Annotation:Green Mountain Hornpipe: Difference between revisions

Revision as of 04:38, 10 September 2011

GREEN MOUNTAIN HORNPIPE. Old-Time, Breakdown. USA, Missouri. A Major. Standard tuning (fiddle). AABB. Not related to "Green Mountain Petronella."

Source for notated version: African-American fiddler Bill Driver (Miller County, Missouri) [Christeson]. Driver lived in Miller County, Missouri, for most of his adult life in the early-mid 20th century and was a square dance fiddler noted for his vigorous playing and steady tempo. Christeson (1973) remarked he "represented the best example I encountered of a repertory strictly indigenous to a local area...[his] repertory was largely undiluted with hornpipes, jigs, or reels, which obviously came from the phonograph, or from the printed page shipped in by mail, or from an itinerant fiddler."

Printed sources: R.P. Christeson (Old Time Fiddlers Repertory, vol. 1), 1973; p. 19.

Recorded sources:

See also listing at:
Jane Keefer's Folk Music Index: An Index to Recorded Sources [1]

Tune properties and standard notation

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-''Source for notated version'': African-American fiddler Bill Driver (Miller County, Missouri) [Christeson]. Driver lived in Miller County, Missouri, for most of his adult life and was a square dance fiddler noted for his vigorous playing and steady tempo. Christeson (1973) remarked he "represented the best example I encountered of a repertory strictly indigenous to a local area...[his] repertory was largely undiluted with hornpipes, jigs, or reels, which obviously came from the phonograph, or from the printed page shipped in by mail, or from an itinerant fiddler."
+''Source for notated version'': African-American fiddler Bill Driver (Miller County, Missouri) [Christeson]. Driver lived in Miller County, Missouri, for most of his adult life in the early-mid 20th century and was a square dance fiddler noted for his vigorous playing and steady tempo. Christeson (1973) remarked he "represented the best example I encountered of a repertory strictly indigenous to a local area...[his] repertory was largely undiluted with hornpipes, jigs, or reels, which obviously came from the phonograph, or from the printed page shipped in by mail, or from an itinerant fiddler."
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