Annotation:Cat Came Back (And the): Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Cat_Came_Back_(And_the) > | |f_tune_annotation_title=https://tunearch.org/wiki/Annotation:Cat_Came_Back_(And_the) > | ||
|f_annotation='''(AND THE) CAT CAME BACK'''. American, Reel (2/4 or cut time). G Major. Standard tuning (fiddle). AABB ('''Devil's Box'''). Christeson (1973) notes: "Played by a few Missouri fiddlers in ... the early 1930's but is seldom heard any more." The tune was actually a Tin-Pan-Alley song from the 1890's, written by Harry S. Miller and popularized by New York entertainer Tony Pastor. | |f_annotation='''(AND THE) CAT CAME BACK'''. American, Reel (2/4 or cut time). G Major. Standard tuning (fiddle). AABB ('''Devil's Box'''). Christeson (1973) notes: "Played by a few Missouri fiddlers in ... the early 1930's but is seldom heard any more." The tune was actually a Tin-Pan-Alley song from the 1890's, written by Harry S. Miller and popularized by New York entertainer Tony Pastor. It was popularized among country musicians in the early 78 RPM era through recordings by north Georgia's Fiddlin' John Carson and Riley Puckett, and by Kentucky fiddler Doc Roberts. It was later recorded by fiddler Tommy Jackson, and (late in his career) Clark Kessinger. | ||
|f_source_for_notated_version=Doc Roberts (Ky.) [Reiner & Anick]; Kevin Wimmer [Phillips]. | |f_source_for_notated_version=Doc Roberts (Ky.) [Reiner & Anick]; Kevin Wimmer [Phillips]. | ||
|f_printed_sources=R.P. Christeson ('''Old Time Fiddlers Repertory, vol. 1'''), 1973; p. 8. Stephen F. Davis ('''The Devil's Box''', vol. 13, No. 4, Dec. 1979; p. 32. | |f_printed_sources=R.P. Christeson ('''Old Time Fiddlers Repertory, vol. 1'''), 1973; p. 8. Stephen F. Davis ('''The Devil's Box''', vol. 13, No. 4, Dec. 1979; p. 32. | ||
Phillips ('''Traditional American Fiddle Tunes, vol. 1'''), 1994; p. 15. | Phillips ('''Traditional American Fiddle Tunes, vol. 1'''), 1994; p. 15. | ||
Reiner & Anick ('''Old-Time Fiddling Across America'''), 1989; p. 98. | Reiner & Anick ('''Old-Time Fiddling Across America'''), 1989; p. 98. | ||
|f_recorded_sources= Document DOCD 8042, "Fiddlin' Doc Roberts; Complete Recorded Works, vol. 1, 1925-1928," (1999). Dot Records 45-235 (45 RPM), Tommy Jackson (1955). Marimac AHS #3, Glen Smith – "Say Old Man" (1990. Learned from Tommy Jackson). | |f_recorded_sources= Challenge 307 (78 RPM), Fiddlin' Doc Roberts (1927). Decca 5442 (78 RPM), Riley Puckett (1937). Document DOCD 8042, "Fiddlin' Doc Roberts; Complete Recorded Works, vol. 1, 1925-1928," (1999). Dot Records 45-235 (45 RPM), Tommy Jackson (1955). Marimac AHS #3, Glen Smith – "Say Old Man" (1990. Learned from Tommy Jackson). OKeh Records 40119 (78 RPM), Fiddlin' John Carson (1924). | ||
Morning Star 45005, Doc Roberts – "Way Down South in Dixie" (Learned from Madison County, Ky., African-American fiddler Owen Walker {b. 1857), a well-known local entertainer). | Morning Star 45005, Doc Roberts – "Way Down South in Dixie" (Learned from Madison County, Ky., African-American fiddler Owen Walker {b. 1857), a well-known local entertainer). | ||
|f_see_also_listing= | |f_see_also_listing= | ||
}} | }} | ||
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Revision as of 21:40, 6 March 2021
X:1 T:Cat Came Back, The M:2/4 L:1/8 K:A f/g/|a/b/a/f/ ec|a/g/a/e/ fe|a/b/a/f/ ea/e/|g/a/b/g/ a/e/f/g/| a/b/a/f/ ec|a/g/a/e/ fe|a/b/a/f/ ea|g/a/b/g/ a:| |:c/d/|ea a/g/a/b/ c' c'/b/ c'c'/b/|c'c'/b/ c'/b/a/g/|(e2 e) c/B/| c(f f/)e/c/B/|[c2e2] e2|c>B [c/e/][A/e/][B/e/][B/e/]|[A2e2]-[Ae]|| |:E/F/|AA c/d/e/c/|dc e/d/c/B/|AA c/ec/|d/c/B/A/ E/G/B/G/| AA/B/ c/d/e/c/|d/c/d/e/ fe|f/e/f/g/ a/f/e/d/|[c/e/][A/e/][B/e/][c/e/] [Ae]:||
(AND THE) CAT CAME BACK. American, Reel (2/4 or cut time). G Major. Standard tuning (fiddle). AABB (Devil's Box). Christeson (1973) notes: "Played by a few Missouri fiddlers in ... the early 1930's but is seldom heard any more." The tune was actually a Tin-Pan-Alley song from the 1890's, written by Harry S. Miller and popularized by New York entertainer Tony Pastor. It was popularized among country musicians in the early 78 RPM era through recordings by north Georgia's Fiddlin' John Carson and Riley Puckett, and by Kentucky fiddler Doc Roberts. It was later recorded by fiddler Tommy Jackson, and (late in his career) Clark Kessinger.
