Annotation:Taylor's March (1): Difference between revisions
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{{TuneAnnotation | {{TuneAnnotation | ||
|f_annotation='''TAYLOR'S MARCH [1].''' American, March (2/4 time). USA, southwestern Pa. D Major. Standard tuning (fiddle). ABC. | |f_annotation='''TAYLOR'S MARCH [1].''' American, March (2/4 time). USA, southwestern Pa. D Major. Standard tuning (fiddle). ABC. "Taylor's March [1]" was collected by Samuel Bayard in a number of versions and a variety of titles, including "Stick Beat", "Old Stick Beat", "Old Seven Spot," "Old Number Seven," "Frank Keeney," and "Davistown"<ref>The latter two titles refer to an influential player and a town in southwest Pennsylvania. The prior titles are descriptive of the march ("Stick beat") or its position in the playing repertory ("Old Number Seven"). </ref>. | ||
|f_source_for_notated_version= Mount Pleasant Tablatures (a fife MS from southwestern Pa., 1950's) [Bayard]. | |f_source_for_notated_version= Mount Pleasant Tablatures (a fife MS from southwestern Pa., 1950's) [Bayard]. | ||
|f_printed_sources=Bayard ('''Dance to the Fiddle'''), 1981; No. 228E, pp. 187‑188. | |f_printed_sources=Bayard ('''Dance to the Fiddle'''), 1981; No. 228E, pp. 187‑188. | ||
}} | }} | ||
Revision as of 01:53, 16 July 2021
X: T:Taylor's March [1] S:From the Mt. Pleasant Tablatures, a southwest Pa. fife band ms. M:2/4 L:1/8 R:March B:Bayard - Dance to the Fiddle, March to the Fife (1981, No. 228E, p. 187) K:D A|d2 ce|dA FA|d2 cd|ef ge|d2 ce|dA FA|dd fe|d2z|| e|cA eA|cA e2|BG dG|BG d2|cA eA|cA e2|A/B/c/d/ ef|d2z|| A|dd df|dd df|ee eg|ee eg|dd df|dd df|eg ce|d2 z||
TAYLOR'S MARCH [1]. American, March (2/4 time). USA, southwestern Pa. D Major. Standard tuning (fiddle). ABC. "Taylor's March [1]" was collected by Samuel Bayard in a number of versions and a variety of titles, including "Stick Beat", "Old Stick Beat", "Old Seven Spot," "Old Number Seven," "Frank Keeney," and "Davistown"[1].
- ↑ The latter two titles refer to an influential player and a town in southwest Pennsylvania. The prior titles are descriptive of the march ("Stick beat") or its position in the playing repertory ("Old Number Seven").