s Companion | ||
K:Emin | K:Emin | ||
F|:O E/E/E E2 E>FB>F|E/E/E E<F DFA>F|E/E/E E2 E>FB>F| | F|:O E/E/E E2 E>FB>F|E/E/E E<F DFA>F|E/E/E E2 E>FB>F|B<dA>B F>DA>F| | ||
B<dA>B F>DA>F|E/E/E E2 E>FB>F|E/E/E F>DA>F| | E/E/E E2 E>FB>F|E/E/E F>DA>F|E/E/E E2 E>F B>A|B<dA<d F>DD>d|| | ||
E/E/E E2 E>F B>A|B<dA<d F>DD>d||B>EB>A BEEe| | B>EB>A BEEe|B<EB>A FDDd|B<EB>A d>ef>e|d/^c/B/A/ d>A FDD<d| | ||
B<EB>A FDDd|B<EB>A d>ef>e|d/^c/B/A/ d>A FDD<d| | B>EB>A BEEe|B<EB>A FDDd|B<EB>A de{de}f>e|d/^c/B/A/ {c}dA FDDf!fine!!fermata!|| | ||
B>EB>A BEEe|B<EB>A FDDd|B<EB>A de{de}f>e| | e/e/e e2 e>fb>f|e/e/e e2 f>daf|e/e/e e2 e>fb>f|g>ebe df/g/ af| | ||
d/^c/B/A/ {c}dA FDDf!fine!!fermata!||e/e/e e2 e>fb>f| | gebe gebe|gebe df/g/ af|geb>B de{de}f>e|d/^c/B/A/ {c}dA FDD<d| | ||
e/e/e e2 f>daf|e/e/e e2 e>fb>f|g>ebe df/g/ af| | B<EB>A GEE<e|B<EB>A F<DD<d|B>EB>A de{de}fe|d/^c/B/A/ B/c/d/A/ F>DAFO|| | ||
gebe gebe|gebe df/g/ af|geb>B de{de}f>e| | |||
d/^c/B/A/ {c}dA FDD<d|B<EB>A GEE<e|B<EB>A F<DD<d| | |||
B>EB>A de{de}fe|d/^c/B/A/ B/c/d/A/ F>DAFO|| | |||
<section end=abc /> | <section end=abc /> | ||
<section begin=X2 /> | <section begin=X2 /> |
Revision as of 01:33, 12 October 2020
X:1 T:Athol Cummers [1] M:C L:1/8 R:Strathspey B:Manson – Hamilton’s Universal Tune Book, vol. 2 (1846, p. 12) Z:AK/Fiddler’s Companion K:Emin F|:O E/E/E E2 E>FB>F|E/E/E E<F DFA>F|E/E/E E2 E>FB>F|B<dA>B F>DA>F| E/E/E E2 E>FB>F|E/E/E F>DA>F|E/E/E E2 E>F B>A|B<dA<d F>DD>d|| B>EB>A BEEe|B<EB>A FDDd|B<EB>A d>ef>e|d/^c/B/A/ d>A FDD<d| B>EB>A BEEe|B<EB>A FDDd|B<EB>A de{de}f>e|d/^c/B/A/ {c}dA FDDf!fine!!fermata!|| e/e/e e2 e>fb>f|e/e/e e2 f>daf|e/e/e e2 e>fb>f|g>ebe df/g/ af| gebe gebe|gebe df/g/ af|geb>B de{de}f>e|d/^c/B/A/ {c}dA FDD<d| B<EB>A GEE<e|B<EB>A F<DD<d|B>EB>A de{de}fe|d/^c/B/A/ B/c/d/A/ F>DAFO||
X:1
T:Athole Cummers [1]
M:C
L:1/8
R:Strathspey
B:A Companion to the reticule (1833, p. 10)
Z:AK/Fiddler's Companion
K:Edor
F|E<E TE2 E>FB>F|E<E TE2 D>FA>F|E<ETE>F E>FTB>A|1 B>dA>B F>DA>F:|
|2 B>dA>d F>DD<d||ee~e>f e>fb>f|e<~ee<e d>fa>f|e<ee>f efb>f|
g>eb>e ~d>fa>f|g>eb>e ~g>eb>f|~g>eb>e ~d>fa>f|g<be>f ~d>eTf>e|
d/c/B/A/ d>A F>D D2||B<EB>A B>EE>d|B<EB>A F>DD>d|B>EB>A defe|
d/c/B/A/ d>A F>DD>d|B<EB>A B<EB>E F>DD<d|B<EB>A ~d>eTf>e|d/c/B/A/ d>A F>D D2!Fine!||
X: 1
%%topmargin 3cm
U:~=!turn!
T:Athole Cummers [1]
C:
O:Scotland
B:Keith Norman MacDonald : "The Skye collection of the best reels & strathspeys extant" : 1887
Z:Ralph Palmer
R:Stathspey
M:C
L:1/8
F:http://trillian.mit.edu/~jc/music/book/skye/T/Athole_Cummers.abc
K:D mixolydian
F |: E/E/E ~E2 E>FB>F | E/E/E ~E2 {/G}(F<D)A>F | E/E/E ~E2 D>FB>A | [1 (B<{/c}d)A>d {/G}F>DA>F :|
[2 B<dA<d (F<D)D>d |: B<ET(B>A) B<EE>e | B<ET(B>A) {/G}(F<D)D>d | B<ETB>A {/c}d>eT(f>e) |
|1 {^c}(d/^c/).B/.A/ {c}d>A {G}(F<D)D>d :|2 {^c}(d/^c/).B/.A/ {/c}d>A {G}F