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|:cdef gage|gage dgBG|cdef gage|aba^g a2 (AB):|]
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C:Page 08
T:Jenny Nettles. MBe.16
A:England;Cumbria;Towcett
B:Matthew Betham MS, Towcett Cumbria, 1815
Z:VMP - Hugh Taylor, 2012
M:C|
L:1/8
Q:1/2=100
R:
N:A widespread tune. See versions in both Jackson, H.S.J (Winder) and Harrison collections.
N:NB1-Lots of splodges makes this first bar difficult to decipher. Notes given are as commonly played, and
N:fit in with bar 3.
N:NB2-This bar is as written making an odd length bar. The B section has only 3 bars. I'm leaving it to the
N:player to decide on a satisfying correction.
K:Am
"^NB1"c2 B2 A2 a2|efge dBGB|c2 B2 A2 a2|gedf e2 A2:|
|:cded cded|dBGB dBGB|"^NB2"a2 fedf e2 A2:|
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Revision as of 04:27, 26 April 2022


Jenny Nettles (1)  Click on the tune title to see or modify Jenny Nettles (1)'s annotations. If the link is red you can create them using the form provided.Browse Properties <br/>Special:Browse/:Jenny Nettles (1)
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 Theme code Index    3b211H 57b47bL
 Also known as    Janny Nettles, Jenny Nettle, Johnnie Nittle, Jenny Pawned her Bonnet, Jenny Pippen, Jenny Tie Your Cravat, Tailor's Daughter
 Composer/Core Source    
 Region    England, Scotland
 Genre/Style    Northumbrian/Borders, Scottish, Shetland/Orkney
 Meter/Rhythm    Country Dance, Reel (single/double)
 Key/Tonic of    A
 Accidental    1 sharp
 Mode    Dorian
 Time signature    2/2
 History    SCOTLAND(Shetland/Orkney), ENGLAND(North East)
 Structure    AAB, AABB, AABC, AABBCC, AABBC, AABBCC
 Editor/Compiler    Robert Bremner
 Book/Manuscript title    Book:Scots Reels
 Tune and/or Page number    p. 80
 Year of publication/Date of MS    1757
 Artist    
 Title of recording    
 Record label/Catalogue nr.    
 Year recorded    
 Media    
 Score   (1)   




X:1 T:Jenny Nettles [1] M:C L:1/8 R:Country Dance Tune B:David Rutherford – Rutherford’s Compleat Collection of 200 Favourite B:Country Dances, vol. 2 (London, c. 1760, No. 119, p. 60) Z:AK/Fiddler’s Companion K:Ador c2B2A2a2|efge d/c/B/A/ GB|c2B2A2a2|ge=fd e2A2:| |:c>deA c>deA|BGdG B>cdB|vc>deA cdea|ge=fd e2A2:|]


X:2 T:Jenny Nettles [1] M:C| L:1/8 R:Reel B:Gow - 3rd Collection of Niel Gow's Reels, 3rd ed., p. 16 (orig. 1792) Z:AK/Fiddler's Companion K:Amin A/B/|{A/B/}c2 .B2.A2.a2|(e^f)ge dBGB|{A/B/}.c2.B2.A2.a2|ge^fd e2A:||B| Tc>deA Tc>deA|d/c/B/A/ Gd BGdB|c>deA cdea|ge^fd e2 AB| Tc>deA Tc>dec|BAGd BGdB|Tc>deA c>dec|BcdB {B}e2A||B| Tc>de^f g>age|gaTge d/c/B/A/ GB|Tc>de^f gage|aba^g Ta2 AB| cde^f gage|gage {d}cB/A/ GB|cde^f gagf|ea^gb a2A|]


X:1 T:Janny Nettles [1] M:C L:1/8 R:Reel B:Robert Mackintosh – “A Fourth Collection of New Strathspey Reels, also some Famous old Reels” (1804, p. 41) N:Dedicated to the Dutchess [sic] of Manchester N:Robert “Red Rob” Mackintosh (c. 1745-1808) was a Scottish violinist and N:composer active in Edinburgh at the end of the 18th century. Originally from N:Tullymet, near Pitlochry, Perthshire. He moved to London in the last decade N:of his life. Z:AK/Fiddler’s Companion K:Amin {AB}c2B2A2a2|e^fge dgBG|cdBc A/A/A a2|gedg e2 AB:| |:(cde)A cdec|BGdB BcdB|(cde)A cdea|gfdg e2 AB:| |:cdef gage|gage dgBG|cdef gage|aba^g a2 (AB):|]


X:16 C:Page 08 T:Jenny Nettles. MBe.16 A:England;Cumbria;Towcett B:Matthew Betham MS, Towcett Cumbria, 1815 Z:VMP - Hugh Taylor, 2012 M:C| L:1/8 Q:1/2=100 R: N:A widespread tune. See versions in both Jackson, H.S.J (Winder) and Harrison collections. N:NB1-Lots of splodges makes this first bar difficult to decipher. Notes given are as commonly played, and N:fit in with bar 3. N:NB2-This bar is as written making an odd length bar. The B section has only 3 bars. I'm leaving it to the N:player to decide on a satisfying correction. K:Am "^NB1"c2 B2 A2 a2|efge dBGB|c2 B2 A2 a2|gedf e2 A2:| |:cded cded|dBGB dBGB|"^NB2"a2 fedf e2 A2:|


X:1 T:Jennie Nettle [1] M:C L:1/8 R:Reel S:John Rook music manuscript collection (Waverton, Cumbria, 1840, p. 156) Z:AK/Fiddler’s Companion K:G B|c2 Bc A2a2|efge dBGB|(3cdc (3BcB A2a2|gefd e2 A:| |:B|cdec BcdB|d/c/B/A/ Gd BGdB|cdec Bcda|gegd e2A:| |:B|cdef gage|gage d/c/B/A/ GB|cdef gage|dBgB A>dG>B:||


X:1 T:Jenny Nettles M:C L:1/8 R:Reel B:Manson – Hamilton’s Universal Tune Book vol. 1 (1854, p. 112) Z:AK/Fiddler’s Companion K:C A/B/|{AB}c2B2A2a2|e^fge dBGB|{AB}c2B2A2a2|ge^fd e2A:| B|c>deA c>deA|d/c/B/A/ Gd BGdB|c>deA cdea|ge^fd e2 AB| c>deA c>deA|BAGd BGdB|c>deA c>deA|BcdB {B}e2A|| B|c>de^f g>age|gage d/c/B/A/ GB|c>de^f eage|aba^g a2 AB| c>de^f gage|gage {d}cB/A/ GB|cde^f gagf|ea^gb a2A|]


X:1 T:Jenny Nettle [1] Reel M:2/4 L:1/8 R:Reel B:Elias Howe – Musician’s Omnibus Nos. 6 & 7 (Boston, 1880-1882, p. 634) B: http://ks4.imslp.net/files/imglnks/usimg/c/c7/IMSLP601433-PMLP562790-ONeill_Rare_Medium_M40_M8_v6.7_text.pdf Z:AK/Fiddler’s Companion K:G e/4d/4|cB/c/ Aa/f/|g/e/d/c/ B/G/G/B/|c/d/B/c/ Aa/f/|1g/e/d/B/ e/A/A/:|2 g/e/d/B/ e/A/A/B/|| |:Ae/A/ c/d/e/c/|B/g/d/c/ B/A/G/B/|Ae/A/ c/d/e/a/|1 g/e/d/B/ e/G/A/B/:|2 g/e/d/B/ e|]


X:1 T:Jenny Nettles [1] M:C| L:1/8 R:Country Dance B:Stewart-Robertson - The Athole Collection (1884) Z:AK/Fiddler's Companion K:Amin A/B/|c2B2A2a2|e^fge dBGB|cdBc A2a2|ge^fd e2A:| |:B|cdeA cdec|BAGd BGdB|cdeA cdea|ge^fd e2A:| B|cde^f gage|gage dBGB|cde^f gage|aba^g a2 AB| cde^f gage|gage dBGB|cde^f gagf|ea^gb a2A|]