John Patterson's Mare: Difference between revisions
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Z:AK/Fiddler's Companion | Z:AK/Fiddler's Companion | ||
K:G | K:G | ||
(A/c/)|BG/G/ dG/G/ | (A/c/)|BG/G/ dG/G/ BG/G/ dG/G/|BG/G/ dG/G/ B3 (G/B/)|cA/A/ eA/A/ cA/A/ eA/A/| | ||
cA/A/ eA/A/ c3 d/c/|BG/G/ dG/G/|BG/G/ dG/G/|BG/G/ dG/G/ B3 (A/B/)|| | cA/A/ eA/A/ c3 d/c/|BG/G/ dG/G/|BG/G/ dG/G/|BG/G/ dG/G/ B3 (A/B/)|| | ||
Ge ga g/d/e (gd)|(e/d/e) gd B2 (AG)|Aaaa (3aba ag|(3ede ga (g/a/b/)(g/f)| | Ge ga g/d/e (gd)|(e/d/e) gd B2 (AG)|Aaaa (3aba ag|(3ede ga (g/a/b/)(g/f)| |
Revision as of 02:41, 9 April 2021
X:1 T:New Market, or John Paterson's Mare goes Foremost M:6/8 L:1/8 R:Jig S:Gow - 2nd Repository (1802) Z:AK/Fiddler's Companion K:F c/B/|AFA f2c|AFA f2c|AFA fcB|A3 F2A| BGB g2d|BGB gdc|B3 G2 c/B/|AFA f2c| AFA f2c|AFA fcB|A3 FGA|B>AB c>Bc| d>Bd e>de|f>ed gdc|B3G2||c|A/B/cF A/B/cF| A/B/cF A/B/cF|A/B/cF fcB|A3F2c|B/c/dG B/c/dG| B/c/dG B/c/dG|B/c/dG gdc|B3 G2B|A/B/cF A/B/cF| A/B/cF A/B/cF|A/B/cF fcB|A3 FGA|B>AB c>Bc| d>Bd e>de|f>ed gdc|B3G2||c|AFA f2c|f/g/a/g/f/e/ f2c| f/g/a/g/f/e/ fcd|~A3 F2A|BGB g2d|=e/f/g/f/e/d/ g2d| =e/f/g/f/e/d/ gdc|B3G2c|AFA f2c| f/g/a/g/f/e/ f2c| f/g/a/g/f/e/ fcf|~A3 FGA|B>AB c>Bc|c>Bc e>de| f>ed gdc|B3G2||c|f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ f/g/a/g/f/e/| f/g/ag/f/e/ fcd|A3Fd2|g/a/_b/a/g/^f/ g/a/b/a/g/f/| g/a/_b/a/g/^f/ g/a/b/a/g/f/| g/a/_b/a/g/^f/ gdc|B3G2c|f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ fcf| A3 FGA|B>AB c>Bc|d>Bd e>de|f>ed gdc|B3G2||
X:1
T:Engagement Begins, The
T:John Patterson's Mare Goes Foremost
M:6/8
L:1/8
R:Air
Q:"Spirited"
N:”A Highland Battle Piece, or Seige of Kildrummie;
N:Partly composed, the whole arranged, and inscribed
N:to the memory of Sir William Wallace, the Scottish
N:Champion, by James Davie.”
N:See also “Quick Step towards the Enemy,” “Address to
N:the Army,” “War Song (The),” ”Pibroch of Victory.”
B:Davie’s Caledonian Repository (Aberdeen, 1829-30)
Z:AK/Fiddler’s Companion
K:D
A|F>ED D<A,D|F>ED D<AD|F>ED d<AG|TF3 (E2F)|
G>FE E<B,E|G>FE E<B,E|G>FE e<BA|G3 T(F2E)||
FDF d2A|B/c/d/c/B/A/ d2A|B2A B/c/d/B/A/G/|TF3(D2F)|
G<EB e2B|e/f/g/f/e/^d/ e2B|e2B e/f/g/e/B/A/|G3 T(F2E)||
F<DF d2A|d/e/f/e/d/c/ d2A|d2AB/c/d/B/A/G/|TF3 (D2F)|
E<ee g2e|f>ed e<ag|f>ed e<ag|Tf3 {ef}d2||
a/g/|f>ed d2e|f/g/a/g/f/e/ d2A|B2A B/c/d/B/A/G/|TF3 (D2F)|
"faster"G<EE B<EE|d<EE B<E|G<EE B<EE|e<EE B<EE|
F<DD A<DD|d<DD A<DD|A<DD d<AG|TF3 (D2F)|
G<EE B,<EE|G<EE B,EE|G>AB e<BA|G3 TF2A/G/|
F<DD A,<DD|F<DD A,<DD|F<DD d<AG|TF3(D2F)|
G<EE e2B|e/f/g/f/e/^d/ e2B|c/^d/e/d/c/B/ c/d/e/c/B/A/|G3 T(F2E)||
D/D/D/D/d F<Fd|D/D/D/D/d F<Fd|D/D/D/D/d F/F/F/F/d|A/A/A/A/d F/F/F/F/d|
E/E/E/E/e G<Ge|E/E/E/E/e G<Ge|E/E/E/E/e G/G/G/G/e|B/B/B/B/e G/G/G/G/e||
FD/D/D A,D/D/D|FD/D/D A,D/D/D|fD/D/D dA/A/A|F/G/A/G/F/E/ D/E/F/G/A/F/|
GE/E/E B,E/E/E|GE/E/E B,E/E/E|GE/E/E eB/B/B|G3 (F2E)||
Dd/d/d Fd/d/d|Dd/d/d Fd/d/d|Dd/d/d Fd/d/d|F/E/D/E/F/G/ B/A/G/F/E/^D/|
Ee/e/e Ge/e/e|Ee/e/e Ge/e/e|Be/e/e gB/B/B|g3T(f2e)||
d/D/D/D/D/D/ A,/D/D/D/D/D/|F/D/D/D/D/D/ A,/D/D/D/D/D/|F/D/D/D/D/D/ A/D/D/D/D/D/|
d/e/f/e/d/c/ B/c/d/c/B/A/|G/E/E/E/E/E/ B,/E/E/E/E/E/|G/E/E/E/E/E/ B/E/E/E/E/E/|
e/E/E/E/E/E/ B/E/E/E/E/E/|G/A/B/A/G/F/ E/F/A/G/F/E/||
P:The Enemy Flies and is Pursued
D/d/d/d/d/d/ f/A/a/A/g/A/|f/d/d/d/d/d/ f/A/a/A/g/A/|
f/g/a/g/f/e/ d/e/f/e/d/c/|B/c/d/c/B/A/ G/A/B/A/g/F/|
E/e/e/e/e/e/ g/e/b/e/a/e/|g/e/e/e/e/e/ g/e/b/e/a/e/|
g/a/b/a/g/f/ e/f/g/f/e/d/|c/d/e/d/c/B/ A/B/A/G/F/E/|
D/d/c/B/A/G/ F/B/A/G/F/E/|D/f/e/d/c/B/ A/B/c/d/e/f/|
g/A/g/A/f/A/ e/A/e/A/f/A/|g/A/g/A/f/A/ e/f/a/g/f/e/|
d/e/f/e/d/A/ d/e/f/e/d/A/|a/g/f/e/d/c/ B/A/G/F/E/D/|
e/f/g/f/e/B/ e/f/g/f/e/B/|b/a/g/f/e/d/ c/B/A/G/F/E/|
P:Pursuit Ended
"Slower"F>ED D<A,D|F>ED D<A,D|F>ED d<AG|F3 T(E2D)|
"Slower to the pause"G>FE E<B,E|G>FE E<B,E|G>FE e<BA|G3 T(F2!fermata!E)||
X:1
T:Làir Iain Ic. Phàdrig
T:John Paterson’s Mare
M:C
L:1/8
R:Jig
B:William Gunn - The Caledonian Repository of Music
B:Adapted for the Bagpipes (Glasgow, 1848, p. 49)
Z:AK/Fiddler’s Companion
K:G
e|BGG d2G|BGG d2G|BGB ded|BB2 G2d|
cAA eAA|fAA e2A|cAc efe|c3 g3|
BGG d2G|BGG d2G|BGB ded|B B2 G2a|
ece dBd|cAc BGB|A<Ae efe|c3 A2||
e|BGB g2a|gfe g2e|def g2d|B B2 G2B|
AAA a3|gfe g2a|ece eae|c3 A2e|
BGB g2a|gfe g2e|def g2d|BB2 G2a|
ece dBd|cAc BGB|A<Ae efe|c3 A2||
X:1
T:John Peterson's Mare gangs foremost
M:C
L:1/8
B:James Hoseason music manuscript, Yell, Shetland, 1862
Z:AK/Fiddler's Companion
K:G
(A/c/)|BG/G/ dG/G/ BG/G/ dG/G/|BG/G/ dG/G/ B3 (G/B/)|cA/A/ eA/A/ cA/A/ eA/A/|
cA/A/ eA/A/ c3 d/c/|BG/G/ dG/G/|BG/G/ dG/G/|BG/G/ dG/G/ B3 (A/B/)||
Ge ga g/d/e (gd)|(e/d/e) gd B2 (AG)|Aaaa (3aba ag|(3ede ga (g/a/b/)(g/f)|
(3e-d.e ga (3gde gd|(3e-d.e gd B3(A/G/)|BA/A/ eA/A/ BA/A/ eA/A/|(3BBd gd c3A||
X:1
T:Newmarket Horse-Race: or, John Paterson's Mare Goes Foremost
M:6/8
L:1/8
R:Jig
B:Köhler’s Violin Repository, Book One (1881, p. 82)
Z:AK/Fiddler's Companion
K:F
(c/B/)|AFA f2c|AFA f2c|FAF fcB|A3 F2A|
BGB g2d|BGB g2d|BGB gdc|B3 G2c/B/|
AFA f2c|AFA f2c|AFA fcB|A3 FGA|
{Bc}B>AB {cd}c>Bc|{Bc}d>Bd {df}e>de|f>ed gdc|B3 G2!Fine!||
c|(A/B/)cF (A/B/)cF|(A/B/)cF (A/B/)cF|(A/B/)cF fcB|A3 F2c|
(B/c/)dG (B/c/)dG|(B/c/)dG (B/c/)dG|(B/c/)dG gdc|B3 G2B|
(A/B)cF (A/B/)cF|(A/B/)cF (A/B/)cF|(A/B/)cF fcB|A3 FGA|
{Bc}B>AB {cd}c>Bc|{de}d>Bd {ef}e>de|f>ed gdc|B3 G2||
c|AFA f2c|f/g/a/g/f/e/ f2c|f/g/a/g/f/ fcd|A3 F2A|
BGB g2d|e/f/g/f/e/d/ g2d|e/f/g/f/e/d/ gdc|B3G2c|
AFA d2c|f/g/a/g/f/e/ f2c|f/g/a/g/f/e/ f(cf)|A3 FGA|
{Bc}B>AB {cd}c>Bc|{de}d>Bd {ef}e>de|f>ed gdc|B3 G2||
c|f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ fcf|
A3 F2d|g/a/b/a/g/^f/ g/a/b/a/g/^f|g/a/b/a/g/^f g/a/b/a/g/f/|
g/a/b/a/g/g/^f/ gdc|B3G2c|f/g/a/g/f/e/ f/g/a/g/f/e/|
f/g/a/g/f/e/ f/g/a/g/f/e/|f/g/a/g/f/e/ f(cf)|A3 FGA|
{Bc}B>AB {cd}c>Bc|{de}d>Bd {ef}e>de|f>ed gdc|B3 G2!D.C.!:|]