Russian Dance (2) (A): Difference between revisions
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|:d/c/|B/A/B/A/ B/d/g/f/|e/^d/e/d/ e/=d/c/B/|A/B/A/G/ F/A/d/c/|BGG:|] | |:d/c/|B/A/B/A/ B/d/g/f/|e/^d/e/d/ e/=d/c/B/|A/B/A/G/ F/A/d/c/|BGG:|] | ||
<section end=X1 /> | <section end=X1 /> | ||
<section begin=X4 /> | |||
X:51 | |||
T:Russian Dance [2] | |||
O:No 51 Wm Clarke MS Feltwell, Norfolk (1858) | |||
N:From Cahusac’s “German Flute Preceptor” (1814, p. 20) | |||
N:Last bar -too many beats | |||
Z: transcribed by Lyn Law | |||
M:2/4 | |||
L:1/16 | |||
K:D | |||
Ad|f2Ad f2df|g2{a}f2{g}e2 Ac|e2Ac e2ag|f2{g}e2{f}d2:| | |||
|:ag|f2fe d2d'c'|b2b2 bagf|efed c2ac|"^*"d2d2d2:|| | |||
<section end=X4 /> | |||
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<section begin=X1 /> | <section begin=X1 /> |
Revision as of 14:36, 3 April 2022
X:1 T:Russian Dance [2] M:2/4 L:1/8 B:William Cahusac – The German Flute Preceptor (c. 1814, p. 20) Z:AK/Fiddler’s Companion K:D (A/d/)|f(A/d/) f(A/d/)|(g/a/)(f/g/) e(A/c/) | e(A/c/) e(d/e/)|(f/g/)(e/f/) d:| (a/g/)|f(f/e/) d(d'/c'/)|(b/^a/)(b/a/) (b/=a/)(g/f/)|(e/f/)(d/e/) (c/e/)(a/c/)|{e}(d/c/)(c/d/) d:|]
X:1
T:Russian Dance [2]
M:2/4
L:1/8
R:Country Dance
B:Thomas Wilson - Companion to the Ball Room (1816, p. 119)
Z:AK/Fiddler's Companion
K:G
D/G/|BD/G/ BD/B/|c/d/c/B/ AD/F/|AD/F/ Ad/c/|B/c/B/A/ G:|
|:d/c/|B/A/B/A/ B/d/g/f/|e/^d/e/d/ e/=d/c/B/|A/B/A/G/ F/A/d/c/|BGG:|]
X:51
T:Russian Dance [2]
O:No 51 Wm Clarke MS Feltwell, Norfolk (1858)
N:From Cahusac’s “German Flute Preceptor” (1814, p. 20)
N:Last bar -too many beats
Z: transcribed by Lyn Law
M:2/4
L:1/16
K:D
Ad|f2Ad f2df|g2{a}f2{g}e2 Ac|e2Ac e2ag|f2{g}e2{f}d2:|
|:ag|f2fe d2d'c'|b2b2 bagf|efed c2ac|"^*"d2d2d2:||